#veed2203

[lavitadoddveed2203]

DISCLAIMER!

DISCLAIMER!

___________________

Hello! I just thought I should briefly outline what I didn't model for the final product just FYI:

First scene:

- Statue of David bust

- Duck toy

- Robot toy

-Globe

- Plane model

-Plant

Second scene:

-Car

[lavitadoddveed2203]

NUKE

NUKE COMPOSITING

______________________________

I ended up rendering the TIFF sequence without the sun background because I noticed that when the camera zooms in, there is empty space between the wall and the image plane; I tried moving it right up against the wall but then the sun looked way too close to the window.

In Nuke, I set up a 3D scene and placed the TIFF sequence and background on cards, then positioned the background card right behind the main shot, which ended up working. I then slapped a grade node to adjust the gamma intensity and exported the comp as a move to move into Nuke.

[lavitadoddveed2203]

FINAL RESULT

FINAL RESULT

________________

Enjoy! :)

[lavitadoddveed2203]

COMPOSITING

COMPOSITING

___________________

I exported the TIFF sequence into Nuke to make the finishing touches. I slapped everything onto a card so I could place things within 3D space. First I animated 2 turbulent noises to act as fog along the water to give the shot more atmospherics. I placed the cards in front of one another so the camera would move through the haze. I originally animated the camera in Blender, but the movement is basically non-existent, so I just animated the camera in Nuke to mimic the movement I wanted. Next, I used a combination of glint, noise and sparks to make the stars; however the stars are barely blinking in the final output and had my render gone faster, I would have been able to edit that. Overall, the water simulation seems to work fine, but just more refinement was needed to really make this shot more interesting. But I did manage to achieve the aesthetic I wanted and I am glad that I was able to do this because I have already learnt a lot from this task which will help me in the future :)

[lavitadoddveed2203]

MODELLING

MODELLING

_________________

The modelling setup was way more simple than what I thought it would be I just used a plane, added an ocean modifier, keyframed the time, adjusted the scale and choppiness, added a material, set it to a dark blue grey with maximum transmission and 0 roughness. For the mountains I used the landscape generator and adjusted the noise height, frequency, and type until I got the shapes I wanted for the mountains. I duplicated the mountains and rotated them so they didn’t look the same. Next, to setup the materials I downloaded a rock and grass texture from textures.com and by using a mix shader, and colour ramp node, I was able to mix the textures together to create a somewhat realistic mountain from a distance.

The moon was super easy, I just found a moon texture map, UV unwrapped the sphere geometry, placed the texture, used RBG curves (toned up red) to make it pink, then plugged it in as an emission

Once I was happy with the setup, I exported it as a TIFF and comped it in Nuke.

[lavitadoddveed2203]

MAJOR PRAC DESIGN BRIEF

MAJOR PRAC DESIGN BRIEF

______________________________

For the major prac, I decided that I wanted to explore water simulation a bit more, but Houdini was running way too slow on my computer and I wanted to try and comp it into an actual scene, so I decided to create the scene in Blender. This ended up being a Blend between a matte painting and water simulation.

I took inspo from some images I found online, and decided I wanted to create a short fantasy ocean that emulated the same feel as these images.

[lavitadoddveed2203]

FINAL RESULT

FINAL RESULT

_____________________

Enjoy! :)

[lavitadoddveed2203]

ASSEMBLY

ASSEMBLY

________________

After 3 days of rendering both shots, I was finally able to export them into After Effects and begin the final assembly. Firstly, when I keyed the green screen, it also removed the green from other props; so to fix this i drew an inner mask around the objects and keyframed the mask accordingly to only affect the TV and nothing else. I slid the second shot under the first one to create the illusion that it was inside of the TV all along. In a separate compositions, I created the gameplay overlay and "Glass Animals presents" to control the blinking hands on the gameplay screen I used an expression to blink around every 10 frames. The glitch effect and chromatic aberration was achieved just by using the preset and key-framing the glitch to only effect the start and end of the text. I made sure that the shots reacted at the same time with the beats of the song, final colour correction, then exported it.