Zoomorphic Vessel (Fallow Deer), Northern Iran, c. 1350-1000 BCE,
Brown burnished ware, 34.6x34.5 cm
Courtesy: Los Angeles County Museum of Art (Los Angeles, USA)
seen from United States
seen from China
seen from Iraq
seen from United States
seen from Poland

seen from France
seen from United States
seen from United States
seen from Macao SAR China
seen from United States
seen from Kazakhstan
seen from Poland

seen from United States
seen from Germany

seen from India

seen from Mexico
seen from Russia
seen from United States
seen from Türkiye
seen from United States
Zoomorphic Vessel (Fallow Deer), Northern Iran, c. 1350-1000 BCE,
Brown burnished ware, 34.6x34.5 cm
Courtesy: Los Angeles County Museum of Art (Los Angeles, USA)
Braughing, Hertfordshire, England, UK
Dir en grey, 2003
Rendering / shading practice with Ware :]
Church Street, Ware, Massachusetts.
On the subject of how Rosch sees the people in his life. It is very colored by how he saw the people who have since long passed.
He sees them all as individuals, of course. But sometimes the way they made him feel can echo. So he overreacts. Or draws hasty conclusions.
Or he is ashamed. Or closes himself off, afraid he might hurt them.
Or he thinks things about himself that might not be true. Or feel things that aren't rational.
The impressions everyone has made on him over the past 229 years have grown from traces to creases to canyons. And he can rationalize and fight it all he wants. But he can't change the way they still make him feel.