#tylergillett

[gizmobibi1972]

Scream (2022)Extrait

[ufpfilmclub]

This is week our movie review pleas check "SCREAM VI" https://youtu.be/Ao0K6kHmtcw

[ufpfilmclub]

Our Pick of The Week- “Scream VI” A new generation of Ghostface killers, a new location in New York and new rules. https://www.ufpfilmclub.co.uk/our-pick-of-the-week-scream-vi/

[octoberboy1031]

I’ve wanted to see @readyornotfilm for a while and I figured I had to, now that the directors are handling the new #Scream. This movie is just fabulous!! It’s #Clue meets “#TheMostDangerousGame”: Wickedly funny, intense, thrilling, relatable and unsettlingly violent and gory! The setting was lush and gothic, the acting is fantastic, the effects are awesome, there really wasn’t anything I didn’t like! I loved every second of it!! With a good script and Kevin Williamson’s involvement, I have no doubt that #MattBettinelliOlpin and #TylerGillett will be able to bring my favorite #scarymovie in yet another new decade!! 🩸🪓👰🏼🔪🔥 #readyornot #readyornotmovie #horror #horrorgeek #creepy #spooky #may #summer #dandelionwine #terrorverse (at Tree House) https://www.instagram.com/p/CA0uggkpeEu/?igshid=bnb9ia7txv2g

[almasgeeks]

El reboot de #Scream ya tiene directores. Los cineastas de #ReadyOrNot #MatthewBettinelliOlpin y #TylerGillett dirigirán el thriller de terror. . . . . #screammovie #screammovies #thriller #terror #cinedeterror #thrillermovie #movies #cine #cinema #film #peliculas #movienews #panamá #panama #panamacity #panama507 #panama🇵🇦 #instapanama #instapanamá #panamagram #panamazing #instagrampanama #instagram #geek #almasgeeks (en Panama City, Panama) https://www.instagram.com/p/B9poKG8BKe7/?igshid=qbhhoomm4b0p

[octoberboy1031]

Looks like the new #Scream is being directed by #MattBettinelliOlpin and #TylerGillett with @kevwilliamson as executive producer. Judging from what’s known about the story, “a woman returning to her home town to try to find out who has been committing a series of vicious crimes”, it looks like they’re going the Soft Reboot/In World Sequel route which is exactly what I wanted! I’m very excited!! #ghostface #whoisghostface #ghostfacelives #troubleinwoodsboro #scarymovie #creepy #spooky #march #earlyspring #terrorverse (at The Terrorverse) https://www.instagram.com/p/B9pYKOQJ0Z3/?igshid=1d9aq7numcagi

[doohicky]

A mix and match of genre tropes, strapping on the All-Stars over the wedding gown, ready for a star-in-the-making horror marathon, speeding past class warfare and Clue, and ending up in the You're Next podium - Ready or Not (somebody help the help) #readyornotmovie #mattbettinelliolpin #tylergillett #samaraweaving https://www.instagram.com/p/B18Kf-ilrP6/?igshid=163z619rh41nd

[doomonfilm]

Review : Ready or Not (2019)

I had high hopes for 2019 after the past couple of years for films, but I have found myself lately with less motivation to go and see new releases.  I’m not sure if it’s due to the quality of work released, a seemingly slow surge of arthouse films into the mainstream that have yet to get blockbuster-length runs, or personal burnout, but I’ve fallen far below my expected viewing goals.  That being said, certain premises will always pique my interest, and anything that falls into the realm of The Most Dangerous Game qualifies.  This is the chief reason why I jumped at an opportunity to see Ready or Not. 

Grace (Samara Weaving) and Alex (Mark O’Brien) are preparing for their wedding at the La Domas estate, the home of Alex’s strange family he finds himself estranged from.  Grace is excited, but Alex seems distant and hesitant... even Daniel (Adam Brody), Alex’s brother, jokes that Grace could leave, no questions asked.  Despite these ‘warnings’, Grace and Alex are married, but their wedding night is interrupted when Aunt Helene (Nicky Guadagni) beckons Grace to the music room for a family ceremony.  Grace joins Alex, Daniel, Helene, Tony (Henry Czerny) and Becky (Andie McDowell), the heads of the La Domas family, as well as daughters Emilie (Melanie Scrofano) and Charity (Elyse Levesque) and in-law Fitch (Kristian Bruun), where the group heads to the La Domas family game room.  Tony tells the tell of family patriarch Victor La Domas, a gamesman who met a peer in the form of a Mr. La Bail who presented Victor with a mysterious box that takes a card and places a game on it.  Grace is presented with the box and told she must take part in the game chosen in order to official become a member of the family, and she chooses hide and seek, much to the dismay of many family members.  Their hesitance becomes clear when Grace realizes the family’s true intention : capturing her by any means necessary for a much bigger purpose.

As a genre piece, the well-known presentation of the suspense gem that is the remake of The Most Dangerous Game is ground that has been well tread, but Ready or Not provides enough of an original twist with the secret society, cult aspect to feel fresh.  The center of the family reasoning for completing their mission is not new or original by any means, but the presentation as a colloquial folk-tale and the commitment to seeing it through brought me thorough pleasure and entertainment.  The suspense is palatable, the danger is believable, and the stakes are continuously risen right through the resolution of the film.

Presenting the idea of committing to a loved one and their family in the guise of a life or death game serves as a proper metaphor for the fear that many face when considering and going through marriage.  This reading is the obvious one, and it is definitely nailed, but the subtext about unconditional commitment to family in the face of logic and reason is also touched upon without getting too heavy-handed.  These dual seeds of conflict present a rich playground for tension : sibling protection in the face of danger from within, prodigal sons versus black sheeps, the willingness to love strangers with no guarantee it will be reciprocated, family dedication to traditions that are passed down generationally as the times change, and periphery damage of family conflict all get memorable moments in the course of the narrative.

Tonally, the movie handles its suspense and comedy quite well, never fully committing to either tone fully, but making the presentation of each tone believable and rewarding throughout.  The special effects for the violence are believable, teetering on the edge of being too gruesome without going over the line.  The mansion serves not only as a beauty of a location, but a deeply rewarding one in terms of providing plenty of opportunity for the game of hide and seek to be honestly captivating.  The drab, muted color palette gradually takes a backseat to deep reds and oranges, matching the danger, urgency and ambition of the situation and the characters within.  This film could have easily fallen into the realms of ridiculousness, shock and exploitation, but the balance of casting, nuanced writing (in terms of the interpersonal relationships) and performance keep it centered, giving us reasons to actually care about Grace and members of the La Domas family. 

Samara Weaving holds down the lead role with the confidence of a seasoned veteran, channeling a Sigourney Weaver-like persona in the face of danger to pull off a believable heroine.  Mark O’Brien, by comparison, broadcasts enough hesitance and weak will to offset Weaving, making his eventual character breakdown play that much better in the face of his trials and tribulations.  Adam Brody is the modest heart of the film, visually presenting us with a torn protector that knows you can only play games with this level of danger for so long before you must pay the price.  Henry Czerny and Andie McDowell make a perfectly absurdist couple for these proceedings, with each taking the standard husband and wife tropes to a dark degree, considering the topic and presentation.  Nicky Guadagani brings a hilariously focused, Terminator-like energy to the beginning of the film, allowing layers of her character to peel and appear like a complex, dangerous onion.  Melanie Scrofano handles a ton of the comedy weight, with Kristian Bruun bringing in a ton of comedic support, while Elyse Levesque serves as a younger parallel counterpart to Guadagani’s character.

I don’t think this film will win any awards or change cinema dramatically, but for those looking for a couple of hours of escapist entertainment, this will certainly check that box and then some.  Funny enough, I misidentified the star, but I think that I am a newly formed Samara Weaving fan, and will probably seek out more of her films.