For the wip title game: I'm very intrigued by The Living Library! That sounds very cool and I don't think I've heard about it before!
I may have mentioned it in passing, but it would have been very easy to miss.
The setting comes from the influence of xianxia dramas I watched (including The Untamed and Word of Honor), except for the core concept of the Living Library. I've wrote a few scenes, including what would be the epilogue, but I don't intend to develop it beyond what it is, because my understanding of Chinese culture is limited, and seen through the prisms of Japanese and Korean cultures. In short, it would require a ton of research, which I'll never have the time for. But I'll detail here the main bones of the story.
The Living Library is a being born from concentrated magic. It exists in a specific location, but no one seems to remember where its siege actually is. In any case, it still can manifest itself in a number of libraries, and always take the form of a young lady made of clay (though notably taller than any human being). The libraries in question are all set in the mountains around a vast valley, and under the watch of "cultivators", whose clans are more or less allied together. The Living Library is precious because it can store every written (or drawned) document that comes in its circle of influence, which is extremely wide (trace a circle that would fully encompass Mongolia and you'll get the idea).
As for the story, everything started with an Emperor who wanted to become immortal. He sent his armies to find the Living Library, conquering a ton of land and destroying many lives. He also set to destroy any other being made of concentrated magic, mainly to disrupt the way of life of the people from conquered lands and guarantee his undisputed authority. At some point, the Living Library decides it's enough, and seeks the help of the one living person she knows to be able to create new beings like her. It just happens to be a retired general who served that emperor.
The epilogue takes place when that general, now a very old man, rebirth the last being the Living Library instructed him to.
In addition to the cultivators and the emperor's army and court, the people of the valley are also mentioned. We never see them, but, since consider foreigners who come on their land as trespassers, they set violent magical traps to keep people at bay. Obviously, my characters, despite their initial intentions, end up forced to cross over the valley, and face a number of these traps, including a river that goes like that scene in lotr:
To end this, I'd like to mention that even without the influence of xianxia, the Living Library would feel best fit for a setting influenced by Chinese culture, as records compiled by Chinese dynasties have been a tremendous source of historical information.













