

#iwtv#interview with the vampire#assad zaman#the vampire armand


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This is a pretty great documentary on the EZLN / Zapatista Army of National Liberation in Chiapas, Mexico. Goes into a lot of detail, references primary sources and interviews, does not put Subcommandante Marcos in the spotlight (even though he is worthy of much follow-up reading), and brings the Zapatista communities right up to the present day. This is a present, ongoing revolution and its struggles and solutions are evolving. Highly recommended.
One struggle
Anticapitalista, Popular y Rebelde
¡Nuestro deporte siempre será Anticapitalista, Popular y Rebelde!
Cartel hecho a mano. Demostrando que abajo y a la izquierda se puede crear, jugar, construir y luchar por ese mundo nuevo, sin necesidad de sus multinacionales, sin saqueos, ni exploración de la tierra.
Dibujo: Memoria y Revuelta www.instagram.com/memoria.y.revuelta
When a dancer or piece of choreography lacks harmony, a body of literature centuries old can offer guidance. Zapatismo and Jineology, Black Power and Indigenous stewardship, AIDS activism and situationism have so much to teach us about community organizing across time and space, yet somehow we lack the pedagogy to apply their teachings in our day-to-day activism. What do these movements have to teach us about choreographing for the long haul? What does Ste-Émilie have to contribute? What does it mean to approach movement building as an artistic practice?
https://cmagazine.com/articles/the-grace-of-it-all-movement-building-as-durational-choreography
"Enough of your capitalist wars!"
Zapatista graphic by Dante Aguilera Benitez