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Will Austin pins Jonny Nova

#wrestling #muscle #hot pin #will austin #Jonny Nova

allelitewrestling- An all-new #AEWDarkElevation premieres tomorrow night at 7/6c on YouTube.com/AEW:

- @mizunamiryo, @kilynnking, & @la_redvelvet v @nylarosebeast, @emisakura_gtmv, & @diamantelax w/ @guerrero_vickie & @lulupencil_gtmv - @willaustin_kof v @realwardlow

Who's corner are you in?

#ryo kilynn and velvet #nyla emi and diamnte #will austin #wardlow #aew #all elite wrestling #youtube: aew #promo: elevation #posted on: 10.17.21 #instagram: aew

Doctor Who: Orphan 55 (12.3, BBC, 2020)

"It ain't the aliens that are gonna kill me, it's worrying about you!"

#doctor who spoilers #doctor who series 12 #orphan 55 #Doctor who #new who #Jodie whittaker #mandip gill #tosin cole #bradley walsh #laura fraser #Will Austin #lewin lloyd #Gia Ré #Julia Foster #Col farrell #james buckley #Amy booth steel #lee haven jones #ed hime #Ehh....something didn't quite gel about this episode for me and I'm not really certain what it was. The reveal that orphan 55 was actually #Earth wasn't particularly satisfying; partly because it seemed at odds with what we've seen of future earth on the show before (granted the #Doc says this is just one time line tho that in itself raises questions about exactly how the tardis travels in comparison to what has been #Established before) but mainly because I think it would have been more interesting if for once it wasn't earth yknow? It doesn't always #Have to be earth. I appreciate the political sentiment about caring for the planet tho it was a little heavy handed in the final scenes and #A large but decent guest cast were unfortunately not given enough room to develop their characters: potentially interesting one shots like #Hyph3n were underused and little more than cannon fodder. Also this has all been done before of course: holiday planet at risk from native #Threat. Idk idk. It wasn't a bad episode per se but it didn't really wow and I don't think it's one I'd rush to revisit #Also it has that particularly blood thirsty feel that some eps of new who have: its all well and good to try and present a moving self #Sacrifice to try and affect the audience but when you've just wiped out an entire resort of guests without a blink (and largely off screen)#It's a little hollow. I will say tho that Julia Foster as always is an absolute delight

DOCTOR WHO - 12.03 ORPHAN 55 1920x1088 | .jpg | logofree | 2,491 screencaps | sorted

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#doctor who #dwedit #jodie whittaker #bradley walsh #tosin cole #mandip gill #laura fraser #gia lodge o'meally #james buckley #julia foster #amy booth-steel #will austin #lewin lloyd

“GODS AND MONSTERS” AT THE SOUTHWARK PLAYHOUSE

THEATRE REVIEWS BY EDWARD LUKES

Horror film director James Whale, who created many iconic monster movies, had a fascinating life, which inspired the novel Father of Frankenstein by Christopher Bram, filmed in 1988 as Gods And Monsters. Russell Labey now brings the story to the stage in a divine adaptation. Gods And Monsters makes a strong piece of theatre out of a sensitive journey to the end of one man’s life.

Having written sound roles, Labey gets the best from his cast with precise direction. Will Austin, who spends most of the night with his shirt off, has the physique for the part of Whale’s gardener, an object of lust who becomes a model and then confidant. Austin gives an understated performance that shows he has brains as well as brawn. Will Rastall and Joey Phillips take smaller parts but there’s nothing minor about their performances, especially when doubling as Whale during flashbacks to his time as an art student and a soldier. Lachele Carl, who plays a devoted servant, gives depth to a nicely rounded character. But the main accolade has to go to Ian Gelder as Whale. It’s a careful performance of a complex man, full of passion and intelligence, that’s as good as any I’ve seen on stage.

Gods And Monsters takes one life story, a particularly urbane and witty one, and elaborates it richly. It’s a play of gay history, from Hollywood hedonism to the ‘lavender scare’ of McCarthyism, and broader social themes that include Whale’s experience of war and the class system as a Brit. But, above all, it’s a human story of a battle against the brutality of ageing and illness that all can connect too. Gelder presents Whale’s pain vigorously, travelling to dark places while balancing the erotic tension to create a sensitive play full of potent themes.

(Source: onceaweektheatre)