#urbes

[jeffreykoval]

I am pleased to say that the farmhouse at Baldpate Mountain is still standing! Update: youtu.be/RLgrzCmHBEE ||

[exithamster]

Berjaya Beach Hotel Mahé. The hotspot of the past. Once a gem on the shore of Port Glaud - now an abandoned ruin for military training of the army - and explorers from abroad. Glad we made it up there before they blow up the entire complex! #seychelles #urbes #urbanexploration #abandonedplaces #abandonedworld #abandonedbuilding #abandon_seekers_ @itsabandoned @abandon #abandon #itsabandoned @abandoned.earth #abandonedearth #mahebeachhotel (at SEYCHELLES) https://www.instagram.com/p/COISKhvggWM/?igshid=utbgawnrku7q

[cine-xtreme]

#Tijuana Organizan primer encuentro de ciudades hermanas Redacción |  Tijuana tiene hermanamiento con 24 ciudades ubicadas tanto en territorio nacional como en el extranjero, y buscando estrechar vínculos con ellas se llevará a cabo el Primer Encuentro de Ciudades Hermanas, mencionó la regidora Ivette Casillas Rivera.

[rodrigomachadoart]

#rodrigomachado #tomada #verde #lixo #urbes #asfalto # carnaval (em São Paulo, Brazil)

[elmuseo]

Urbes Mutantes: Latin American Photography 1944-2013 @the International Center of Photography  On-view through September 7, 2014

Urbes Mutantes: Latin American Photography 1944–2013 is a major survey of photographic movements in Argentina, Brazil, Chile, Colombia, Cuba, Mexico, Peru, and Venezuela. Taking the "mutant," morphing, and occasionally chaotic Latin American city as its focus, the exhibition draws particularly on street photography's depictions of the city during decades of political and social upheaval. It is divided into sections that explore public space as a platform for protest, popular street culture, the public face of poverty, and other characteristics of the city as described in photographs. Dispensing with arbitrary distinctions between genres of photography—art photography, photojournalism, documentary—Urbes Mutantes points to the depth and richness of the extensive photographic history of the region.

Drawn from the collection of Leticia and Stanislas Poniatowski, the exhibition was first shown at the Museo de Arte del Banco de la República in Bogota in 2013. It was co-curated by Alexis Fabry and María Wills, and is accompanied by a bilingual catalogue published by Toluca Editions.

Images from Top to Bottom: Barbara Brandli, Untitled, Mexico City, 1973-1975; Yolanda Andrade, The boy and the Inferno, Mexico City, 1985; and Nacho Lopez, Teacher's Strike, Mexico City, 1975

[bunlly]

the view from the afternoon - urbès, vosges mountains