Graffiti art in Long Island City || @jeenahmoon for @icp #iphoneonly #newyork #streetphotograp #urbesmutantes #ICPschool #FTTakeover #photojournalism #Mutantcities #documentaryphotography #graffiti #longislandcity

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Graffiti art in Long Island City || @jeenahmoon for @icp #iphoneonly #newyork #streetphotograp #urbesmutantes #ICPschool #FTTakeover #photojournalism #Mutantcities #documentaryphotography #graffiti #longislandcity
@eunoiaimages for @icp Here is another consideration: people of mutant cities keep on changing, too. #iphoneonly #nyc #streetphotography #UrbesMutantes
@samkaplan23 here for the @icp #FTTakeover. I'm coming to you from #sanfrancisco where I'll be exploring the idea of #urbesmutantes or #mutantcities. Here in #telegraphhill one can stroll around and see amazing #architecture and if you're lucky, the ferrel #parrots that are famous to the area.
Urbes Mutantes: Latin American Photography 1944-2013 @the International Center of Photography On-view through September 7, 2014
Urbes Mutantes: Latin American Photography 1944–2013 is a major survey of photographic movements in Argentina, Brazil, Chile, Colombia, Cuba, Mexico, Peru, and Venezuela. Taking the "mutant," morphing, and occasionally chaotic Latin American city as its focus, the exhibition draws particularly on street photography's depictions of the city during decades of political and social upheaval. It is divided into sections that explore public space as a platform for protest, popular street culture, the public face of poverty, and other characteristics of the city as described in photographs. Dispensing with arbitrary distinctions between genres of photography—art photography, photojournalism, documentary—Urbes Mutantes points to the depth and richness of the extensive photographic history of the region.
Drawn from the collection of Leticia and Stanislas Poniatowski, the exhibition was first shown at the Museo de Arte del Banco de la República in Bogota in 2013. It was co-curated by Alexis Fabry and María Wills, and is accompanied by a bilingual catalogue published by Toluca Editions.
Images from Top to Bottom: Barbara Brandli, Untitled, Mexico City, 1973-1975; Yolanda Andrade, The boy and the Inferno, Mexico City, 1985; and Nacho Lopez, Teacher's Strike, Mexico City, 1975
catedingley.com for @icp . Sky City, the village on top of a mesa, Acoma reservation land. #urbesmutantes #fttakeover #icpschool #iphoneonly #newmexico #nativeamerican
@samir_ for @icp it's great to be tagged to take over this account for the weekend. I'm a recent grad from the Documentary Photo and Photojournalism program, born and raised in Queens, NY. As for Urbes Mutantes, join me in my discovery on what this means, or could mean. This is what was formally 5Pointz. A legal wall in NYC for graffiti writers to gather and throw up a piece. It's now a victim of nyc's rapidly changing landscape. #urbesmutantes #fttakeover #icpschool
@pastelpeppermint for @icp Mist setting in over the valley of one of my most favourite and peaceful places in the world, Kangaroo Valley, NSW, Australia. About 2.5 hours south-west of Sydney, this is a magical place. #fttakeover #urbesmutantes #film