#tired!!!!

[arrowsperpetualcringe]

I don't get how people can so blatantly refuse to see nuance

The black and white shit pisses me off so much

It's like I get having personal preferences when it comes to characters but it's like ther are certain people who actually refuse to analyze the media they consume beyond a certain level just to go "this character bad"

Like. Please. 🫩

[katyspersonal]

Idk man, something just went whack with the Elden Ring fandom in general. People were crying about them "betraying their audience" (in terms of writing) after SOTE leaks, then it was accusing them of going full Corporative Slop Mode and getting apprehensive as soon as Nightreign was announced, then Corporative Slop Mode the Sequel when Duskbloods was announced, then panic over incoming Elden Ring movie being bad, now I see "noooo Elden Ring now does fanservice and male gaze" because Nightfarers confirmed to not have any armored female character...

Like, at this rate it is just constant panic sort of? I had my part in it when I got pessimistic about Elden Ring movie ngl, but it really now feels like fandom got TOO trigger-happy to scream that Fromsoft Now Bad over literally every sneeze from them gfhdhgjgjg It is funny but also that's enough of panic over Fromsoft "betraying" the fanbase I think? They've always 1) tried something new 2) made questionable choices due to absurd development history and 3) had more regular feminine women than battle-ready armored women (just if you strictly count the amount of type of character). These were true for their entire history as devs! Nothing changed! They are not "betraying" us nor themselves, we just collectively put them on a pedestal because how successful Elden Ring was when they're just the same studio of absolutely unhinged people who share Miyazaki's madness (and preferences lol) Like, any Flame will die some day, don't get me wrong, corporative slop will take Fromsoft too one day. But it is too early to proclaim the worst. We can expect super hight quality from them for MANY more years!

[tothewheel]

"you should watch this show it has great representation" does it have canon lesbians "this gay ship is so good" does it have women kissing on screen "theres this one headcanon" does the show explicitly have lesbians that say and act on it on screen. i love gay rep as much as the next person but we have gotta put more women in the spotlight

[hatake]

still waiting on that mass block feature

[septembersghost]

my mom went to get the oil changed six hours ago and instead found out there’s something seriously wrong with the car 😩😟

[inadequate-nefelibata]

i don’t know if it’s the right call to write this. i’m like, weirdly out of touch. It’s 4 am here in Argentina, so if this makes no sense. so be it. 

but i feel like when it comes to characters like johnny - aka male (almost always white too) characters who are shown to be violent and misogynisitic or classist (or racist), that are eventually revealed to have a pretty tragic backstory, meant to cast all their past behavior in a tragic light - i almost feel like im completely done with those stories. I’ve seen them a lot and, most of the time, the backstory not only works as a half-way redeption, but also tends to change the nature of their behavior into something that’s... less meaningful. It removes them from a larger context. More on that later.

The thing is, I liked johnny’s redeption as it was shown in the karate kid. no, that’s not right. I do feel like his story was left incomplete. we don’t see him get back up. and it is nice to see him trying to become a better person, rather than just having the suggestion that he could have been better without kreese’s influence.

But im just a bit tired of the same-old “gotcha! he was just an asshole because he was hurting all along.” reveal. 

Which is not me saying that the writers are wrong to explore how the cobra kai philosophy could be attractive to bullied/marginalized kids. I see how for Tory or Aisha or Miguel the concept of showing no mercy to an unfair world would make perfect sense. especially coming from a teacher they trust.

But with Johnny, i wanted to see a bit of the other side of the cobra kai target audience. 

What does that mean? 

While Kreese is very good at reframing his lessons to fit all kinds of students, really, the real reason why the og Cobra kai lessons creates so many bullies is because if conviced them of this:

what the hell is that, you wonder? i don’t really like how it looks but i have tried putting it to words so many times so... eh. 

It’s the idea that some people are better than other people, stronger than other people. But most importantly, if you’re weak, that changes your worth as a person. Which is why you don’t deserve to escape whatever kind of violence you are subjected to; those who are weak deserve to be put on their place. 

It’s appropiate for a metaphor about US imperialism because it represents an idea that has always been used as a justification of colonialism: “the survival of the fittest”. If a group is weaker than other group, it deserves to be dominated. It deserves to disappear.

This philosophy doesnt come from marginalized groups, and it doesn’t really serve them, even if it can be presented in that way. The lines can be blurred, because human history is complicated as hell but. still. at the end of the day, community is what stops injustice. Not trying to make yourself worthy in the eyes of injust people. 

Having said all that, i’m switching lanes for a second to the way in which cobra kai is presented in this show. sometimes it’s like the show want us to believe that people, kids, need to have cracks to absorb kreese’s (or johnny’s) teachings. cracks brought on by trauma or unjustice. 

and its kind of related to how the phrase “there are no bad students, only bad teachers” gets interpreted in the context of the show.  

I mean, Mr Miyagi doesn’t really go to explain it further so we can read it in many many different ways. But in the show, the idea of a “bad teacher” is closely tied to Kreese’s abusive relationship with Johnny. And, yes, that dimension of the relationship is canon, even in the films. Even in the first film. 

But I also think it’s possible to interpret that phrase in a more neutral sense. A “bad teacher” is not necessarily an abusive one. It can just be someone who is kind to their students but still passes down the wrong kind of values.

And, considering the fact that the karate kid was making several points about  cultural values, the “teacher” doesn’t even have to be a teacher at all. It can just be a family, a culture.

Kids don’t really need cracks to absorb ideas, kids are like sponges. A pair of perfectly loving parents could raise someone who’s not a great person, if they happen to hold harmful ideas. 

So, what annoys me about the idea that cobra kai has finally given us the context of Johnny’s actions its that is seems to imply that, unlike the films, they aren’t saying that he was Evil. That they are instead showing us that he was just a product of his surroundings. 

There’s only one problem. The films do portray him as kid that was the product of his surroundings. 

The difference it’s that it’s not done exclusively throught painful experiences. It’s also done throught privileged experiences. Two things, not one. (And now, he’s just one)

So one moment in the films that gives us a glimpse into Johnny’s motivations its the tournament scene, Which is impeccable, Mr. Zabka put his entire pussy into it 10/10. I will eventually make a post about that. 

But I just. I keep coming back to the Country club scene because it says so much about where Johnny is coming from. 

See, Johnny is quite literally being told that he is a better option for Ali that “that boy from Reseda”. He’s also specifically using the fact that her parents are classist to get close to her. Which it’s another example of him not respecting her choices. But I also think that he fully believes this. 

His background is not some convenient thing, throw in just because. Classism is part of why he is how he is. 

Like, look me in the eyes and tell me these people don’t have their own bussiness-like version of “No mercy” somewhere in their vocabulary. 

And then there’s his general behavior towards Ali, that it’s not really that out of place, even now, in a macho film about “getting the girl”. She does not want you, but dont worry! You’ll win her over by trampling all over her boundaries. She’ll come to her senses and see how much of a man you are! 

Johnny in the Karate Kid is the product of his surroundings, but not just because he’s a kid who’s being influenced by Kreese. He’s also the product of his surroundings as a privileged kid. As a person that is told, not just by Cobra kai, but by the wider society, that he’s more important than other groups of people.  It’s his social class, his position as a white man in the US. 

The main source of his violence is the idea that he’s entitled to that violence. 

It’s why he got so angry at Daniel when he punched back (or sprinkled back, but that sounds less dramatic). It’s why he hates the fact that Ali chose (chose, not was stolen by) Daniel. She chose a boy from reseda who can’t even fight  (who’s weak) over him. Therefore putting everything Johnny has been told about his worth in question. (And just, his attitude towards her, the fact that he thinks he can literally force her to talk to him. It’s so so realistic if you think about all those other things he believes about strength and domination.)

In the movies, these notions of superiority are what makes kids (because we see clearly in the tournament scene that they are still just kids) susceptible to the Cobra kai philosophy. 

And it’s so frustrating! It’s so frustrating because the writers saw that and apperantly were like “Nope, that’s not enoght. Something bad must have happened to him. This it’s too simple.”

Too simple? 

The show transforms the socio-cultural explanation into an interpersonal, individual explanation. He is just A Person who was influenced by A Person. Specifically, a kid in an abusive household who felt prey to a manipulative teacher (And Kreese now has his Own Sad Explanation).  At most, there’s some discussion of Toxic Masculinity (or is there, really?) but, for the most part, his privileged background is ignored. 

I appreciate that we get to see him trying to be a better person, I really do. That he’s recovering from the trauma his teacher inflicted on him. But I am just so tired of the tragic reframing of these kinds of behaviors. Johnny deserves compassion for the things that Kreese put him throught. But when it comes to the belief that he was entitled to hurt other people, entitled to Ali, he doesn’t get sad points for that.  

I just wish we could have seen how a redemption arc would have looked for a guy like that, for that kind of mentality. Maybe then I could finally enjoy a story where a shitty dude gets to grow from his mistakes without feeling like im supposed to pity him for the hurt he caused. 

Cause I am so so so so sick of that, Hollywood! 

[the-insomniac-emporium]

Finally getting back to writing the NSFW chapter of Serenade. Low key dying, but somehow... not from the NSFW part?... man, I'm just a mess this week. rest in piece, me.

somebody ask the dimitrescu fam if they want my bones for art or shit. i won't need them for long

edit: might take a break soon and do another one word prompt fill. feel like writing something for mother miranda. she's pretty (and I'm super. super. gaaaaay.)