GUYS GUYS GUYS
THEY RELEASED THE COYOTE VS ACME TRAILER !!!!!
WE WON !!!
seen from United Kingdom

seen from Croatia

seen from Malaysia

seen from United Kingdom

seen from United Kingdom
seen from China

seen from France

seen from United Kingdom
seen from United States
seen from China
seen from Japan

seen from Malaysia
seen from France

seen from United States

seen from United Kingdom
seen from United States
seen from China
seen from Türkiye

seen from United Kingdom
seen from Japan
GUYS GUYS GUYS
THEY RELEASED THE COYOTE VS ACME TRAILER !!!!!
WE WON !!!
Black indie animated projects that you should check out!
I thought I’d share the ones i’ve seen and link the channels in light of recent events. beating myself up for not having done this sooner tbh
Wheels and Roses - roller derby & magical girls!
The Three Tomes - a vampire love story
DizzyCat - slice of life adventures of 2 cat siblings
Crocodile Dance - a thriller combining myth and Afrofuturism
Furious and Fat Cat - comedy about 2 childhood friends who reunite as roommates
The Ebony Witch - disney/don bluth inspired fantasy series
I Don’t Want To Be A Magical Girl - yall probably know this one but I’m putting it here anyway
Please reblog with any that I missed!
edit: check the comments for more recs as well!
doing a little jig
There's been some commotion in TV World, but it seems like Tenna's wires have snapped to the point of feeling a little glooby with his staff 🙃
Jake Vox was so kind to provide his fantastic voice for Tenna to make something that is fully tailored! Thank you so much again for this amazing collab!
I Music I Voice by Jake Vox I Watch On Youtube I
In the 80’s as computer animation was on the rise one of the thorniest problems was “how do we get this thing we made on the computer… OFF the computer?” There were a lot of unique solutions, but the one I’m fascinated by most is Disney’s solution of using a plotter.
A plotter acted as sort of a 3D printer but for 2D images. There was a ball point pen that could move up and down, and the paper underneath could be moved in and out. Using CAD based programs you could plot points in 2D space and the plotter would draw the lines between them and even do geometric shapes!
When it came time to do The Great Mouse Detective, the animators at Disney wanted to do more dynamic shots for the climatic battle inside Big Ben. Drawing all those gears and cogs would be a nightmare for the animators, so they experimented with using 3D animation.
But this was still the early 80’s. There was no digital ink and paint program, no way to merge the 2D animated characters with the 3D animated backgrounds digitally. So how did they get the 3D animated backgrounds out of the computer?
By drawing each frame on the plotter.
Every frame was printed out on the plotter, and then xeroxed onto animation cels, and then hand painted like traditional 2D animation cels are.
But why the plotter? If they were gonna have to export every frame anyway, why not use a printer? Well… because printers back then just weren’t very good. A plotter uses points and physically draws the line between them, much like how vector graphics work. It yielded a much smoother and higher fidelity line than if they just printed them out.
This was still a massive undertaking, but it was probably the best solution to getting the dynamic camera moves they wanted out on paper. 2D animation was drawn over top and then both layers of animation cels were filmed frame by frame.
And that’s how you got dynamic shots like this in the mid 80’s! 3D animated backgrounds, printed with a plotter, xeroxed onto animation cels, hand painted, and then re-photographed with the 2D animation on top!
This technique would be the standard way Disney got their 3D animation out of the computer for their 2D films… right up until The Rescuers Down Under which was the first fully digital animated feature. That movie used PIXAR’s proprietary CAPS System (hey that name sounds familiar 😉) to combine everything digitally. But that’ll have to be a story for another time!
"I miss 2D animation, 3D is so lifeless!"
No, no - from an avid and avowed lifelong 2D animation lover - what you miss is stylization.
Something animated to be "hyperrealist" isn't appealing to me anymore because it all starts to look very... samey. It'll age.
But if you have a proper sense of your style...
I made lowpoly locs just to see if I could
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