John Is Not Really Dull - He May Only Need His Eyes Examined. Vintage Works Progress Administration health awareness poster - circa 1936.
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John Is Not Really Dull - He May Only Need His Eyes Examined. Vintage Works Progress Administration health awareness poster - circa 1936.
Memorial Day used to be on May 30, but in 1968, Congress passed a law moving most Federal holidays to Mondays, so it is now celebrated on the last Monday in May. This is a poster from 1936-37, designed by someone known only as JCW, for the Federal Art Project.
Photo: Library of Congress (LoC)
Old Tampa Airport - Bulit by the WPA - Peter O. Knight Airport on Davis Islands in Tampa, Florida Postcard
@postcardtimemachine
From Wikipedia:
In 1938, he graduated with honors from the Cleveland School of Art and worked for the Federal Arts Project of the Works Progress Administration (WPA).
Like many WPA artists, Lee-Smith was concerned about the contribution art could make to the struggle for social justice and racial equality, and he created a series of lithographs on this theme. Lee-Smith's “The Artist’s Life No.1”, a 1939 lithograph, is one of his early masterpieces.
Rural Pennsylvania, ca. 1939
Artist: Katherine Milhous
Katherine Milhous, who became an award-winning book illustrator, was also known for her WPA posters related to rural Pennsylvania Dutch culture as part of the Pennsylvania Art Project. Philadelphia-born, she created affectionate images of the local Amish and Mennonite communities.
Memorandum from Grace Langdon to Dr. L. R. Alderman Regarding the Waterbury, Connecticut Situation
Record Group 69: Records of the Work Projects AdministrationSeries: General Administrative and Operational CorrespondenceFile Unit: 211.4 Dr. Grace Langdon 41
Article in the January 15, 1940 LIFE about the WPA's efforts to standardize women's clothing sizing.
(source: LIFE archives)
Dionne Brand's 1990 poem about it led to this 1920 photo of Mammy Prater, a 115-yo former enslaved woman born in South Carolina in 1805, who became the subject of a Los Angeles Times article about her longevity after she was interviewed for the 1920 US Census.
Brand's poem, "Blues Spiritual for Mammy Prater," is about her waiting until this moment for photography to be sufficiently advanced to record the weight of her life and experience.