And suddenly everything is different. They have looked at each other.
seen from Germany
seen from Malaysia
seen from United States
seen from Hungary
seen from Germany
seen from South Korea

seen from United Kingdom
seen from Maldives
seen from France

seen from Germany

seen from Malaysia

seen from Japan
seen from Germany

seen from China
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from Germany
And suddenly everything is different. They have looked at each other.
y'all think anthy and utena shit like this
we’ll always have yesterday
remaster of an old piece. i’ll be at yeticon table L7 this weekend if you want to come say hi :^)
In Sailor Moon S and Revolutionary Girl Utena, butchness is vital fluidity
Spoilers for Revolutionary Girl Utena
Women are a pivotal element in my work. In my pictures they act as representatives of all genders….I process the human themes with a female cast.
Utena crossdresses to capture a boy’s [sense of adventure] while remaining a girl. To make a stand against the world.
A commodified form of femininity is sweeping pop culture online: from tradwife influencers getting millions on views on platforms like TikTok, to the chorus of No Doubt’s “Just a Girl” being used as a meme sound for young women to joke about how hopeless they are. Whether all of these posts are ironic or not, they reinforce a broader social trope about being “just” girls: pretty, pure-hearted, in need of rescue. Won’t somebody please care for girls who are just girls? Sentiments of this manner are not new, but they popped up in stronger frequency sometime during the pandemic and show no signs of stopping. Unthreatening femininity is en vogue, feminism old-fashioned and unnecessary. Images of womanhood beyond it are fringe and unattractive, if not outright non-existent.
It’s a deeply frustrating ecosystem to have to scroll through, particularly as a queer woman of color. It’s all the sweeter, then, to encounter modes of womanhood that are perpendicular to such notions. Sailor Moon S (1994-1995) and Revolutionary Girl Utena (1997) both feature butch characters very prominently: Tenoh Haruka, aka Sailor Uranus from the former, and Tenjou Utena, the titular protagonist of the latter. In adapting both these characters for TV, Ikuhara Kunihiko makes compelling arguments: that girlhood can look like many different things, that the girl who embraces masculinity finds herself with more freedom, and that it’s worth our while to deconstruct and question the archetypes and assumptions of girlhood that try to pin these characters down.
Read it at Anime Feminist!
glad to know we're all on the same page wrt the alien stage finale and utena
someday, someday, embrace my wounds that won’t heal and touch me softly
someday, someday, I’m gonna tell you the words I couldn’t say and touch you with a smile on my face