,,, A horrortale Headcanon.
tw: cannibalism, trauma
seen from Venezuela
seen from Türkiye
seen from Guatemala

seen from United States

seen from China
seen from Chile
seen from Philippines
seen from Brazil

seen from Malaysia

seen from South Korea
seen from United States

seen from Chile

seen from United States
seen from Türkiye

seen from United States

seen from Germany
seen from United States
seen from United States
seen from United States
seen from Russia
,,, A horrortale Headcanon.
tw: cannibalism, trauma
Man am I tempted to literally just create Sans that are relatable and focus on a specific issue in out society.
Like.
A Sans who is trans but experiences dysphoria.
(talk about life struggles under the cut ig)
Been doing this thing called expressing the emotions that I have and allowing the reaction to be there while also trying to be healthy.
Do not recommend. It's extremely painful. Hate hate hate.
This is the only way.
I had a tab with Acid Town open for like two months and now that I've read it I realise I have been missing out on an amazing manga.
I love how it's very dark, tragic and tackles many serious issues, yet it's not explicit. Whenever yaoi manga is explicit I find myself disappointed with the plot - usually because is silly, cliched and poorly written. Some of my favourite stuff - Boys Next Door, Song of Wind and Trees, etc - is always very dark yet almost PG-13 in rating.
Acid Town is just so awesome. So many characters, all with developed backstories, and all interconnected to the point where I feel I need a chart to keep track of who knew whom from when and where. It's so interesting to watch this plot unravel.
Also it's unusual to see a female character with a backstory and some interesting development in a BL manga. Hisako graduated from a "woman in a refrigerator" to an actual interesting character through flashbacks, and I feel that Tsubaki will probably get more backstory later on. And while the missing pieces on Tsubaki is the story of how she became a victim (who later died and left her sons in the care of a monster - this screams meek and passive, though it does go against the established character for her, as she was shown to be quite tough and independent when younger), Hisako, on the other hand, is actively taking part in her own destruction. I think that kind of deconstruct the trope in a cool way. The whole awfulness with "women in refrigerators" is that it's a female who is maimed or killed for the sole purpose of male character development. I think if a female character was actually doing things and it was her own actions that lead to her demise, she does not qualify as a "WiR", even if her trauma/death caused anguish and char development for a man. Because, you know, she had her own storyline, passed a Mako Mori test and everything (instead of the "sexy lamp" test. Gotta love the sexy lamp test).
So Hisako's backstory is absolutely horrifying - somehow more horrifying than the other characters even (I wonder if it's because I as a reader identify with her more easily or because it's not romanticised in any way). But yay for her being so badass. While her brother was basically worried about senpai not noticing him, she carried around a knife in her pocket and plotted to take revenge for her family since the age of 11, all the while keeping a perfect poker face.
However, with the scanlation catching up to the current release and new chapters coming up very rarely and always being short, AT seems like a very painful series to be a fan of. I wonder what's it like for Japanese mangakas - are they obligated to complete the story they have started or can they drop it if they become bored?
back from my trip from hell~
I was 7 minutes away from Andrew.