Portrait of a Woman, possibly Elizabeth Boothby
Cornelis Jonson (called Jonson van Ceulen)
Research suggests that this portrait may depict Elizabeth Boothby (1590–1658), daughter of a prominent London merchant. The jewels in her hair, the silver thread and expensive lace adorning her silk gown, and even the faux marble oval surrounding her image are all signs of wealth and status. Although painted in England, this portrait reflects the traditions of Dutch portraiture, evidence of the fluid artistic exchange that existed between the two countries. Jonson was born in London, received his artistic training in Amsterdam, and spent the last 20 years of his career in the Dutch Republic.
David used the story of Cupid and Psyche to explore the conflict between idealized love and physical reality. Cupid, lover of the beautiful mortal Psyche, visited her nightly on the condition that she not know his identity. Cupid was usually depicted as an ideal adolescent, but here David presents him as an ungainly teenager smirking at his sexual conquest. David took inspiration from a number of ancient texts, including an obscure, recently published Greek poem by Moschus that describes Cupid as a mean-spirited brat with flashing eyes and curly hair.