favorite screenshots from the stunning opening of goodbye lara
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favorite screenshots from the stunning opening of goodbye lara
i get excited when i start reading a fanfic where the author is writing about Dream's flaws, and then i get disappointed when the flaws are "he's secretely an evil manipulative being who doesn't care about Nightmare" instead of pointing out his savior complex, self-destructive/self-neglectful behavior, him pushing people away as soon as they get a little too close for their safety and other things that are way more complex and accurate than him being manipulative
new skip and loafer... my cuties
something I feel like isn't nearly appreciated enough about mob's arc in mp100 is that his background is... Completely normal. I see a lot of people interpreting mob's parents as neglectful or distant based on the few scenes we've seen of them, which greatly baffles me because their few scenes aim to establish his family life as.. completely normative. They have the normal, average quips of a normal family. And I think it's very unique and refreshing because it means mob's troubles and internal hardship isn't a product of his upbringing, it's a byproduct of a traumatic experience and of his own personality and how it coalesces with his psychic powers. And I personally think more media should acknowledge that some people, even with perfectly normative and healthy familial dynamics and circumstances, will still develop very complex internal issues and personal psychology. and on the same note, some people with perfectly normal upbringing won't feel comfortable to confide in their parents and seek an external authority figure to look up to, which doesn't necessarily mean them and their parents are estranged. I dont think mob's (or ritsu's) life have to be unhappy to legitimize or explain the fact he has the personal struggles he does. Embracing normalcy is the main theme of this series.
I'VE BEEN SAYING!!!!!!!!!!
one thing I kind of adore about the adaptation's direction is the emphasis on the desert metaphor for asa's loneliness as an allegory for her disassociation and disconnect from the situation. It's her loneliness and also the form of her grief, one that isn't what you'll conventionally see. The tension between the harsh reality and the imagined deserted space she fades in and out of is just. So beautifully apt for these scenes unfolding in front of her, to her own disbelief.
We're going to see warm picnic animated. We're going to see. Warm picnic. Animated.
I already clipped them so I might as well post them. Can we get a salute for sayumi suzushiro (suzuki's va) because she's killinggggg me