Misplaced Lens Cap

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@theartofmadeline
Fai_Ryy
Show & Tell
2025 on Tumblr: Trends That Defined the Year
trying on a metaphor
I'd rather be in outer space 🛸

Love Begins
todays bird
Sweet Seals For You, Always
art blog(derogatory)
official daine visual archive
The Bowery Presents
cherry valley forever
TVSTRANGERTHINGS

shark vs the universe
taylor price
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seen from Malaysia

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@driftglazz
Excerpt from Lou Sullivan's FTM newsletter, December 1990.
the age old debate, does a word rhyme with itself?
Children would be so jealous if they knew how many stickers we have in dive bar bathrooms
“A good question is very hard to answer. The better the question the harder the answer. There is no answer at all to a very good question.” - Flann O’Brien, At Swim-Two-Birds
Audre Lorde, A Burst Of Light
a balloon for a blunderbuss by alastair reid, illustrated by bob gill, 1961 via childrensbookclub
Fighting Dogs - The Price Of Grain (Poison Girls cover)
Wanna hear a Poison Girls cover done in a borderline-stadium-crust-style from the early 00's? Probably not, but I finally found this mp3 in my archives and this band was pretty important for me for a couple years, so here you go...
Maybe... can have shit in Detroit?
Historic wild rice restoration begins in Detroit River as tribal partners work to bring back sacred grain that disappeared from ancestral wa
[“Securing and preparing food, ensuring it’s safe to eat, being emotionally supportive, being considerate of other people’s complex needs, transporting people, being patient, and finding ways to laugh, be affectionate, have desire, cry, hug, and hold all take immense time and effort. So does navigating the information, bureaucracies, institutions, laws, and rules that regulate our bodies, relationships, and health.
Too many men with influence and power are willfully ignorant about what it takes to keep people alive and well, from the cradle to the grave. They know so little about the intense attention, emotional labor, mental load, and physical demands required to tend to other people, to bodies and their sustenance and well-being.
Because men buffered from intense care demands still make up the vast majority of our political leaders, senior corporate executives, and economists, care demands are chronically undervalued and misunderstood in resilience agendas. Instead, by unspoken and exploitative consensus, mothers, nurses, teachers, health aides, and other people who quietly do the messy work of caring are supposed to do it selflessly, ideally without complaining. At least half of the country genuinely believes women should sacrifice themselves to this crackpot scheme. Worse, as countless internet armchair experts are keen on perpetually and ridiculously pointing out, if women pay a personal price, so be it, because men go to war.
A powerful undercurrent of resilience today is a cultural hostility that maintains that if clamorous women want equality, then we must earn it on preexisting terms and by the standards men have always been held to. Women should sacrifice and be dedicated and ruthless if they intend to compete with men for jobs, money, and influence. Instead of protesting stubborn norms and resisting systemic inequalities, women—in the conventional mold of hardy and resilient men—are supposed to work hard, all the time, and be optimistic, gritty, and grateful.
In the face of obstacles, successful women and good girls know how to take control and turn challenges into opportunities; transform themselves and take a seat at the table. Resilience here is a therapeutic and decidedly capitalist self-management, which would include demonstrating the strength to recognize, for example, sexism as a problem, but to persevere, nonetheless. The Lean In, Confidence Code, and Girl Boss movements of the past ten years aren’t feminist as much as they are expressions of resilience along these lines.”]
soraya chemaly, from the resilience myth: new thinking on grit, strength, and growth after trauma, 2024
The Bridge (1898)
by Edwin Austin Abbey
Zilphia Horton (1910 – 1956) musician, community organizer, educator, Civil Rights activist, folklorist, and best known for her work with her husband Myles Horton at the Highlander Folk School.
bring back high quality
Listen - by Berenice Sambrano (1987), Mexican/Spanish (?)
Mirko Hanak, Czech
When John Coltrane knew he was dying, he asked for Albert Ayler and Ornette Coleman to play at his funeral. This is the only known recorded track by Ornette Coleman that day on St. Peter’s Lutheran Church on Lexington Avenue and 54th street, in Manhattan.
Ornette Coleman (alto saxophone), Charlie Haden (bass), David Izenzon (bass), Charles Moffet (drums)