there is probably a post about this. but great knower of uzumakis ... what is their religion like? go into depth for that... :^)
OKAY SO this might be all over the place , but basis is something similar to shinto. not the exact same but very, very close. uzushiogakure has priestesses ( hence force known as miko to keep words straight but uzu calls them just priestesses ) / @viralwill
In Shinto, a miko (巫女) is a shrine (jinja) maidenor a supplementary priestess. Miko were once likely seen as a shaman but are understood in modern Japanese culture to be an institutionalized role in daily shrine life, trained to perform tasks, ranging from sacred cleansing to performing the sacred Kagura dance.Miko once performed spirit possession and takusen as vocational functions in their service to shrines. As time passed, they left the shrines and began working independently in secular society. Miko at shrines today do no more than sit at reception counters and perform kagura dance. In addition to a medium or a miko (or a Geki, which is a male shaman), the site of a takusen may occasionally also be attended by a sayaniwa who interprets the words of the possessed person to make them comprehensible to other people present. Kamigakari and takusen may be passive, when a person speaks after suddenly becoming involuntarily possessed or has a dream revelation; they can also be active, when spirit possession is induced in a specific person to ascertain the divine will or gain a divine revelation.
Uzushio Miko still performed spirit possessions which with a background with fuinjutsu – helps them trap the gods into masks – ( which konoha + other’s ended up ripping off but that’s a discussion for another time ! )
where as a traditional Miko would wear :
The traditional attire of a miko would be a pair of red hakama (long, divided trousers) or a long, red, slightly pleated skirt tied with a bow, a white haori (kimono jacket), and some white or red hair ribbons. In Shintoism, the color white symbolizes purity.
Traditional Miko tools include azusayumi (梓弓 or “catalpa bow”) the tamagushi (玉串 or “offertory sakaki-tree branches”) and the gehōbako (外法箱 or the “supernatural box that contains dolls, animal and human skulls … [and] Shinto prayer beads”).
The miko also use bells, drums, candles, and bowls of rice in ceremonies.
an Uzushio Miko would wear something that is easily moved in , easily danced in , and can withstand water – and their attire is colourful with oranges , reds , blues.
Their MAIN Gods/ Goddesses:
Amaterasu-Ō-Mi-Kami (天照大神 or 天照大御神) Commonly called Amaterasu, she is the goddess of the sun as well as the purported ancestress of the Imperial Household of Japan. Her full name means “Great Goddess” or “Great Spirit Who Shines in the Heavens”; she may also be referred to as Ōhiru-menomuchi-no-kami (大日孁貴神). For many reasons, one among them being her ties to the Imperial family, she is often considered (though not officially) to be the “primary god” of Shinto.
Ame-no-Uzume (天宇受売命 or 天鈿女命) Commonly called Uzume, she is the goddess of dawn and revelry, instrumental to the “missing sun motif” in Shinto. She is also known as The Great Persuader and The Heavenly Alarming Female.
Fūjin (風神) Also known as Kami-no-Kaze, he is the Japanese god of the wind and one of the eldest Shinto gods, said to have been present at the creation of the world. He is often depicted as an oni with a bag slung over his back.
Inari Ōkami (稲荷大神) The god or goddess of rice and fertility. Their messengers and symbolic animal are foxes. They are often identified with the Ukanomitama and Buddhist deity Dakiniten.
Raijin (雷神) Commonly called Raiden (雷電), he is the god of thunder and lightning, and is often paired with Fūjin. As with the latter, Raijin is usually depicted as an oni.
Ryūjin (龍神) Also known as Ōwatatsumi, he is a dragon, as well as god of the sea. He resides in Ryūgū-jō, his palace under the sea built out of red and white coral, from where he controls the tides with magical tide jewels. His great-grandson would become Emperor Jimmu.Suijin (水神) The God of Water.
Susanoo-no-Mikoto (須佐之男尊) Alternately romanized as Susano-o, Susa-no-o, and Susanowo. Reportedly called “Futsushi”. He is the god of storms as well as in some cases the god of the sea. He is also somewhat of a trickster god, as Japanese mythology extensively documents the “sibling rivalry” between him and Amaterasu. Susanoo also was responsible for the slaying of the monster Yamata no Orochi and the subsequent discovery of the sacred sword Kusanagi.
Azumi-no-isora (阿曇磯良) is a kami of the seashore. He is considered to be the ancestor of the Azumi people.
As well as those God(desses) , they also believe in the Seven Lucky Gods:
Benzaiten (弁才天 or 弁財天) Also known as Benten or Benzaitennyo, she is the goddess of everything that flows: words (and knowledge, by extension), speech, eloquence, and music. Said to be the third daughter of the dragon-king of Munetsuchi, over the course of years she has gone from being a protective deity of Japan to one who bestows good fortune upon the state and its people. Derived from Saraswati, the equivalent Hindu goddess.[citation needed]
Bishamonten (毘沙門天) Also called Bishamon or Tamonten, he is the god of fortunate warriors and guards, as well as the punisher of criminals. Said to live halfway down the side of Mount Sumeru, the small pagoda he carries symbolizes the divine treasure house that he both guards and gives away its contents.
Daikokuten (大黒天) Often shortened to simply Daikoku, he is variously considered to be the god of wealth (more specifically, the harvest), or of the household (particularly the kitchen). He is recognised by his wide face, smile, and flat black hat. He is often portrayed holding a golden mallet, seated on bales of rice, with mice nearby (which signify plentiful food). Daikoku sometimes manifests as a female known as Daikokunyo (大黒女) or Daikokutennyo (大黒天女). When Kisshoutennyo is counted among the seven Fukujin[4] and Daikoku is regarded in feminine form, all three of the Hindu Tridevi goddesses are represented in the Fukujin.
Ebisu (恵比須, 恵比寿, 夷 or 戎) The sole member of the gods believed to have originated in Japan, he was originally known as Hiruko (蛭子), the first child of Izanagi and Izanami. Said to be born without bones, he eventually overcame his handicaps to become the mirthful and auspicious Ebisu (hence one of his titles, “The Laughing God”). He is often depicted holding a rod and a large red sea bream or sea bass. Jellyfish are also associated with this god and the fugu restaurants of Japan will often incorporate Yebisu in their motif.
Fukurokuju (福禄寿) Often confused with Jurōjin, he is the god of wisdom and longevity and said to be an incarnation of the Southern Polestar. He is a star god accompanied by a crane and a turtle, which are considered to be symbols of longevity, and also sometimes accompanied by a black deer. The sacred book tied to his staff is said to contain the lifespan of every person on Earth.
Hotei (布袋) Best known in the Western world as the Laughing Buddha, Hotei is likely the most popular of the gods. His image graces many temples, restaurants, and amulets. Originally based on a Chinese Chan monk, Hotei has become a deity of contentment and abundance.
Jurōjin (寿老人) Also known as Gama, he represents longevity. He is often seen with a fan and a stave, and accompanied by a black deer.
The goddess Kichijōten (吉祥天), also known as Kisshoutennyo, is sometimes considered to be one of the seven gods,[3] replacing either Jurōjin or Fukurokuju.[4] She embodies happiness, fertility, and beauty.
There’s a belief that each Uzumaki is blessed by one of the god(desses) listed above – and if they aren’t blessed , then they are cursed like karin’s great grandfather who was cursed with a bite-heal technique.
