Charlie Chaplin / Thomas Beckmann, Limelight I Oh! That Cello,1993
seen from United States
seen from United States
seen from United Kingdom
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Japan
seen from Yemen
seen from Spain
seen from United States

seen from Poland
seen from Ireland
seen from United States

seen from Poland
seen from United States

seen from United States
seen from Türkiye
seen from Türkiye
Charlie Chaplin / Thomas Beckmann, Limelight I Oh! That Cello,1993
Charlie Chaplin/Thomas Beckmann, Bombay I Oh! That Cello, 1993
Day Thirty Nine
Smile, though your heart is aching Smile, even though it’s breaking When there are clouds in the sky you’ll get by If you smile through your fear and sorrow Smile and maybe tomorrow You’ll see the sun come shining through for you
Mashup der Woche:
Thomas Beckmann spielt die Bach-Kantate „Ich steh’ mit einem Fuß im Grabe“ aus Protest gegen DügIdA and they are like "let me sing you the song of my people!"
„Bach (…) sagte der Tendenz der Zeit, die er selber ausprägte, den Gehorsam auf, um jener Tendenz zu ihrer eigenen Wahrheit zu verhelfen, der Emanzipation des Subjekts zur Objektivität in einem bruchlosen Ganzen, das in Subjektivität selber entspringt. (…) Das längst Vergangene wird zum Träger der Utopie des musikalischen Subjekt-Objekts, der Anachronismus zum Boten der Zukunft."
- Theodor W. Adorno