Rio's Carnaval Parade, first day
📸 Dhavid Normando / Eduardo Hollanda / Alexandre Vidal / Allan Duffes

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Rio's Carnaval Parade, first day
📸 Dhavid Normando / Eduardo Hollanda / Alexandre Vidal / Allan Duffes
Graduate na best friend ko yeheeey!! 🥳🥳😸😸
soaring dragon dancing phoenix - 龙飞凤舞: prologue
Yunmeng is no longer home for Wei Wuxian, for he is no longer welcome. And so when he visits he can always count on Jiang Cheng descending upon his head with the full strength of heaven's fury, to chase him out. But one day when he sneaks into Yunmeng again, days go by without Jiang Cheng making an appearance. Something has happened to Wei Wuxian's prickly shi-di, something that - once they reunite - they will find is far greater than they could ever have anticipated. Accompanied also by Wei Wuxian's dear friend (?) Lan Zhan and a Lan Xichen who has only just reluctantly left isolation, the four of them set out on a journey that will bring them across the greater part of China to the mystical Kunlun mountains of mythology - and more importantly, may bring them love, healing, and reconciliation.
If only Wei Wuxian could take his head out of his oblivious arse and start putting himself in other people's shoes for once...
Rating: Mature
Relationships: Wangxian, Xicheng, Wei Wuxian & Jiang Cheng
Read on AO3 (bc tumblr might mess up the formatting + more extensive author’s notes on the story)
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Courage and Risk - A Century of Design in UPM. The publication accompanying the exhibition of the same name at the The Museum of Decorative Arts in Prague presents twelve exhibition projects that shaped the history of design in the Czech lands in the 20th century. In a way, these projects were boldy and risky - in concepts, in the contemporary geopolitical context and especially in the innovative installation.
A superação de uma porta-baneira
DESUSES DO BRASIL
OSSÃE/OSSAIM/OSANHA
Orixá das folhas e da cura através dela. Os antigos ou quem é do axé, tem o costume de pedir licença sempre que vai a uma mata, colher folhas.
Pesquisando sobre o orixá, descobri que em algumas nações ele é homem em outras ele é mulher.
É considerado um Orixá “raro”, pois ele é pouco visto nos terreiros, com poucos filhos.
O dia da semana dedicado a Ossain é a quinta-feira, as suas principais cores são verde e branco e a sua saudação é “Ewé o! ewé o!” ou “Ewé ewé assa!”.
Comida/oferenda para Ossaim (adimu)
Aqui os Ingredientes da comida de Ossain: - 01 abacate - 500g. de amendoim - 250g. de açúcar - fumo em corda - 7 folhas de louro
Vejamos agora como é que se prepara um abacate para Ossain. Modo de preparo: Corte o abacate no meio e tire a semente, coloque as duas parte numa travessa com a polpa virada para cima. Numa panela misture o amendoim e o açúcar e mexa até derreter o açúcar, derrame essa mistura sobre o abacate. Enfeite com pedaços de fumo em corda e as 7 folhas de louro.
DESUSES OF BRAZIL OSSÃE/OSSAIM/OSANHA
Orixá of leaves and healing through it. The ancients or who is from the axé, it is customary to ask permission whenever you go to a forest, harvest leaves. Researching the orixá, I found that in some nations he is a man in others he is a woman. It is considered a “rare” Orixá, as it is little seen in the terraces, with few children. The day of the week dedicated to Ossain is Thursday, its main colors are green and white and its greeting is “Ewé o! ewé o!” or “Ewé ewé assa!”. Food/offering for Ossaim (adimu) Here the Ingredients of Ossain’s Food:
- 01 avocado - 500g peanut - 250g. of sugar - rope smoke - 7 bay leaves Let’s see now how to prepare an avocado for Ossain. Preparation mode: Cut the avocado in half and remove the seed, place the two parts on a platter with the pulp facing up. In a saucepan mix the peanuts and sugar and stir until the sugar melts, pour this mixture over the avocado. Garnish with pieces of rope dwell and the 7 bay leaves.
Variations of publication cover called Courage and Risk / Museum of Decorative Arts in Prague
“Entomology, domination and desire in The Duke of Burgundy”
Comunicación presentada en las VI Jornadas de Historia, Arte y Diseño de Moda. Museo del Traje, Madrid
“Entomología, dominación y deseo en The Duke of Burgundy”
(Fragmento) Si a través de la ropa se construye la fantasía, a través de la misma se rasga por primera vez esa construcción. Sobre el cuerpo de Cynthia se produce una especie de batalla entre la fantasía y la realidad, entre los deseos de una y de la otra. Si analizásemos esta relación en términos lacanianos, a pesar del rechazo del director a caer en el psicoanálisis, vemos cómo en la construcción simbólica se producen grietas que hacen que la realidad se desmorone dando paso a lo Real.
L1L N1994 - dey wanna c me broke