The Female Game: An Analysis of the Stormborn Dragon
SPOILER warning for Season 8, Episode 1-3 and more of a SPOILER WATCH for Season 8, Episode 4 (no plot related details, but . . . a teaspoon of character and tone vibes from the episode).
Now I know we are still wrapping our heads around what we witnessed last night on Game of Thrones. But there was one discussion that caught my attention – Daenerys character development (or lack thereof) and how women are represented on the show:
i hate that ambition in women is always used as a bad trait.
All her hard work and talk of breaking the wheel for nothing. All this talk of her being different and just and “see you for who you are” for absolutely nothing.
They should rename season 8 to “the tale of how we trashed a character’s development, made her an army of haters, just so we could make Jon Snow a hero: A study on Daenerys Targaryen.”
they really are setting up “Mad Queen” Dany and I’ll be honest, I don’t blame her at this point.
If a man acted that way it would be perfectly fine.
every single woman on game of thrones deserves better.
Ever since Game of Thrones graced the stage seven years ago, a number of fans, critics and activists have voiced concerns about the way the show portrays violence (especially sexual violence) towards female characters. However, those concerns have slowly evolved into larger conversations about the way these heroines are portrayed in comparison to power. Westeros – and most of the known world in the show – are under a patriarchal system. Men have inheritance rights, new wives join their husbands’ families and male children are given precedent over their older sisters and female relations in the line of succession (they call this primogeniture). Attempts at female rule are rare and even more rarely achieved without a healthy dose of fire and blood (search The Princess and the Queen on YouTube for more context and a juicy history lesson!).
Suspicion and hesitancy towards female rule is common in our real world (i.e. 2016 election) and is, unfortunately, not a new phenomenon. Prominent theologian, wrote in his 1558 piece, The First Blast of the Trumpet Against the Monstruous Regiment of Women, that, “To promote a woman to beare rule, superioritie, dominion or empire aboue any realme, nation, or citie, is repugnant to nature, contumelie to God, a thing most contrarious to his reueled will and approued ordinance, and finallie it is the subuersion of good order, of all equitie and iustice”(Knox). Across Hinduism, Buddhism, Confucianism, Islam, Christianity, and Judaism there exist exclusionary mindsets in regards to women in power dating back to antiquity. However, there are also examples of women overcoming the restrictions and barriers of their societies, such as the prominence and elevation of women within certain patriarchal systems (including Egypt, the Tang Dynasty of China, the Mongolian Empire and beyond) . Even today, within many Native American and West African communities, femaleness is connected to spiritualism – unseen forces are often defined as female, such as goddesses and masked spirits, and are often interpreted by priestesses, prophetesses, healers, fortune tellers, and female shamans. However, the dominant culture that defines our 21st century world is, largely, patriarchal and continues to prosper through the oppression of women – and, to an extent, men.
Power is power – and there is power in subjugation.
(Sidney Note: The glass ceiling metaphor should be viewed with some context – as should my statement above ^^ While times have changed and we now have female executives, college presidents, directors, governors, ambassadors and presidential candidates there are still inequities that exist. The metaphor implies that women and men have equal access to entry- and mid-level positions (Eagly and Carli). They do not. Rather than a ceiling to break through, women often have to struggle through a labyrinth, a maze filled with dead ends, false leads and towering walls. The labyrinth is even more suffocating for minority and marginalized women.
But back to the Game of Thrones universe . . . While most of the main characters have divided the fan base at some point in time (remember how we used to hate Cersei and then we felt bad and now . . . we kind of hate her again?) the discourse around Daenerys has been relatively consistent. While some see the Dragon Queen as an entitled, power-hungry tyrant slowly turning into the Mad Queen, others view her in a more sympathetic light. Daenerys – like many women – exist within a labyrinth. At the end is the Iron Throne. But the roads, for much of her life, were determined for her. Her (thankfully) deceased brother Viserys sold her in exchange for military support. Even after his golden death, Dany was still trapped in the maze, struggling to navigate the seemingly endless corridors. She has been raped, abandoned, deceived and . . . perhaps, most damning of all, she has been wrong.
Dany has made some questionable choices throughout her reign and while this is nothing new when it comes to GOT characters, what is new is that she is in a position of considerable power. Besides Cersei and, at one time, Grandma Olenna, Daenerys is one of the most powerful women in the series. Her dragons carry the weight of nuclear weapons and, after taking several fiery walks, hatching (or incubating) three ancient creatures an liberating a city from the chains of slavery . . . well, you can see why she thinks her destiny is to sit upon the Iron Throne.
Recently, the discourse about the portrayal of women in cinema has lit a fuse within the feminist movement. While I will say that some people tend to over analyze the actions of every character - relating them back to contemporary issues, it’s no state secret that female characters are often held to a very unhealthy set of standards:
Be strong, but not emasculating.
Be desirable, but not whorish.
Be charming, but not condescending.
Be ambitious, but not too ambitious.
The criticism about her representation in the show I think comes from a place of genuine concern. These fans want her to succeed because, seven hells, this woman has been through A LOT. And while there is a dose of sexism in the discourse, I do think that some of the backlash towards the show and creative team is unwarranted.
Daenerys Stormborn is NOT the protagonist in the traditional sense. She is a principle character who is heavily featured in both the books and Martin’s 5 novels. If you look at the charts below, people (who are more tech savvy than me) created comparison charts to help determine principle characters:
You may not like that Jon is painted as the hero or that Tyrion is featured prominently, but EVERY character has faced failures and loss in this series.
The freedom to lead is not freedom from failure.
No character is entirely good or entirely bad – Dany included. From white savior to female icon, Daenerys has been a polarizing character since season 1. She has made choices that, even when justifiable, were not . . . the most diplomatic solutions. She has a temper. She can be impulsive. But she is also affectionate with her friends. She is nurturing towards her dragons (in the books, her ancestors used whips to direct their dragons). She is also a queen . . . living in a patriarchal system that Aegon Targaryen established almost 300 years prior. She is single handedly trying to undo 300 years of patriarchal feudalism. That’s a pretty ambitious goal!
While Westerosi politics are similar to our own, they do not have cemented democratic institutions. The Night’s Watch is probably the closest example we have of a meritocracy (rule by merit or ability). The majority of the kingdom falls under the rule of one monarch who distributes semiautonomous authority through bonds of vassalage.
Change requires sacrifice . . . and compromise.
When was the last time you saw a high fantasy where, at one point, there were 5 women in positions of power? The closest moment in European history where that was a thing was when Catherine the Great of Russia, Madame de Pompadour, the Mistress of the King of France, and Empress Maria Theresa of the Holy Roman Empire combined their forces to fight against Fredrick II of Prussia during the 7 Years War (Fred was kinda a misogynist and coined the phrase The League of the Three Petticoats to describe the three women). Even in early English history, women who fought for power, like Isabella of France and Margaret of Anjou, were dubbed as she-wolves or reckless, power-hungry queens. Hmmm . . . sound familiar?
Now Dany does have a temper. But so did Robert Baratheon. She can be impulsive. She has a sense of entitlement, as do most monarchs and presidents. She is compassionate, loyal to her friends and nurturing towards her dragons (in the books, her ancestors used whips to direct their dragons). She likes to be in control, but she is also willing to listen to others. But she does get angry and she does have insecurities. She is also a human and – like most humans – she is a bundle of idiosyncrasies, conflicting ideas, blinding anxieties and soaring dreams.
Are there problems with the series? Yes.
Have female (and male) characters been portrayed in ways that are questionable? Yeah.
Would a more socially conscious director craft a different narrative or create a more dynamic story? Maybe.
Are you still gonna watch the next episode this Sunday? Most likely.
If you look for flaws, you will find flaws – because, this story was not created by you. So write your own story, whip up a fanfic or make a headcannon!
And besides, there are plenty of real world issues surrounding women that you can (and should) put your energy towards.
