“A thing that doesn’t change with time is a memory of younger days.”
📸 by bradbehlesphoto on IG
trying on a metaphor
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@tanookicosplay
“A thing that doesn’t change with time is a memory of younger days.”
📸 by bradbehlesphoto on IG
“We Sheikah have served the royalty of Hyrule from generation to generation as attendants.”
📸 by bryantcoxphotography (IG)
A hero is an ordinary individual who finds the strength to persevere and endure in spite of overwhelming obstacles.
📸 by tansuru.bsky.social 🦋
“It’s the Swordfighter!” ⚔️
📸 by tansuru.bsky.social on Blue💙Sky 🦋
New planned cosplays for 2025! No doubt more will be added as the year goes on. 😅 What are your projects for the new year?
I hope everyone had a wonderful year and has an even better 2025! 🥰
Adding a “lace front” the quick(ish) and (not really) dirty way. Featuring Levi because I hate this wig’s hairline with a passion.
Details in the captions, but basically I took the extra lace from a cheap eBay lace front wig (because swiss lace is waaaay expensive and I definitely don’t need it by the yard), glued it to the inside of the wig, and started stabbing tufts of extension hair through the lace. I hotglued it totally flat and just kept building. I used the same method to add the purple to my Eridan wig.
Hope that helps a little! Now for a trim…
I am Sheik.
Survivor of the Sheikahs...
While I was doing it the second time, I took some quick progress pictures on sewing the clear plastic inserts for Mako’s pants! For whatever reason you need to do this, it’s pretty simple. Essentially you just cut a interfaced hole, sew a facing to the hole (right side to right side), understitch (stopping right before the corners), flip it inside and then topstitch the clear vinyl in! I used tear off stabilizer on the back side of this, mostly just cause the vinyl would stick to my machine and sew badly if I didn’t.
https://twitter.com/Shinitamacos/status/1094348705363243008
Tips for working with foam!
So for cosplay, one thing commonly used to make armor, weapons, etc. is foam sheets like these ones (usually find these at the hardware store)
or thin craft foam like these (easy to find at almost any craft store)
now i realize we talk about these a lot and that it’s pretty common knowledge to cosplayers around the world that this stuff is great but hey i figured i’d show you exactly what i’m talking about
ANYWAY here are some easy tricks that it took us a while to figure out when using foam for cosplay crafting
1) USE HEAT GUN! IT’S SUPER EFFECTIVE!
(this one here is a regular craft one but you can also buy the ones that are more industrial power tools)
these are great for working with foam for a few reasons. first, they gently melt the top layer of the foam to make it less absorbent and less textured (it melts all the little teeny bubbles in the foam, making it smooth). this is important for if you want to paint your foam and/or make it look metallic. second, it also works great for bending foam and having it keep its shape. if you run your heat gun over it for a bit and then hold it in a specific shape until it cools down it will hold the new shape but still be malleable (this works especially well with regular thin craft foam; the thicker you go the more times you have to repeat the process to get it to stick.
2) GO CRAZY WITH THE POWER TOOLS
we’ve found it SUPER useful to use our bench grinder
and a handheld dremmel tool with a sanding tip like this
these are a great way to smooth edges and shape foam. box cutters and x-acto knives tend to leave a really rough edge so to clean that up you hit it with either of these to smooth it out and shape it (**or round edges**). the dremmel also was great for helping weather things by grinding and denting it.
3) PLASTI-DIP IS BEAUTIFUL!
this stuff works great to give your foam a smooth, hard surface. it makes the foam less squishy and gives it that authentic metallic texture. AND its a great way to prime pieces for the real paint (especially if you’re using colored foam).
edit: also this plasti dip stuff helps a lot to keep your pieces more resilient. this way when your wearing/using them, and you knock into something, it wont dent as easily.
And the great thing is all of these (excluding the bench grinder and besides a dremmel works just as well it’s just smaller) can be found at a local craft or hardware store no problem so enjoy your beautiful creations :)
How to make custom lace appliques – the “Frankenlace” method
A lot of people asked for more info on how I made the appliques that decorate the bottom of Zelda’s gown. Here’s my tutorial for the whole process! This method can be used to make all kinds of applique shapes and designs if you get creative with it.
These lace appliques are made out of other lace – hence the nickname. To get started, you’ll need to collect a few lace trims to use as raw material. Look for styles that are similar or complement each other, because you’ll be combining them. This is some, but not all, of the trims I used. I bought these in the LA fabric district, but most are available at trimexpoonline.com.
Cut your lace down into smaller pieces that are more modular. Don’t cut up ALL your lace – this is just an experimentation stage, to practice rearranging the design.
Using a template of your desired shape (I made mine digitally, but you can hand draw one too) practice arranging your pieces until you find a design that suits your needs. This is not my final design in the picture – I went through several versions before I was totally happy with how it looked. You might discover that you need more lace, which is why planning and experimentation are so important. When you’re satisfied with how it looks, it’s time to start putting it all together.
You’ll need an embroidery hoop large enough to cover your whole template, plus some netting that is as close to transparent as you can find. Most generic tulle is NOT fine enough to do well with this technique – the holes are too large and the tulle stretches too much when handled. Look for netting that does not stretch or fray, if possible. Put some netting in your embroidery hoop, tightening the surface like a drum. I taped my template to a small sheet of masonite to give myself a portable work surface. I also ended up using clamps to hold the embroidery hoop to the masonite, but forgot to get a picture. This is optional, but really helps the design from shifting too much as you work.
Tools for the next step: fabric glue (other brands work too), a small paintbrush, and a water cup. I watered my glue down a little to make it easier to spread with the paintbrush. Be careful not to add TOO much water, or your glue will be too thin, not grip well, and take a long time to dry.
Working in small sections, begin gluing your lace pieces onto the netting. Start at the center and work outward, if possible. Continue until all your lace pieces are glued onto the netting.
Here’s what mine looked like with all the lace attached! At this point, I flipped the embroidery hoop over and applied a second coat of glue over the entire back of the work. The netting is so thin that you can continue to apply more glue from the backside to get a more secure grip.
Optional: add rhinestones to taste. I used E6000 for this step. Not every applique requires rhinestones, but in this case I wanted Zelda to sparkle as much as possible.
Repeat to create as many appliques as you need! Zelda has 8 along the bottom of her dress. Here’s part of my assembly line.
When you’re ready to attach the applique to your fashion fabric, trim away some of the netting along the outside, but leave any “interior” portions that help stabilize the design. I simply glued my appliques onto the silk, but I later went back and hand-stitched them down for a more secure hold. After they are properly attached to your fabric, you can VERY CAREFULLY trim away the “interior” pockets of plain netting using small scissors.
The final look of my gown, after all the appliques and trim were attached.
This method is very time consuming and requires a lot of patience and concentration – but I just love the results! I wanted to achieve the look of professionally-made applique, but without access to industrial equipment, this was the next best thing I could come up with.
The white-on-white effect is subtle, but matches the look I was going for. Photo by Vontography.
I hope this is helpful to some of you in your own costume projects. Let me know if you have any questions, and good luck!
HOW TO SEW SLEEVES WITHOUT WANTING TO MURDER EVERYTHING: A TUTORIAL
Someone asked that this be rebloggable so HURR YOU GO
Some patterns are really dumb in telling you to finish the body of an outfit, then finish the sleeve, then attach a circle to a circle. It’s possible to do, and once in a while it’s necessary, don’t get me wrong, but unless you have a lot of experience it’s sometimes very aggravating trying to evenly distribute the sleeve around the “hole” cut out for it and match up the seams under the armpit!
(Please note…some patterns, especially to achieve tailored looks, require you to do it the traditional way. Don’t use this method for fashion school assignments or super-complex garments as it will probably screw up the way it ends up fitting in the end. This is mostly for the use of cosplayers to make their job a little easier.)
EDIT:// thevvioletprince, a fashion student, says she’s been taught this method in school so HAVE FUN, NEVER MIND
EDIT DEUX:// If you are doing a traditional garment of some kind, for instance, something that has a multi-piece sleeve or that requires gathers, you may need to do it the “old-fashioned way”!
ANYWAY SO THIS IS WHAT I DO.
PLEASE DO NOT REMOVE SOURCE OR REPOST, THANK YOU
You can make regular craft foam have a suede effect if you just get some low grit sandpaper and sand that bad boy. Sand all around the edges to make it consistently fuzzy. Plus, different coloured craft foam? Different coloured suede!
ATTENTION COSPLAYERS:
I would like to make the paint brand “Angelus” known. It is a special paint that is for leather, faux leather, rubber, and similar surfaces.
This is literally the best paint you can buy if you love a pair of shoes, but they aren’t in the right color for your character.
This stuff coats VERY well AND the coats of paint bend with your shoes. This means no cracking!!
In the photos above I took black rain boots and painted them with Angelus Turquoise. As you can see, they don’t look black any more! It’s so good!
I managed to paint two boots with a little one ounce bottle of the paint, and I still have a third of the bottle left over!
The paint dries very fast, so you can put layer on top of layer on top of layer without it streaking.
You can get the paint on Amazon and it comes in every color!
I just really wanted to make this known!! :D This stuff is amazing!
Craft Foam Wing Tutorial
I made these wings for my kenku costume. This tutorial explains how to make wings, to be used in conjunction with my craft foam feather tutorial.
Keep reading
cosplay tip!
Having trouble finding a fabric? Try findmyfabric.com and you may find it or find something similar!
Rub ‘n Buff Sampler - Color Review
I’ve been using Rub ‘n Buff as a metallic finish for my props for years, but recently at Gen Con I met an awesome Amaco rep who was giving out free samples and coupon codes (gencon2016 for 20% off a sample kit through their website). So I picked up a sampler set of their full range of 12 colors and did a few test swatches. “Sample” kit is a bit inaccurate, because I got a twelve regular 15 mL tubes of Rub n’ Buff. This stuff is basically metallic pigment in solvent and wax which you rub on to a finely sanded or porous surface. Because it’s wax-based it does not crack AT ALL, and the more you buff it the shinier it gets.
As for the colors themselves - gold matching has always been an pain in the butt for me so I was really pleased to see they had so many colors available. The gif at the bottom was me attempting to arrange the colors from the most yellow gold tones to the most red gold tones. They’ve only got two silver-tone colors, Pewter and Silver leaf, which are pretty similar except Silver Leaf is a little more liquidy and seems to have finer particles. Spanish Copper is a basically a deep metallic brown, which strikes me as being great for grime or weathering. The metallic particles in the Ruby color seem a little coarser than the other colors in the line, which might affect the final luster of a project. Ebony, Patina, and Antique White all seem to be good for adding corrosion/weathering effects as well.
With the Gen Con code above, you can get a 12-pack sampler from Amaco’s website for about $45 shipped in the US, although it looks like you can get the same set off of Amazon Prime for $35. Considering these retail for between $5-8 a tube, it’s a pretty good deal either way. Here are a couple projects that I’ve used this stuff on, which are all basically thermoplastic/resin base -> Mod Podge coat -> wet sanding -> painted with Rub n’ Buff (no clearcoat or other finish necessary).
Robo-arm in Silver Leaf:
Yamask Masks in Gold Leaf:
So yeah, heads up! I like this stuff a lot and I’m not sure how familiar the cosplay community at large is, but if you have an upcoming project you can use some in I’d give it a shot.