#web web

[erroritserror]

Damn- thats- that's just- wow-

Toxic spider: *is in his spider suit and is the first time ice sees it* "hey kid! How are you?"

Ice spider: *is in his suit* "ugh...hey Tox- are those high heels as hot shoes?"

Toxic: "u-uhh...yes?..."

Ice: "how-"

Toxic: *puts his finger on ice's mouth* "shhh shh shh, we don't talk about the heels baby boy"

Deadpool: *proud dad about what toxic did* *sniffles*

@ezzyraccoon

[burlveneer-music]

Web Web x Max Herre - WEB MAX II - don't know why the promo copy says "[r]oaming far from its Spiritual Jazz roots" because those roots are on full display throughout; and Carlos Niño guests on two tracks, fercryinoutloud!

German Jazz supergroup WEB WEB continue their collaboration with songwriter and producer Max Herre on their fifth album WEB MAX II, issued on Compost Records. First joining forces with Herre for 2021 offering WEB MAX, on this new long player the band has achieved much more than just the pure continuation of a series. Roaming far from its Spiritual Jazz roots, WEB MAX II is, musically and emotionally, probably the most diverse distillation of what WEB WEB has created in its seven years of existence.

[plus-low-overthrow]

Visit Original Link

WEB WEB - Warlock (Compost)

Flute, Tony Lakatos, 2020.

[burlveneer-music]

Web Web x Max Herre - Web Max - more new spiritual jazz, with guest spots from Brandee Younger, Charles Tolliver, & Mulatu Astatke

The fourth album by Web Web “WEB MAX” is a great spiritual jazz work - sometimes floating, sometimes soulful, always intense, and a wonderful homage to early 70s Jazz. Web Web mastermind Roberto Di Gioia is accompanied for the first time by Max Herre as a composer, musician, and producer. Both came together with guest musicians such as Mulatu Astatke, Brandee Younger, Charles Tolliver (Strata East), and others to deliver a virtuoso masterpiece. WEB MAX In the winter of 2014, German rapper/producer Max Herre and Italian-German pianist Roberto Di Gioia played a tremendous show together. The two had been guest musicians at a few gigs for Gregory Porter, who in turn kindly accepted their invitation to perform at Herre’s MTV Unplugged session (produced by Herre alongside Di Gioia and Samon Kawamura as production team KAHEDI). Porter’s approach to the jazz quartet inspired Max to reflect how a rap artist could work in a more freely-flowingmusical environment. Di Gioia’s inspiration was a bit more straightforward: in the 80s, Di Gioia had played with jazz legends like Woody Shaw, Johnny Griffin, and James Moody, but he’d largely left the jazz stages of his early years behind — just one random jam session with Porter’s musicians during soundcheck relit his passion immensely. A short time later, Herre called Di Gioia saying “Let’s get a spiritual jazz session going.” Now, six years later, the album WEB MAX is the amazing result from the spur of that moment. It is a wonderful homage to the cosmic open-mindedness of early 70s jazz, to the transcendent sublimity of spiritual sound.

WEB MAX is the fourth album in four years by the highly acclaimed Web Web quartet, consisting of keyboardist/pianist Roberto Di Gioia, saxophonist Tony Lakatos, bassist Christian von Kaphengst, and drummer Peter Gall, all of them longtime performers of the highest virtuosity, signed to Michael Reinboth’s Compost Records. Band members: Max Herre – Wurlitzer, Synthesizers, Percussion, Backing Vocals Roberto Di Gioia – Fender Rhodes, Piano, Organ, Synthesizers, Percussion Tony Lakatos – Flute, Altoflute, Tenorsaxofone Christian Von Kaphengst – Upright Bass, Fender Jazzbass Peter Gall – Drums, Percussion Special Guests: Charles Tolliver – Trumpet („Intersections“) Mulatu Astatke – Vibes („Meskel Flowers”) Brandee Younger – Harp („Akinuba“, „Intersections“) Yusef Lateef – Words („Akinuba“) Ben Abarbanel-Wolff – Tenorsaxofone („The Prequel“) Philip Sindy – Trumpet („Intersections “, „Thesa-Mbawula“, „The Sequel“)

[burlveneer-music]

Web Web - Interpretations Of Web Web - the German spiritual jazz group gets 32 remixes by 12 producers

Web Web is a highly acclaimed band of award winning German jazz musicians, labeled as German jazz super group (Süddeutsche Zeitung) and Compost’s best jazz outfit. They have released three albums in three years, since 2018, while the forth is already recorded and in the pipeline for a winter 2020/21 release. Last year, in 2019, we were confronted with respected hip hop producers who were sampling Web Web, and shared those beats in the web. Furthermore we were kindly asked by one of these beatmaker if he can use a Web Web jazz sample for his production. That was the initial origin idea to ask several other beatmakers touching hands on Web Web’s great spiritual output. Since sampling has been becoming a revive state of art in hip hop music again and hip hop producers all around the world, categorized as beatmakers, are releasing tons of cool hip hop beats with warm, jazzy, abstract or obscure samples, we thought it’s a great idea to let some chummy beatmakers touch their hand on Web Web‘s jazz tracks. As said and done: in the end we‘ve got 32 tracks by 12 famous hip hop beatmakers: TWIT ONE (FLAT POCKET) / GLAMMERLICIOUS (MAIN CONCEPT) / SEPALOT (BLUMENTOPF) / FLIP (TEXTA) / DON PHILIPPE (FREUNDESKREIS) / L ONE / JAN DOE / C-RAS / SATYR / HARRY CROTCH / DITU / GOLDFINGAH

Plus an EP with 8 more remixes:

Remixes #1 EP by Web Web

[burlveneer-music]

Web Web - Worshippers - German band releases another album that is a dead ringer for 70s spiritual jazz, this time with vocals by Joy Denalane

[burlveneer-music]

Web Web - Oracle - Munich group’s homage to 70s spiritual jazz - fantastic!

The first album of Web Web is very uncut, raw, live and direct. „Oracle“ is the first output of a German Supergroup. Check the musician credits below and you’ll get the score. The initial idea was to record a spiritual- jazz type of album, with all its imperfection as far as intonation, sound, influences of tunes... just like from their big jazz-heroes in the 70ies (e.g. Strata East, Black Jazz). Web Web’s idea was to record a jazz jam session while to found and proclaim being a fictive band, a formation, which did not exist, while telling people, it would be a secret jam session recording of the Seventies. The prompt problem they were facing: Oh, we never would be able to play concerts, doing interviews, or placing photos on sleeves or post likeness images online. So they decided to reveal their real identities: Web Web are: Roberto Di Gioia (Piano, Synth, Percussion), Tony Lakatos (Tenor- and Sopranosaxophone), Christian von Kaphengst (Upright Bass) and Peter Gall (Drums).