#zone of interest

[sayruq]

[sandrahuuler]

happy birthday Sandra Hüller ✨️

April 30th, 1978

[ceeseepalette]

[mediademon]

The Zone of Interest (2023) dir. Jonathan Glazer

[ccccache]

The Zone Of Interest film posters by Neil Kellerhouse

[steveyockey]

We never left the Zone of Interest

Jonathan Glazer’s Zone of Interest has been read by critics as a reflection of the banality of evil. But, what if it in its materialist insi

While visiting the Majdanek concentration camp I, at that time a still fervent Zionist, had a strange revelation which I still cannot explain. While standing in the gas chamber—the walls covered in scratch marks and the hauntingly soft blue stains left behind by so many administrations of Zyklon B—it occurred to me: there was nothing ontologically evil about the perpetrators, nothing ontologically righteous or defeated about the victims; their fates were contingent on history. If this, even this, was contingent, then there must be something about the structure of the world that made it so.

When the Zone of Interest cuts to the Auschwitz of the present day, this memory rushed to the surface. That scene—long and wordless—seems to suggest that our contemporary atrocities will one day receive a similar memorialization, that such memorialization always sanitizes atrocity by placing it firmly in the past, even as we continue to live in a present it created; that we are, in turn, already sanitizing our own atrocities in the present. Even that, most chillingly, the Polish workers, like the Polish servants at the Auschwitz homestead, will continue to polish and clean Höss’s trophies. Höss and the Nazis may have lost the war, but present events make clear that their ideology lives on, polished up.

As the film ends with a cut to black, Mica Levi’s score fills the void: an ostinato of screams and trudging strings. The screams continue to pitch up, more voices added, a cacophony of screaming, and still the trudging line: history continues as one single catastrophe.

Walter Benjamin wrote that "Marx says that revolutions are the locomotive of world history. But perhaps it is quite otherwise. Perhaps revolutions are an attempt by the passengers on this train – namely, the human race – to pull the emergency brake.” The train: a resonance he could not yet have known. Unlike other concentration camps, the Nazis did not have time to destroy Majdanek prior to their retreat from the rapidly advancing Soviet forces. The bulk of the camp is not only intact, but theoretically still operational. The brake has not been pulled. Can you smell it? We’re in the zone of interest. We never left.

[godlessondheimite]