schwarzer prinz.

insteadㅤ...ㅤiㅤwantㅤtoㅤbeㅤlovedㅤbyㅤtheㅤlivingㅤyou.

[tanztten]

independent portrayal of the personification of 𝐝𝐞𝐚𝐭𝐡, the lord of the underworld━━ based off of kunze & levay's 𝐞𝐥𝐢𝐬𝐚𝐛𝐞𝐭𝐡 𝐝𝐚𝐬 𝐦𝐮𝐬𝐢𝐜𝐚𝐥, but with heavy inspiration drawn from a variety of sources. 𝐀 𝐒𝐓𝐔𝐃𝐘 𝐈𝐍. gothic horror & gothic romance, humanity's tendency to personify & humanize concepts, the history of depicting death in art & culture, "death doesn't discriminate between the sinners & the saints: it takes & it takes & it takes," what it means to be loved by death.

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[hairtusk]

Alec Irwin, 'Devoured by God: Cannibalism, Mysticism, and Ethics in Simone Weil'

[venusdemilosnumber1fan]

MORE ELISABETH DAS MUSICAL ART FOR THE 4 PEOPLE WHO CARE

[orcposts]

do not go gentle into that good night

[orcposts]

be a bit of a bitch about it

[tanztten]

could a mentally unwell person do THIS━━

[potato-practice]

Der Tanz 就練習一下互動還有姿勢

[mostlyfate]

Love Game in Eastern Fantasy 永夜星河 · 2024 01 | If there's nothing else, I'll leave. Miss Lin, why do you want to leave? I haven't properly thanked you yet. Thank me for what? For reminding Liu Fuyi to protect my sister, of course. But how did you know my sister would be in danger? I don't know.

[totalsellout]

YUTA OFF THE MASK, 2024

[prettynerdieworks]

Uwe Kröger & Andreas Bieber ♛ ELISABETH ♛ 1992

[erdenmaedchen]

ᴅɪᴇ ꜱᴄʜᴀᴛᴛᴇɴ ᴡᴇʀᴅᴇɴ ʟÄɴɢᴇʀ + ᴛʜᴇ ᴍᴀʏᴇʀʟɪɴɢ ᴡᴀʟᴛᴢ ᴋɪꜱꜱ - [ᴇʟɪꜱᴀʙᴇᴛʜ ᴍᴜꜱɪᴄᴀʟ]

[tanztten]

is this anything.

[tanztten]

follow me back. coward.

does anyone hear that. i think someone's being clingy. (says the thing that wants to make them clingy in the first place)

[giraffenkuss]

Visit Original Link

Elisabeth das Musical » Raimund Theater (2012) » [10/49] » Sie passt nicht

[tanztten]

thinking about how, while der tod has never been the most conventional personification of death from a meta perspective (everything about him canonically is woven in regards to being made for elisabeth; from his appearance & dialogue being drawn from the works of heinrich heine, to his attitude reflecting her own hot-cold obsession with death), the decision to give him a sword in the takarazuka productions is still a very interesting choice. & then i think about how it's not meant to fulfil the same sort of symbolism of a scythe― which has always represented reaping souls in the same sense of reaping in agriculture, treating lives & souls like crops― instead it plays more into these productions being the ones that popularized the idea of der tod as the lord of the underworld; when beforehand, that sort of thing was never really part of his character. it's meant to make him appear noble. it's a sign of status & power, further encouraged by the way it's struck by lightning when he holds it up to the sky, which i've always interpreted― due to the moment it happens― as him forcing the judges to acknowledge his existence. his sword doesn't serve any practical purpose. it's him being fucking showy & dramatic. do i think he can wield it? yeah, of course. but in my mind's eye it more serves as a symbol rather than something he would actually pull out in a fight. (not that i think he would be in positions of confrontation often) it's the sort of thing he brandishes & the very sight of it makes people flee.

[allofmylovelove]

jung taekwoon for theatre plus

[tanztten]

(don't you remember what that spider did to me?)

[tanztten]

"i can give it to you ... freedom!"

(and how do you break a wild creature? you make it love the cage that binds it.)

... and so the little bird flew into the cage, and the barred door was shut tightly. it's only natural that the people wanted to see such a pretty little bird ... but it isn't just pretty; it's a very special bird that can't live without freedom.