It’s here, folks. Newest comp I’m on. Inspired by Alex Assan and Kim Darrow’s webcomic Shaderunners, the lovingly jazzy track “Shaderunner’s Ball” takes American standard “Autumn in New York” to new places. A visual aid to the lush world of Ironwell, be sure to check it out, as well as the rest of the songs on “Mad Melodies”.
I have no legitimate sleep schedule, so take my list of my Top 20 favorite Gorillaz tracks
20: Momentz - In the same league as Feel Good Inc., don't at me.
19: Stylo - Mos Def and Bobby Womack absolutely devastating on the bridges. Hearing Jeremih perform this live was gorgeous.
18: Humility - Gorillaz made a summer jam, and it sure sounds like it. Damon's getting old, man. Just wants to retire, wants to have a few beers by the beach.
17: Sleeping Powder - iwasgone I M B A C K ASDKJHAJSDHGSKDJHFGKJHASGLDKJAGSD
16: Feel Good Inc. - A legendary song in my formative years, and a soundtrack to the Bush administration as important as “American Idiot”. Only so low on the list because of oversaturation.
15: Rhinestone Eyes - This song is the embellished production of Plastic Beach in a moment. I once made a mashup with this song and "Kangaroo Court" by Capital Cities.
14: Re-Hash - First song on the first album, and it slaps.
13: Ascension - Vince Staples is such a brilliant voice in the latter half of the decade, and I'm pleased to see Damon Albarn recognize this.
12: DARE - Hot damn, this song is a jam.
11: M1 A1 - Hearing this song kick off a Gorillaz concert feels like getting shot by a cannon. It's the "most like the sound the pilliows exuded on the FLCL soundtrack" song in the Gorillaz discography, and for that, I like it.
10: Fire Coming Out Of The Monkey's Head - When Gorillaz want to tell a horror story, they double down and get Dennis Hopper to tell a story of apocalypse. Demon Days is such an immortal album, and this song will live on as a ubiquitous reminder of one's mortality at the hands of greed. Good one for the pessimistic crowds of both 2005 and 2019.
9: Rock the House - BETTER THAN CLINT EASTWOOD. FIGHT ME. When Gorillaz sample audio, they make sure to make the most of it. The ten second sample of John Dankworth's "Modesty Blaise" carries Del the Funky Homosapien's bragging boogie rap through to another level with the tight bass riffs the self-titled album is known for. Echo effects, horn stabs, a fucking recorder. This tracks fucks me up.
8: Souk Eye - I think a track off of The Now Now is one of the best works in the Gorillaz discography. Primarily because following Humanz and The Now Now, Albarn and Hewlett are in a strange time of their lives. Both are now 50 years old, and Gorillaz has lasted 20 years. The concept has run its course for now. To hear this song close this chapter of the Gorillaz story feels fitting. A love song to the many miles taken, only to realize one must leave their current circumstances in order to survive.
7: Last Living Souls - It's a cliche to say a song builds, but when the track starts with little more than a drum machine, and leads to an acoustic breakdown and string section breakdown back-to-back, you can agree this song builds. A lush atmosphere of tiny bleeps and bloops coming together to become greater than the sum of all parts. The song sounds so down and muted on the album, but hearing it live, it feels like a war cry. Both interpretations fit the themes of Demon Days, and it's a good one to start off the album following the Dawn of the Dead sampled "Intro".
6: El Mañana - Hearing this song follow "Busted and Blue" accompanied by visuals of Noodle during the Humanz Tour is the closest I've come to a religious experience at a concert. The sudden immediacy of the situation following "Feel Good Inc" is made aware from sirens and Damon delivering a ragged vocal delivery. The track ebbs and flows in and out of deep bass and washed out highs. It feels like a sigh. It feels like crying. And if you're a Gorillaz lore sucker like I am, this track accompanies the death of Noodle, the single most important event in the canon. Also, the acoustic version reminds one how good Damon is at evoking very quiet emotion.
5: Tomorrow Comes Today - When those drums come in, man, you get teleported to the turn of the millennium. Dirty trip-hop was coming out of the UK en masse, Fatboy Slim released one of my favorites albums of all time "Halfway Between the Gutter and the Stars", and Daft Punk's "Discovery" was still a year off. In between some of the most important music of my life being dropped, Gorillaz dropped their first single "Tomorrow Comes Today" at the end of the year and solidified their place for years to come. Slinking and sly, velvety and smoky. This is Gorillaz sending up a culture of basement shows and turntablism. If Think Tank is the first "Gorillaz album", this is when the transition was made manifest.
4: On Melancholy Hill - Ugh, this song. This song is pretty. Full stop. It's one of Gorillaz' very few love songs, and it still manages to capture the plasticine sadness of Plastic Beach. Plastic Beach was my first real and honest introduction to Gorillaz in college, as I only remember hearing about Demon Days from advertising in 2005, when I was 12. This track was just a treat to hear in spring/summer, and a reason I made so many (see: too many) of my finals about Gorillaz. Around the time Humanz was teased, I went back and realized this song had held up so well. It's just a universal sentiment about how the world we know is falling apart, but let's have this moment together. The acoustic version is an honest to God lullaby. Something I can play my future children. Not bad for only 16 lines of lyric.
3: Empire Ants - If "On Melancholy Hill" is about finding the beauty in ruin, "Empire Ants" holds a magnifying glass up to ruin, wondering how it came to be. Listening to the album, "Superfast Jellyfish" came just before. A satirical take on consumeristic meals leading into a song about how we are personified as ants, marching in tandem to complete our tasks and build ever outward, never truly satisfied until death. It is a reminder to look upon the greater picture that is our world and see the moments of tranquility for what they are. Sadly, these moments do not last, and Little Dragon's part reminds us we are part of a machine, ever moving, ever crumbling. It is beauty interrupted by obligation, and for a kid who was in college when this album dropped, and who is now 26 and facing a lifetime of having to make my own decisions, it's an anthem.
2: Hong Kong - I remember loading the entirety of Plastic Beach onto my iPod Nano, and having an iTunes gift card left to spend from Christmas/birthday/etc. Having seen the Demon Days Live concert, I knew this track had to be on my beautiful iPod Nano. That, and for some reason, "Dirty Harry (Schtung Chinese New Year Remix). I remember long car rides staring out the window, listening to this track as the scenery blew by. I remember reading up on this track's history, how it was released in-between Demon Days and Plastic Beach and it shows, how it's a tale of neo-industrial China and Hong Kong's place in both Chinese and British history. This is both a love letter and warning to the nation of the apocryphal train ride that inspired Demon Days. In a world where China seems to be ever rising, "Hong Kong" is a song that asks questions of how this will affect the world as a whole, using Hong Kong as a metaphor. That's nothing to say of the wondrous instrumentation, the piano part in particular on my wishlist of "Songs I Should Learn on Piano Before I Die". Many call it Gorillaz' most underrated track, and I agree full stop.
1: DoYaThing - I'M THE SHIT. I SAID I'M THE SHIT. Above all else, Gorillaz is a collaborative effort of hundreds of musicians from all walks of life. When you throw James Murphy of LCD Soundsystem, a band that rose in the same timeframe as Gorillaz, and Andre 3000, my personal pick for the G.O.A.T., magic happens. Uncut, unedited, 13 minute magic happens. Is it a bit of a meme? Sure. It is a shitpost disguised as a legitimate song? Why not. But sometimes, the goofy aspect of Gorillaz can craft audio gold. And aren't we all about memes on this blog? Albarn's at his most snotty white boy. Murphy's production and vocals are a reminder he was every music nerd's wet dream in the 2000s. Andre 3000 is just laying into every line with a confidence not heard since Stankonia. Everything about this song is designed and manufactured to sound like it it running off the rails in a fit of confidence. It is both wildly powerful and mournfully unaware. In short, to quote the great music critic Todd in the Shadows on the subject of LCD Soundsystem’s song “Losing My Edge”, "(It is) a critical darling... This was tailor made for critics. It is perfect music nerd bait, total pandering." DoYaThing, my favorite Gorillaz song of all time.
