THE END OF A TOUR is a somewhat liminal time for an idol. tours themselves, for someone of nebulously mid-tier fame like CHIAKI, are rare enough that no matter how tired said idol is, it's outweighed by the sheer excitement of having some level of freedom when she finally gets to tokyo. between shows, chiaki has her run of the city. karaoke, visits with her family, shopping, carefully-disguised visits to bars and clubs when she can sneak away from her bodyguards, the lot of it.
it isn't one of these situations, however, that chiaki is caught up in when it happens. she's onstage, instead, at the tail end of her penultimate tokyo show.
the visions come in flashes. here-and-gone, epileptic. and they aren't just visions — they overwhelm every sense when they overtake her. blood on her hands, in her nose, spurting. open gash. something cold and heavy in her hand. scalpel in her hand, slicing.
what it is, she realizes with a lurch of dizzying nausea, is an open cadaver underneath the sickly-white light of an operating theater. no, wait — it's too dark. where is she?
sense of a different body.
sense of a different mind.
and then, all at once, chiaki is slingshotted back from whatever the hell that was, only to find herself on the stage floor staring into the lights above — and the face of her bodyguard, concern etched into the lines of his face, as he scoops her into his arms and carries her half-conscious body offstage. what — what the hell. what the hell.
she's in the dressing room when it happens again. one second, she's working the makeup off her face with a lavender-scented wipe, still in full costume. the next, she's staring through the reflection in the mirror at an operating table that has somehow appeared in the room behind her. atop it, an open body. beside it, a woman in a mask whose skin and hair are nearly as pale as her own. there's something familiar about her sallow eyes, but chiaki can't place it through the overwhelming deluge of shock and confusion.
for a moment, she just... stares. blinks a few times, in hopes that the pale woman and her nightmare theater will go away. when it doesn't, chiaki lets the arm with the makeup wipe fall into her lap, face still half-undone. maybe all of the blood should freak her out more than it does, but she's never been terribly squeamish.
❝ are — ❞ oh. ow. sung-out throat. chiaki grimaces, shakes her head, tries again. ❝ are you real? ❞