the more that I see, the less that I know for sure

she/her | I'm 30, I need a moment | ITA/ENG

[voidsetup1]

and out of the darkness - you you you you you

[corrodedparadox]

My other car is a rainbow trout

Prints

[corrodedparadox]

My other car is a rainbow trout

Prints

[sayuupi]

Playing around with round brush setting and love how they turns out!

I always forgor to announce that i have patreon! Its a little bear's den where i deliver you cute wallpapers and icons and also have a little critter! :3

This month's theme is st paddy's day inspired and i might turn the little critters in the den as leprechauns and fairies 🍀🧚

Get more from Sayuupi on Patreon

creating cute illustration!

[ionomycin]

alleyway meet up

[sophie-baek]

BRIDGERTON 4.06 "The Passing Winter"

[passionpeachy]

an ode to nessie

[lokihiddleston]

BRIDGERTON (2020-)

#knowing that’s their own home #yeah #they fell so hard

[fullofconfoundingfeelings]

That's MOTHER BRIDGERTON

[sayuupi]

Eepy 💤

[maruti-bitamin]

serpent

twitter/ insta/bluesky/ store

[quillflower-art]

Bolaire ✨🎭 He's so special to me I love his whole deal

ALSO I don't think people talk about the casual face caressing in ep. 4 enough like what's going on there

[sototallynormaliswear]

[castielstiel]

[theroundbartable]

Gaius be like:

🤨 I guess

[tako-giuls]

I know during Christmas we're supposed to be better, but damn if I'm vibing with you Merlin on this one 🤭👀

[lotrcolors]

All of them at once, I suppose. BILBO BAGGINS & GANDALF in THE HOBBIT: AN UNEXPECTED JOURNEY (2012)

[mary1goore]

there’s something about the creature’s many fragments and the stitches that bind it together that reminds me of a stained-glass window. just like a stained-glass piece is assembled from countless disparate shards, the creature itself seems intricately composed of different parts, its very patchwork giving it a strange, fragile kind of beauty.

[mary1goore]

as seen in guillermo del toro’s frankenstein, the mid-19th-century fisk coffin, also known as the fisk metallic burial case, featured an airtight seal and cast-iron construction designed to slow decay and preserve the body for viewing and long-distance transportation. developed by almond dunbar fisk in 1848, these coffins were marketed as sanitary, modern, and protective against grave robbers. their distinctive anthropoid (body-shaped) form, glass viewing plate, and metal shell reflected both victorian fascination with death and the growing influence of medical science at the time.