Journey to the Land of the Gods
Banana Fish spoilers warning!
I'm late to the party but yeah, I just finished Banana Fish if you know what I mean. And maybe my heart would rather switch to smth else now and heal but my brain won't stop thinking about that story. So I feel the need to rant into the void, at least. I have no idea whether there are Banana Fish fans among my subscribers but if you haven’t seen it, I really REALLY recommend you watch this masterpiece, and that you better scroll this post without glancing under the cut since I'm going to analyze the end. Or rather, why could that story have had no other ending.
And it all has probably been said and discussed a thousand times but hey, I’ve told ya I’m late to the party, and I haven’t read any thorough analyses except those in the youtube comments below random videos, so now I need my own chance to rant.
During my short journey through the BF content (finally I can google it all I want without being afraid of the spoilers yay!) I came across different opinions on the ending. Mostly pain, of course, but then it’s either acceptance or denial. My first reaction was violent denial. But funny thing, as much as I wanted to immediately forget the Garden of Light and drown myself in fix-it AUs (the latter, I still do read), I realized quite soon that I can’t. That no matter how painful it is, the original ending is the thing that MAKES SENSE. No, Ash dying like that wasn’t something that had been decided on for the sake of shock, as some of the most bitter opinions I came across accused. Neither it devaluates the whole struggle and his final decision to leave to Japan with Eiji and have a normal life. No, there was something a lot deeper there, I realized once I’d cried my eyes out. As heartbroken as I was, I just couldn’t bring myself to hate it and reject it, and I tend to do that with the endings I do not like, as it happened with some other stories that I rejected with my whole heart and even devoted a good amount of my time to write the fix-its for. But strangely enough, it was not the case with Banana Fish. Its finale just makes sense. In fact, it makes so much sense that I’d go as far as to say that this whole story is the story of a journey to death which stemmed from the image of the leopard’s inscrutable journey to the summit of Kilimanjaro, the House of Gods. I can almost see the author being captivated with that image, and as someone who’s been writing from the young age I know that often (not always but still) you start the story from its finale. You take some resulting picture that for some reason appeared in your head and mesmerised you, and begin to unravel it, like an investigator: what could have happened? who are those people? why did they end up like this? Of course, it is only my assumptions but if I allow myself to guess, I’ll say the entire character of Ash, him being the wild cat, has originated exactly from that short excerpt of Hemingway.
Kilimanjaro is a snow-covered mountain 19,710 feet high, and is said to be the highest mountain in Africa. Its western summit is called the Masai "Ngaje Ngai," the House of God. Close to the western summit there is the dried and frozen carcass of a leopard. No one has explained what the leopard was seeking at that altitude.
The concept is here. It was never a question whether Ash dies, it was the question of how and why he dies. Just like the riddle he’s been pondering on—what was the leopard doing near the summit? What did it seek there? Was it climbing or trying to descend? And that in either case, it must have realized it won’t return. The direct parallel to that leopard, in the end Ash finds the answers to all those questions for himself, on his own journey to the Land of the Gods.
The Japanese characters for the name Izumo literally mean “out of the clouds,” evoking images of a place where the seen and the unseen worlds blur together.
Long before there was a Kyoto or Nara, this region was the center of what was known as Shinkoku, the Country of the Gods.
This is no coincidence. Japan in Banana Fish, and for Ash especially, is the image of the world untouched by the evil where you don’t need a gun, rather than a real country with the same amount of evil and dirt as any other. The fact that Eiji describes it as the country where there are 80 thousand gods, and that he is from Izumo, the Land of the Gods, of all places, makes the spiritual connotation all the more evident. The white peak of Kilimanjaro soaring over the wild jungle, an impossible image of two different worlds in one--there could not have been a better symbolism. Ash, the character who in one of the early episodes says, “I’ve never repented, not even once”, cannot even imagine himself in such a world, just like the sinner can’t seriously think about paradise, or a leopard about climbing a snow-clad peak, so of course his immediate reaction is “Are you nuts? me in Japan? what I’d be even doing there?” But the invitation is there. And deep inside, he realizes that yes, he wants that. To be with Eiji, the angel, in his Land of the Gods. Yet his hands are stained with blood. He's been ruined and tainted in most horrible ways. Is it even possible? But what Eiji sees is his beautiful, fragile, wounded soul, and he says—yes, of course you can, and I will take you there, let’s begin with learning the language. This is when it starts—Ash’s journey from the jungle and toward the summit, toward the Land of the Gods. Or well, that’s when it becomes more or less a conscious decision. And maybe that is also when he realizes it will probably cost him his life.
He tries to stop and turn back, more than once. Tries to convince himself that he will never belong there, that his fate is to be just another scum on these streets, in the world he has learned how to survive in, his jungle. Just as, more than once, he understands that no, he would rather die on his way to that summit, having decided to take this journey—but die with love, rather than remain in the jungle, even as the king, but empty inside. He has seen the white summit of Kilimanjaro above the wild forest, and that’s it—he can’t tear his eyes off it.
He learns to repent. He learns to pray. And he even takes the ultimate step—asking God to take him in place of Eiji. Just like Aslan from Narnia, a representation of Christ, he learns such a deep love that he willingly choses to sacrifice himself for another; and it’s not to say he couldn’t sacrifice himself for his friends earlier—he could, risking his life constantly to save others, not exactly cherishing it too much to begin with. But his bargain, for the lack of a better word, with God in ep.23 was something different. It was a conscious offering, a prayer to the God whom he wouldn’t even consider asking for anything earlier, the scarred soul that he is—take me instead of him. Not in the mess of the fight, say, covering Eiji with his body from a bullet, but through a prayer, in the quiet hours on his knees before that window basked in the rays of light. The difference between an act and a prayer in that sense is the difference between one moment and eternity. I'm offering myself in his place, give him the divine protection, change his fate, please God--I'm willing to pay the price. It is different.
Eiji who had a 50% chance of surviving, I believe, survived exactly because of that, at least we can say that it was implied. Ash’s spiritual journey, from being the one who “never once repented”, through finding the spirit to hope and to say I want that, please take me to the Land of the Gods, and to finally offering himself in place of the one he loves—that journey is simply amazing.
That's why his life could not be taken simply in the mess of the fight. Narratively it would have diminished that huge journey. So he defeats the strongest enemies and survives. Like Cain says, Ash will only die if he brings it on himself. The leopard dies near the summit, but you are not a leopard, you can choose—says Eiji. And we truly can say that Ash chooses to die—from a non-lethal wound (which is more clear in the manga.) Even then, God leaves him the chance to reconsider, to return to the jungle and lick his wounds. In a way, he is safe while he stays in the jungle. But once he tries to reach Eiji, to reach the Land of the Gods, after that prayer, it is no longer so as if fate says, you've exchanged your life for his, that's it. So Ash chooses to pay and to die, and he dies on his own terms to an extent—in the peace of that library, the only place in the “jungle” that has always been his refuge, a part of another world, and he dies smiling—which implies it is not the Grim Reaper who comes for him unlike back then in the hospital, bringing dead calmness devoid of any pain as well as of joy. No, what Ash sees in that moment is some beautiful and happy scenery, so we can say that yes, he sees the Land of the Gods, his paradise where their souls are together, the exact scene from the ED2. He dies, but he ends up reaching it.
So why does Ash, not the logic of the narrative, choose death? For one, this is his part of the bargain with God: and when he is attacked exactly at the moment when he finally runs to reunite with Eiji, he realizes that. Eiji has been able to live on because Ash offered himself instead. And he should have died exactly because he covered Ash with his body, exactly because there is a price for him staying in the jungle, as well as for Ash breaking from the jungle, and from the beginning, Eiji took multiple risks and he took that last bullet meant for Ash, too, because basically his very residence in Ash’s world was the act of his love and desire to save Ash. So of course, he does. But Eiji does more than just saving his life, he saves his soul—since in the end he provides the chance for Ash to say nope, I will not have that, I will ask God to save you and take me instead. Just like Aslan the lion's sacrifice that results in his rebirth. The pinnacle of his spiritual journey, his ticket to the plane going to the Land of the Gods. No, we couldn’t have had Japan as the real 3D country in this story. We simply couldn't.
...One of the distinguishing features of Izumo Taisha Grand Shrine: the shimenawa, or immense straw rope hanging from side to side in the front. The Kaguraden building shimenawa is the largest of its kind in Japan, measuring eight meters in diameter at its largest hanging parts.
It is a reflection of the main god enshrined here, Okuninushi-no-Okami, the god of human relationships. The Japanese word for this is enmusubi, which we can translate literally as “bound fate.”
