seen from Senegal
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seen from Singapore
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Attention Scholars and Students! I am purging the last of my texts from my theatre and communicatios/literary theory/fandom studies.
I would far rather these books go to someone who's going to use them for their own school work than to just throw them in a Little Free Library.
Message me and I will send you the book!
We’ve released tickets for our Buffy the Vampire Slayer masquerade party in Malmö, Sweden the 21st April! Go buy tickets and then start binging! 1200 people came dressed to their vampire teeth the last time but we’ve chosen a smaller venue this time and there will be only 600 tickets for sale.
Facebook event Pre-sale tickets
Over the last 15 years, Slayage: The Journal of Whedon Studies and other publications have featured a range of writing and scholarship about queer issues, identity and representations related to the Whedonverses but there has not yet been a publication dedicated solely to queer Whedon studies. A renewed interest in feminism and queer identities in mainstream culture and academia, alongside greater public recognition for LGBTQ issues and more attention being paid to popular culture across media: all suggest that the time is right for a concentrated examination of the Whedonverses from the perspective of queer theory and queer identities as they overlap but also differ, in all their complexity as they exist within an intersectional world. The editors of this Slayage special issue thus invite proposals for papers on any aspect of queerness and the Whedonverses, in specific national or international contexts.
Contributions may focus on, but are not restricted to:
Queer sex and sexualities
Queer bodies
Queering as a discourse or position of subversion or “troubling” normativity
Queer studies, the Whedonverses, and the academy
Teaching queer studies via Whedonverse texts
Subject-specific approaches to queering the Whedonverses
Intersectional approaches to queerness within the Whedonverses
Production and creation
Acting and performance
Audiences, reception, consumption
Fan activity and production
Formats, platforms and media—are some more open to being queered than others?
Aesthetics (including sound and music)
Comparative studies of Whedonverse productions, or the Whedonverses and, e.g., the Marvel Universe
Genres and genre-queering: comedy, musical, melodrama, horror, Gothic, action, science fiction, superheroes
Tropes, stereotypes and the same old stories
Cult and mainstream, high and low culture, taste and ‘quality’
Send a 200-300 word proposal and a short bio by 16 December 2016 to Lorna Jowett ([email protected]) and Hélène Frohard-Dourlent ([email protected]), who will notify you early in January 2017 if your proposal is accepted. If your proposal is accepted please note that a first draft will be due in April 2017.
Am I the only person who thinks that the song radioactive is about Firefly? I mean really "it's a revolution I suppose. We'll paint it red to fit right in " what about when they paint the serenity red to get through the reevers? And it is a revolution!
I still wait for the day when Joss Wheadon and Moffat team up and flood the world with tears
Okay I'm sorry but I need some Dollhouse blogs.
If you're in the Dollhouse fandom please either like or reblog this so I can check out your blog! Thanks!
