Poetic form to me is like sculpture in a way; you have the armature of the form and then lay your words on top of it. Making the concept fit the construct and finding a way to break the reader’s heart within the confines of the structure is what appeals to me. I’m intensely interested in constraint, and I think this is where my visual arts training comes into play, I want to understand how a thing is made before I feel I can successfully deconstruct it. How is as important to me in art as why.
KILBY SMITH-MCGREGOR IN CONVERSATION: ROXANNA BENNETT’S UNCERTAINTY PRINCIPLE










