#fantasy writing

[brainstreams]

Don't use AI to write. Use cocaine like a real author.

[ladyignatius4]

It doesn't matter if you wrote 5,000 or 50 words today.

It doesn't matter if all you did was day-dream about your characters while staring at the ceiling.

You are still a writer and your progress is valid.

[fevermuffin]

The more miserable they look, the better the writing is

[thewriteadviceforwriters]

🍖 How to Build a Culture Without Just Inventing Spices and Necklaces

(a worldbuilding roast. with love.)

So. You’re building a fantasy world, and you’ve just invented: → Three types of ceremonial jewelry → A spice that tastes like cinnamon if it were bitter and cursed → A holiday where everyone wears gold and screams at dawn

Cute. But that’s not culture. That’s aesthetics.

And if your worldbuilding is all outfits, dances, and spice blends with vaguely mystical names, your story’s probably going to feel like a cosplay convention held inside a Pinterest board.

Here’s how to fix that—aka: how to build a real, functioning culture that shapes your story, not just its vibes.

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🔗 Culture Is Built on Power, Not Just Style

Ask yourself: → Who’s in charge, and why? → Who has land? Who doesn’t? → What’s considered taboo, sacred, or punishable by death?

Culture is shaped by who gets to make the rules and who gets crushed by them. That’s where things like religion, family structure, class divisions, gender roles, and social expectations actually come from.

Start there. Not at the embroidery.

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2.🪓 Culture Comes From Conflict

Did this society evolve peacefully? Was it colonized? Did it colonize? Was it rebuilt after a war? Is it still in one?

→ What was destroyed and mythologized? → What do the survivors still whisper about? → What do children get taught in school that’s… suspiciously sanitized?

No culture is neutral. Every tradition has a history, and that history should taste like blood, loss, or propaganda.

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3.🧠 Belief Systems > Customs Lists

Sure, rituals and holidays are cool. But what do people believe about: → Death? → Love? → Time? → The natural world? → Justice?

Example: A society that believes time is cyclical vs. one that sees time as linear will approach everything—from prison sentences to grief—completely differently.

You don’t need to invent 80 gods. You need to know what those gods mean to the people who pray to them.

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4.🫀 Culture Controls Behavior (Quietly)

Culture shows up in: → What people apologize for → What insults cut deepest → What people are embarrassed about → What’s praised publicly vs. what’s hidden privately

For instance: → A culture obsessed with stoicism won’t say “I love you.” They’ll say “Have you eaten?” → A culture built on legacy might prioritize ancestor veneration, archival writing, name inheritance.

This stuff? Way more immersive than giving everyone matching earrings.

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5. 🏠 Culture = Daily Life, Not Just Festivals

Sure, your MC might attend a funeral where people paint their faces blue. But what about: → Breakfast routines? → How people greet each other on the street? → Who cooks, and who eats first? → What’s considered “clean” or “proper”? → How is parenting handled? Divorce?

Culture is what happens between plot points. It should shape your character’s assumptions, language, fears, and habits—whether or not a festival is going on.

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6. 💬 Let Your Characters Disagree With Their Own Culture

A culture isn’t a monolith.

Even in deeply traditional societies, people: → Rebel → Question → Break rules → Misinterpret laws → Mock sacred things → Act hypocritically → Weaponize or resist what’s expected

Let your characters wrestle with the culture around them. That’s where realism (and tension) lives.

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7.🧼 Beware the “Pretty = Good” Trap

Worldbuilding gets boring fast when: → The protagonist’s homeland is beautiful and pure → The enemy’s culture is dark and “barbaric” → Every detail just reinforces who the reader should like

You can—and should—challenge the aesthetic hierarchy. → Let ugly things be beloved. → Let beautiful things be corrupt. → Let your MC romanticize their culture and then get disillusioned by it later.

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📍 TL;DR (but like, spicy): → Culture is not food and jewelry. → Culture is power, fear, memory, contradiction. → Stop inventing spices until you know who starved last winter. → Let your world feel lived in, not curated.

The best cultural worldbuilding doesn’t look like a list. It feels like a system. A pressure. A presence your characters can’t escape—even if they try.

Now go. Build something real. (You can add spices later.)

—rin t. // writing advice for worldbuilders with rage and range // thewriteadviceforwriters

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[bunnie-tells-stories]

If you’re having writers block…READ!!!! CONSUME MEDIA

I feel like I don’t hear that given enough as advice for writers block..just read? Watch tv? Movies? Find inspiration in media.

Writers block is a lack of inspiration, so go collect more.

[thestuffedalligator]

The thing was a mound of flesh and mottled skin, as big as a barn and the shape of a pumpkin. Four tentacles as thick as trees hung limp at its sides; teeth ringed the gaping mouth at the top of its head like a crown.

A huge, sad whale eye the colour of wine stared at the knight. She could see her reflection in the jelly surface.

“We don’t know what it is,” she heard. “Some kind of monster that makes a perfect copy of whatever it eats. They think that was how the Dark Lord made his armies, feeding his minions to it so that it would make hundreds of copies of them. Do you recognize it?”

The knight opened her mouth. She hesitated. “Yeah,” she murmured, drawing out the word. “We found it in the Dark Lord’s tower, right?”

“That’s right. That’s where it ate you.”

The knight turned around and looked at her other reflection. This one appeared to be about ten years older, and had doffed her armor for a loose blue tunic and breeches.

She was holding a cup of tea. She had pressed another cup into the knight’s hand when she woke up here. It had been a shock finding herself suddenly out the obsidian dungeons of the Dark Lord’s tower and into this tall room of stone and straw. The warmth of it in her hands steadied her a bit.

“Everyone else in the party was worried, but then it started making copies of you,” the copy went on, staring up at the tentacled thing. “And all of the copies helped fight against the Dark Lord, and we won, and peace was restored across the land, but then nobody could figure out how to kill the damn thing or just to make it stop. Dozens of copies of us in a day, hundreds in a week, and then someone decided that the only thing we could do is just bring the thing here, seal it off and hope it starved to death.”

She sipped her tea. “Anyways, that was two-hundred years ago and it’s slowed down a bit. It can only make a new copy of us every few weeks now.”

The knight looked down into her tea. The copy had also draped a blanket over her shoulders.

“I have so many questions,” she said.

“I figured.”

“How can it be two-hundred years? I can still remember breaking into the tower. That feels like it was just minutes ago.”

“It was, basically. Your brain is a perfect copy of the original you’s brain at the exact moment she was eaten.”

“But the quest is just — done?”

“Yep. You missed some of the things that needed tying up afterward. There was a war, and a dragon, and some business about a ring.” She waved a hand. “It was before my time. Things are pretty settled now.”

“My parents?”

“Passed away about a hundred-and-fifty years ago. I’ve been told that they were very proud.”

The knight nodded. “Um. I don’t know if you know — we had an elf in our party—”

“I’m aware.”

“I — right. Obviously. Um. It’s just, after everything was done, I was going to ask her—”

“One of us did. She said yes. She outlived her. A couple of us have tried to reach out since then, but she wants to be left alone for a while.”

The knight considered this. “Uh — right,” she said eventually. Her fingers tightened around the tea cup. “Um. What do I do now?”

Her older copy shrugged. She had let her hair grow out again, the knight noticed. There were a few strands of grey against the black. “That’s up to you, I’m afraid,” she said. “A lot of us are finding work as soldiers and sellswords. We’ve done it for so long that most armies know we’re reliable and don’t tend to turn one of us away. Most of us are just sort of spreading out, wandering the world. Some of us keep in touch.”

The knight frowned. “What do you do?”

Her copy paused, tea cup half raised to her lips. “Sorry?”

“You said it only makes a new copy every few weeks now. So you just stay here and wait for a new one to show up?”

She lowered the cup. “Well,” she said. “I guess I just — I know what it can be like, waking up here in the dark, and it — it can be horrible trying to figure all of this out on your own.

“So I thought that what I’d do is just stay here with a pot of tea, and whenever I see myself again, I tell her that — that she’s not alone.”

“We aren’t?”

“Of course not. We’re all in this together, you know.”

[deception-united]

Writing Tips Master Post

Edit: Some posts may be deleted

Character writing/development:

Character Arcs

Making Character Profiles

Character Development

Comic Relief Arc

Internal Conflict

Character Voices

Creating Distinct Characters

Creating Likeable Characters

Writing Strong Female Characters

Writing POC Characters

Building Tension

Writing Grumpy x Sunshine Tropes

Writing Sexuality & Gender

Writing Manipulative Characters

Writing Mature Young Characters

Writing Disoriented but Capable Characters

Plot devices/development:

Intrigue in Storytelling

Enemies to Lovers

Alternatives to Killing Characters

Worldbuilding

Misdirection

Things to Consider Before Killing Characters

Foreshadowing

Story Structure (+ Addition)

Killing Many Characters at Once

Narrative (+ how to write):

Emphasising the Stakes

Avoid Info-Dumping

Writing Without Dialogue

1st vs. 2nd vs. 3rd Perspective

Fight Scenes (+ More)

Transitions

Pacing

Writing Prologues

Dialogue Tips

Writing War

Writing Cheating

Writing Miscommunication

Writing Unrequited Love

Writing a Slow Burn Btwn Introverts

Writing Admiration Without Attraction

Writing Dual POVs

Writing Unreliable Narrators

Naturally Conveying Character Age

Avoiding Repetition of "I" in 1st Person

Worldbuilding:

Worldbuilding: Questions to Consider

Creating Laws/Rules in Fantasy Worlds

Book writing:

Connected vs. Stand-Alone Series

A & B Stories

Parts of a Book (Chapters, Scenes, Arcs, Story Beats)

Writer resources:

Writing YouTube Channels, Podcasts, & Blogs

Online Writing Resources

Outlining/Writing/Editing Software

Translation Software for Writing

Writer help:

Losing Passion/Burnout

Overcoming Writer's Block

Fantasy terms:

How To Name Fantasy Races (Step-by-Step)

Naming Elemental Races

Naming Fire-Related Races

How To Name Fantasy Places

Ask games:

Character Ask Game #1

Character Ask Game #2

Character Ask Game #3

Miscellaneous:

Writing Tips

Writing Fantasy

Miscommunication Prompts

Variety in Sentence Structure (avoiding repetition)