#tkg_anime

[empressalbedo]

I drew suzuya again

[landscapeofadjacentpossibility]

Screen-Capture(s) of the Week:

Tokyo Ghoul: re #10. 「ゆれる think」 (“think: Sway”)

[theanimelab]

When you see anime merchandise...

[ethereis-blog]

we were one, ain’t.

[swaps4haruhi]

A new poster visual of Sui Ishida’s Tokyo Ghoul series has recently been featured in the latest issue of PASH! Magazine. The new visual features Ken Kaneki and Hideyoshi Nagachika. In other related news, Bandai Namco began streaming the first promotional video for the upcoming adventure RPG Toky...... Read more: http://haruhichan.com/wpblog/49264/tokyo-ghoul-poster-visual-revealed-in-pash-magazine/

[yaoisha-blog]

[yuuchanneru]

I took the liberty of translating the blog entry Ishida Sui wrote because of the end of the Tokyo Ghoul Anime.

______________________________________________________________

Ending

Because the Twitter word count does not suffice I wrote about the anime here.

I could not summarize it well, so here roughly:

To the people who watched the anime because they liked the original work, for the people who watched it without knowing the manga-

Thank you very much.

The cast was wonderful from the beginning to the end.

I was not that interested in the voice actors, but I think that I can understand the people who like them a little bit better know. (Things like: Oh, Sugô-san [Yoshimura] was the voice actor of Cardeas Visit from Gundam Unicorn! or the Ice Prince of Oreshika: Tainted Bloodlines was Konishi-san! [Amon])

Normally the characters are born when I draw the first lines, but when the voice actors breathe life into the characters, I feel that they are born once again-

It was a very mysterious experience.

Especially with Mado-san and Nishiki, I hear their voices from the anime in my head, while I am writing their lines. Through that I experienced the power of voices. I think that the work of voice actors is truly wonderful.

Thanks also to those who made plans to go out and let me join them.

Miyano-san [voice of Tsukiyama] is a funny person.

I’m grateful to Mikasano-san, who wrote the screenplay, that he liked the original work a lot. He read how the story developed in the magazine and told me his thoughts on it over skype and seemed to be having fun, so I personally like him a lot.

That someone such as him, who held the position of screenwriter, was asked to compile things from the original work for the anime, was probably a hard task and left him struggling with these things while writing and I found that to be quite ironic.

I like about him that he is a very enthusiastic person.

The drafts I wrote for season two were probably about 300 pages long.

Since I sometimes wrote things very detailed, and other times used scenes that were similar to the original plot I am not sure of the exact number of pages, but I think I worked on it in July 2014.

Because I had to work on it while continuing to write the manga, I had to write the story that is still progressing now and a “what if it happened like this” story of the past at the same time and it almost made my head explode, but it was a valuable lesson.

Even in scenes that were not used in the anime there were many wondrous developements (like for instance, Ayato and Tsukiyama having a conversation) so I’d be happy if there was an opportunity to show these things sometime.

(...but maybe it would be interesting to leave that open for now just like Reading Tokyo Ghoul)

Thank you for all your help, Satou-san, who was Animation Director for season 2. I left him notes for my wishes on how to let them move the ending illustrations and entrusted the task to him, and he was so kind as to animate it.

Thank you for supporting me on top of your rough schedule.

The Ending was such a hard task that I had to cry while drawing, but I also think that this was a valuable lesson.

I was so happy that I could ask artists I really liked for the musical composition of season 1 and 2.

Thank you very much tk-san, People in the box-san, amazarashi-san and Takahashi-san.

All the compositions were wonderful and they are a treasure to me for the rest of my life.

To Isao-san who drew wonderful illustrations for season 1 and designed the clothes,

to Towada-san who chattered with me and wrote the lightnovels,

to Toyama Maki-san who drew the anime countdown illustrations and let season two become exciting,

Thank you very much.

Thanks to my supervisor Matsuo-san, who had to put up with me on many occasions, to Young Jumps editorial department, whom I threw of their schedule, I am sorry but very greatful to the Tokyo Ghoul staff. Thanks to you I could continue the serialisation in the magazine. I am always grateful to you.

My favorite scene is the last one when Kaneki walks to the CCG. I stared at it for a few minutes. I like the script that director Morita improved.

Yeah, I think there was a lot more to say, but for now goodbye.

Sui

[irzie]

[Kutipan] Tokyo Ghoul √A

[Kutipan] Tokyo Ghoul √A

Beban itu tidak datang untuk dipikul sendirian. (Hideyoshi Nagachika) #tkg_anime #東京喰種

Kalau sendirian memang tidak bisa melakukan apa-apa. (Hideyoshi Nagachika) #tkg_anime #東京喰種

Rekan dan musuh juga bergerak diluar dugaan, bukan? (Kureo Mado) #tkg_anime #東京喰種

Tidak semua musuh bisa dikalahkan oleh jumlah. (Kureo Mado) #tkg_anime #東京喰種

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