#trackside

[nr6dose]

Day 132

Williams Nico forever in our hearts.

[winglordvee]

I promise I'll actually do something interesting with them eventually

I just wanted to get their designs down so that I can never draw them properly.

[fuckheadz]

What the hek blockbuster, St Leonard's trackside early 90's, Sydney Australia.

[econocaos]

[atelierleclerc]

CHARLES LECLERC; TAILORED FOR VELOCITY

@scuderiaferrari Following the badge 🐎

(𝔁)

[malavoie1]

Aggressive Braking

📍 Circuit Gilles Villeneuve ⧉, Montréal, Québec, Canada

There’s something satisfyingly chaotic about this moment. I caught Isack Hadjar’s #6 Red Bull right as a small mistake turned into a much bigger moment through the Senna curves at the 2026 Montréal Grand Prix. In this shot, the harsh afternoon light catches the smoke from tires after he pushed his car too deep into the corner. He ended up in the paved escape area inside the complex before rejoining after the curves. From Grandstand 12, you get a front-row seat to these tiny racing errors that suddenly snowball.

Montréal is one of the trickiest circuits for braking in Formula 1, and moments like this are exactly why. Drivers hammer from huge speeds into tight chicanes, balancing maximum braking with razor-thin margins for lockups and instability. Tire smoke like this only hangs around for a heartbeat, making it one of those blink-and-you-miss-it motorsport moments. Grandstand 12 is famous for putting fans close to the action through the Senna complex, where aggressive curb use, twitchy exits, and tiny mistakes suddenly become very dramatic.

I got lucky with this one. The camera was set to shutter priority at 1/1000s to freeze the action and I was zoomed out at 150mm. If I had kept the lens zoomed in to it’s full 300mm, I probably would have missed it. Even after cropping to roughly 45% of the original frame, I felt the composition still worked because it follows the racing line and leaves space for the car to move into, keeping some tension in the image. I also dialed in −1 EV exposure compensation to deal with the harsh afternoon light and hold detail in the smoke and reflective bodywork rather than letting highlights blow out. At ƒ/6.3 and ISO 200, I had enough depth of field to keep the whole car sharp while still prioritizing shutter speed for the action.

Camera: Pentax K-3

Lens: HD PENTAX-DA 55-300mm F4-5.8 ED WR

150mm / ƒ/6.3 / 1/1000s / ISO 200

Taken: May 22, 2026

[damonabnormal]

Youth philadelphia feb2026

[grusik]

... / Mboro / Bazer / Bees West London. by Alex Ellison