Wait can't Jasper dull the pain of vampire transition? Like couldn't he have sat in the room with Bella (if they knew she was in pain—which, wouldn't Jasper been able to feel the pain she was actually in?) and calm her?
seen from United States

seen from Malaysia

seen from United States

seen from United States
seen from China
seen from United States

seen from United States

seen from Malaysia
seen from India
seen from Malaysia
seen from United States
seen from Germany

seen from United States

seen from United States

seen from United States
seen from Netherlands

seen from United States
seen from Australia
seen from United States
seen from United States
Wait can't Jasper dull the pain of vampire transition? Like couldn't he have sat in the room with Bella (if they knew she was in pain—which, wouldn't Jasper been able to feel the pain she was actually in?) and calm her?
Know what really fascinates me when it comes to the Twilight books? The pacing. Everything happens but also nothing happens. I’m living the day-to-day life of a teenage girl in the early 2000′s through this narrative style but then in the background there are vampire things happening and dangerous plot developments happening. Ya know?
Bella spends so much time in her own head and speculating about other people that almost no actual action happens until the very end of each novel. It’s just so weird. SMeyer’s exposition, writing style, and dialogue choices create a story that’s paced so strangely her audience didn’t really question Bella and Edward’s wedding after only a year-and-a-half (ish) of dating. Or Charlie moving in on Sue Clearwater so fast. Or Bella’s crazy-long catatonic-depressive episode.
Truly amazing. Truly odd. Only Twilight.
If vampires don’t breathe then they can’t smell. Edward literally could have just stopped breathing if he didn’t want to smell Bella lmao