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The Fight Club, 2012

Tim Okamura - Canadian, b. 1968

Oil and mixed media on canvas, 112 x 130"

#tim okamura #mixed media #oil on canvas #canadian artist #canadian art #women in sports #oiluploads

Artist Paints Striking Portraits of Real Women of Color as Fearless Female Warriors

by Regina Sienra - My Modern Met, August 5, 2024

“Ebony Obsidian the Unbreakable”

Artist Tim Okamura first heard about Tomoe Gozen, a Onna-Bugeisha or “woman warrior” about 10 years ago, but the story stuck with him ever since. “I think the fact that the female samurai fought alongside men, had the same responsibilities and expectations resonated with me deeply,” he tells My Modern Met. In this figure, he found a creative engine, sparking a powerful series of paintings titled Onna-Bugeisha, where women of color are ready to take a stand and emerge victorious in a dystopian near future.

Okamura felt drawn to depict women from underrepresented communities both due to having grown up with a diverse group of friends and the lack of representation in portraits he saw in the galleries and museums he visited. “I felt called to consciously focus on creating work, specifically portraits based in an academic tradition, of people who were missing from the museums, people of color, whose stories deserved to be captured on canvas, with great care and reverence,” he says.

In his paintings, women don ornate kimonos and traditional garments, but also hold katanas with a defying look in their eyes. The highly realistic approach goes beyond Okamura's proficient use of light and shadow in their expression. He expertly depicts the veins and bruises on their arms, as well as the texture of natural hair. While hands have been a perennial challenge for painters, Okamura appears to depict them effortlessly, even reveling in painting them in different poses.

“The Northern Emissaries”

The artist shares that he has always loved the challenge of painting faces and putting human stories on canvas, which has in turn influenced his style. “Portraying someone in a way that both celebrates them as an individual and points to a larger metaphor for the human condition has always been important to me. Therefore I've always worked in the mode of realism. I think my technique has developed over time to be more impasto (thicker paint), textured, and with more push and pull on the paint surface, and with more exploration of abstraction, or micro-abstraction, in my backgrounds.”

The women depicted in his paintings are all real women he knows personally and commends for their positive energy. “At the risk of sounding cliché, seeing the inner light projecting outward as an important consideration when choosing my subjects, whether the painting is about them specifically, or whether they are playing a role, such as that of a female Samurai, as in the Onna-Bugeisha series,” Okamura says. “I feel very fortunate that I've found such great alignment with the spirit of the work, and the women who have participated in the process. Having an energetic connection I think is key to creating the best work possible.”

Aware of the threat women's rights are facing around the world, Okamura felt compelled to create this group of fearless heroes. “I believe the role of the artist is to open up avenues to alternate, constructive pathways and to establish new visions through elevated narratives,” he concludes. “I hope the Onna-Bugeisha series will inspire viewers to get unstuck from the muck and mire of discrimination and prejudice and can offer inspiration for a better future women warriors will play a key role in building.”