halfway through the list of albums i've got set aside to listen to today and dangg i've already been (lovingly) punched in the stomach like five times so far
seen from United States
seen from Japan
seen from Algeria
seen from China
seen from Türkiye
seen from Russia
seen from China
seen from China

seen from United States
seen from Sweden

seen from Ireland

seen from France

seen from Russia
seen from Australia

seen from United Kingdom
seen from Germany
seen from Türkiye

seen from Türkiye
seen from Türkiye
seen from Türkiye
halfway through the list of albums i've got set aside to listen to today and dangg i've already been (lovingly) punched in the stomach like five times so far
Ruth Asawa
Untitled (S.841, Mounted Paperfold of Alternating Vertical Black and White Stripes), c. 1952
Ink on paper
Untitled (S.843, Mounted Paperfold with Diagonal Black and White Stripes), c. 1952
Ink on paper
Untitled (S.691, Wall-Mounted Paperfold with Horizontal Stripes), 1951
Ink on paper
She's the only line of continuity running through the haphazardness of my life, even though there are times when I'm not even sure if I really know her.
Anthony Horowitz, from Moonflower Murders
Analyze Scenes
Through action/line - something that really carries through the whole play, a force, an idea, an atmosphere, a conflict
the crucible - a dominant idea- the power of hysteria, mob mentality, power of ignorance, authority, "power corrupts, but absolute power corrupts absolutely".
Abigail - thrill of the hunt, lust for Proctor and possession desires
something they want to achieve - intention
-it is a constant analysis of the intention.
each beat and each unit could be another intention - how can you break apart the scene and differentiate the shifts in emotion / movement
Analyze the text (the written words) AND the subtext (what is actually meant by the words)
How does previous action affect the play and characters?