when one of your favorite writers follows you back
One Nice Bug Per Day
official daine visual archive
tumblr dot com

JVL
we're not kids anymore.
YOU ARE THE REASON
$LAYYYTER

No title available
macklin celebrini has autism

Kiana Khansmith
wallacepolsom
Peter Solarz
Fai_Ryy

No title available

Kaledo Art

oozey mess

titsay

Andulka
Xuebing Du

Product Placement

seen from Malaysia

seen from Croatia
seen from United States

seen from United States

seen from Germany
seen from Malaysia

seen from Singapore
seen from Azerbaijan
seen from Azerbaijan

seen from Azerbaijan

seen from Azerbaijan
seen from United States
seen from United States

seen from Finland

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@tellerimagines
when one of your favorite writers follows you back
writing fanfiction
when you have the PERFECT ROMANTIC SCENE ALL ENVISIONED AND EVERYTHING but then your fingers be like “he look into eyes. hot darn.”
I DONT CARE WHAT KIND OF BLOG YOU HAVE
EVERYONE NEEDS A DANCING FESTIVE CARLTON
You guys realize requests are always open, yes?
Feel free to send something in, I don’t want this account going to waste ~
“Call it paranoia, but I don’t like people who tried to kill me.”
“I’d like to see a problem that can’t be solved with explosives.”
“What doesn’t kill you makes you the villain.”
“If it wasn’t for physics and law enforcement, I would be unstoppable.”
“You said you would never hate me, no matter what I became. You promised.”
“Good guy, bad guy. What matters is I’m the guy with the gun.”
“I’ll try being nicer if you try being smarter.”
“I’m not your type, I’m not inflatable.”
“My biggest regret is that I never got to push you into a wood chipper.”
“I’m going to drink until my internal organs start a revolution and leave.”
“Who left your cage open?”
“Stop opening portals to Hell!”
“You never did follow me back on Twitter.”
“Don’t worry, I’ve done this a million time before.”
“I believe there’s a reason you’re an orphan.”
“This isn’t Burger King. You can’t have it your way.
He hated her and everything she embodied. He hated the guns and the war and the drugs and the violence and the death and the decay and the chaos that always followed anyone with a Reaper on the flesh or running in their veins. He hated the fact that he got involved with her and she ruined his life. He hated the fact that she knew all the secrets of the world and more and he hated the fact that she knew exactly how to fix everyone and everything. He hated her because he loved her. He loves the way she’d dip her head so that her hair would curtain her face when she didn’t want someone to see her smile. He loves the way she brings joy to him in a way that only his son can. He loves the way she lets him twirl her across his apartment, listening to something that she put on the radio and swaying to the beat of a million hearts in blood. He loves the way Lucius adores her, calls her Mom when she can’t hear and begs his dad to marry her. He loves the way she can pull him in any direction and he’ll follow, follow, follow because he knows that she harms people but she’d never let any harm come to him. Loves the way she says ‘I love you’ into his skin when she thinks he’s asleep. Loves the sun in her eyes when she laughs, loves the moon in her heart when she cries. Loves the way she lights the fire of fear in other and loves the way confusion just isn’t in her dictionary. Loves the way that she loves - hard and fast and fierce. “What do you dream of, Nero?” “You, mama.” And she laughs and smiles at him like he’s the world's biggest sap and he hates the way it hurts to know she was never going to abandon her son for him. Jax was her first love, and he was the only one that ever truly had her heart. He tells himself that he hates her and everything she brings but the truth is, Nero could never hate anything about Gemma. She’s beautiful in every way, every situation, every light and he couldn’t hate her if his son’s life depended on it. The only thing he hates is that he knows if she stays in Charming, he’ll no longer have anything to pretend to hate. Or anything to love. Jax is hardening and he knows exactly what’s happening. The boy’s hatred is finding it’s next target and that’s his mother - so beautiful and unsuspecting, still carefree and thinking that she has her grip on things. “Is that offer still on the table?” “That offer will be on that table until the day we die, mama.” “Then let’s go.” He hates some of her tendencies. Like the way she cleans everything when she’s pissed so he can never find anything after an argument. Or the way she always crinkles up the toothpaste tube instead of rolling it up. He hates the way she tears up their drawers when she’s looking for something and doesn’t fix it. He hates the way she babies and protects Lucius from him when he gets in trouble. He hates the way she puts her cold feet on him when she comes to bed late. He hates all these things, but he loves them as well. He loves how the house and the farm is always impeccable because she’s a clean-a-holic and she can’t stand dirt. He loves the way she insists that they buy the bubblegum toothpaste because it’s her favorite. He loves the way her eyes light up when she finds something she’s been looking for - which is usually lingerie, and he definitely loves that. He loves the way she loves Lucius - the way she looks out for him and cares for him, protects him fiercely like she’s protected her own child all these years. He loves the way she’ll curl into his body, her bottom pressed against his groin and her back to his chest. He loves all of these things because they are her traits and they are her. “Do you love me, mama?” “Of course I do. I wouldn’t be here, otherwise, baby.” “Good, because I love you too.” “I know.”
On the night Nero’s broad shoulders fill the doorway of the house she shared with a man she didn’t love, brown eyes haunted by ghosts of a past she would never dare ask about, she thinks of him. Laying in the darkness of early morning, eyes wide open and thoughts running rampant. She thinks of him. And as her hand slips between the hem of her silk night pants - pants, not shorts or nighties or anything else sexy because that was reserved for someone with enough love to soothe a war torn nation but not this nation and the man sound asleep beside her was not that someone - and into her cotton panties, she does not think of it as the hand of the man she love- no, not ‘loves’. Is supposed to love. Because she loved Clay, once upon a time, but knuckles crunching against bone has changed all of that and now she has to take showers so hot they burn the memories of his hands on her body at night from her mind. She arches her back into her hand and tries so desperately to be still. To be quiet. To be invisible, for once in her life. And she thinks of him. Of callused brown hands that are still soft, but only with her. Tender, but only on her skin. Loving, but only when they encase her hands within them. She thinks of a large cross tattoo that she drags her nails across and soft lips that press against hers. She thinks of the name Lucius carved permanently into a neck that she bites at, marks, burns herself into because she wants him to know that just as she is his, he is hers. “I love you,” she whispers into the darkness of early morning, eyes squeezed shut and thoughts at a halt. And she wants to be still and quiet and invisible but goddamnit, she has a voice too and it needs to be heard. “I love you, too,” Clay mutters, and she bites her tongue not to whimper - because if she whimpers, she’ll cry. And if she cries, he’ll know. He’ll know that she isn’t here of her own accord and something is wrong and oh god, Gemma, what the hell is wrong with you? And that can’t happen. Because she may be a lover but that’ll always come second and she loves her grandsons too much not to follow through with this. So when her husband slides her pants the rest of the way down and mounts her, she keeps her eyes closed. She doesn’t need to see him. Because if she looks at him, she won’t see Nero and if she doesn’t see Nero she won’t want it anymore. Because if she looks at him, it’ll become rape and she’s so tired of being a victim that she can’t… she can’t… Gemma is a great actress but not that great. “I love you,” she whispers, when the world drops out of view and her husbands - Nero’s, Nero’s, Nero’s… - hips stop moving. When there are fireworks behind her eyelids and her nails drag down a back that is not marred - no, painted, because his skin is a beautiful canvas that is fit only for artwork - by a cross but nothing. Emptiness. And he says it back. Or he doesn’t. Because he couldn’t possibly say it back if she didn’t say it to him in the first place.
Until I get some imagines in, I'm going to post the solos I work on for my Twitter RP && drabbles I write when I'm bored. Requests are always open, but until then, I'll just be filling your dash with my work.
Rape Escape
Easy and very effective
Requires nothing but your body
Includes attack
Very useful to know, pass and share please.
Worth watching
I don’t mean to impose a personal favour on you guys, but I really would like to ask that everyone who follows me reblog this.
I don’t think I made it very clear but last month I was sexually assaulted by someone who I thought was my friend (I don’t want to talk about it don’t ask), and it’s… really fucked with my head.
Had I known this a month ago I would have been able to get away.
So, essentially, I’m really pleading with you to reblog this so everyone who follows you doesn’t get stuck in the same position I was with no way out.
I mean again I don’t want the point of this to be my sob story or whatever but if you could reblog this it would seriously mean a lot
and im asking to all of my followers who see this post in your dashboard to please press play to this video, you never know when this is gonna be useful, PLEASE DON’T IGNORE IT.
This is one of the first moves I was taught in Krav Maga, and it is one of the most effective.
It took me about a half hour to get down with practice, but once you get it, it’s an intuitive movement.
Please pass this along, it will save lives.
EVERYONE AND ANYONE WHO SEES THIS POST: PLEASE TAKE THE TIME TO WATCH THIS!!! THIS COULD SAVE YOUR LIFE!
This Is Us 1.02 - “The Big Three”
There's an eerie silence amongst the group of long time friends, which is something uncommon and definitely unfitting considering how loud and rambunctious they usually are when put together in one room. But they're letting the news sink in, giving it time to process within their slightly younger friend. After all, it's a lot for one to soak in. Especially someone that's known to be as fragile minded as Thomas Teller is. The man in question stands in the middle of the living room. Everything about his body language is tense and rigid, coiled tight and waiting for any opportunity to spring. Hazel eyes focused downwards, trembling hands held tightly by his sides, and soft lips pursed into a thin line. No one in the room knows it, but he's the spitting image of his mother. “Do we know who did it?” he asks tersely, finally breaking the silence after what seemed like eons. His voice seems to be the needle to the rooms balloon of tension - as soon as he speaks, action resumes again. Royd stands, begins to gather up all the liquor and clear the room of any drugs that aren't weed. He knew Thomas’ battle with addiction - beyond the sex, the part that he didn't tell anyone about - and knew that his best friend couldn't afford to relapse. “We already–” “No, like… who did it… exactly?” His hands are shaking now, and his eyes are watering. He's on the brink of a breakdown and it's only getting worse. Alicia, an addition to the group that had come after he left, gently guides Thomas to a chair opposing the coffee table. She eyes him warily as she does, careful that he doesn't lash out. She'd heard the stories. Read the article. She didn't know the man, and she didn't know what he was or wasn't capable of. “No. No DNA or anything was retrieved, so they can't make any positive ID’s. Witnesses only saw the kuttes. We don't know anything else,” Chloe whispers sadly. Her hands wrap tightly around her mug of tea, and she shakes her head - almost as if she can't believe it herself. “Tom, I know how much you loved them… I'm so sorry…” He says nothing, for a few moments. All he can do is sit there and tremble. The newspaper from the day after the incident is on the coffee table in front of him, and his eyes keep finding the headline. It's like he wants to torture himself by reading it. Motorcycle Gang. Hate Crime. Two Dead. Sergio and Alexis had found solace within each other after Thomas left Los Angeles, and it had only deepened when they found out he had fallen in love. They both had missed and had loved him to the point where they needed someone to comfort them on the fact that he was never coming back. So they'd turned that love for him into some sort of sexual tryst between themselves. But that bloomed. It bloomed into something more foundational. It bloomed into late night phone calls and romantic walks on the beach and movie dates and after only two months, proposal. (Proposal that had been, surprisingly enough, guided by Thomas during a late night phone call with Sergio sometime after his leaving) They were going to move to Tacoma, where Sergio was finishing up his last year of med school. They were going to get a house and be a couple – Sergio was gonna be a doctor for Christ's sake, something he'd been studying for when he was with Thomas. They were going to be happy and Jesus, they were already considering having Chloe surrogate for them. And they were killed. Beaten to death by the Tacoma charter of the Sons of Anarchy. Because Alexis just happened to be in drag and just happened to be with her boyfriend and just happened to be in the wrong place at the wrong time. Two beautiful lives were gone. “When's the funeral?” he asks shakily, his eyes fluttering closed. He couldn't stand to see them reduced to nothing but a ‘Hate Crime’ anymore. “Tom… that's the thing…” “What? They're not having a funeral for them?” he asks, suddenly infuriated. He's already angry, but even the smallest idea that they won't be celebrating the beautiful lives of his best friends only makes him livid. It didn't make sense - Sergio's family was very accepting of their sons sexuality, and while Alexis’ family wasn't exactly ‘pro-homo’ - as the blonde enigma liked to call it - they didn't hate her enough to refuse her a proper burial. “No, they are,” Chloe rushes to recover, before pulling her bottom lip between her teeth. She's floundering, it's obvious. Reaching for the words she can't find. “It's just…” “Their families don't want you there,” Royd deadpans, emerging from the kitchen. His expression is completely unreadable, but the tone of voice suggests that he doesn't have any inhibitions with the families’ decision. “and we, too, think it's best if you just… don't go.” Thomas’ stomach drops to the pit of his stomach as he struggles to process this on top of everything else. He can hear Royd saying something important, the deep gravelly baritone from the other man rumbles in his ears, but it's muffled. Drowned out, as if he's been submerged beneath water. Didn't want him there… families don't want you there… think it's best if you don't go… the words replay like some fucked up broken mantra in his head. He was being asked not to attend… no, he was being told not to attend the funerals of two of the people he loved the most. Because… because… “Why…?” he asks numbly, managing to speak around the the lump around his throat. “I think you know why. They… they've heard stories. About your family. About what they do in situations like these. They just want you and the Sons of Anarchy to back off,” Royd says coldly. “and I don't blame them.” “Roy–” Chloe starts, but the man puts a hand up. “His family killed them, Chloe!” he roars, and there are tears burning tracks into his face. “They murdered them in cold blood! I don't care if he wasn't there or if he didn't do it himself. He's just as accountable as they are!” “I didn't know. I didn't know that was gonna happen. I didn't know any of this shit was gonna happen,” Thomas whispers hoarsely, because he doesn't have the energy in him to shout back. His first love and his best friend had just been murdered by people that he'd grown up calling ‘Uncle’. People that had probably played trucks with him before or taken him to the park. People that knew his brother. His mother. His father. And his best friends blamed him. So no, he didn't have the energy to fight anymore. “But it did,” says Royd, after he collapses back into the couch. He looks just as drained as Thomas feels, but then again, he can't be. He wasn't the one being banned from his best friends wedding. “and there's nothing you can do about it. Those men are going to be pat on the back by your brother. Your mother. Your step-father. Rewarded.” “Don't you dare bring my moth–” “Stop protecting them!” The apartment falls silent again. That eerie silence that should be filled with Sergio’s thick Mexican accent or Lexi's soft, girlish giggle. The sound of their playful bickering, or the group-wide political debates that Sergio always seemed to win. The sound of Lexi’s croaking singing voice belting out the lyrics to Fergalicious on karaoke night. That eerie silence that will never be filled with those two beautiful sounds again. “I think you should go, Thomas,” Royd finally croaks, and it's obvious that he'd been sobbing while the Teller had been caught up in his thoughts. “and I don't think you should come back.” Red-rimmed hazel eyes find that of his best friend. The man that had helped him through his addictions. That had smoothed down his sweaty hair and held the trash can close while he vomited up the acidic contents of his stomach. That had saved his life over and over and over again. And he was casting him away. “Yeah. I think so too. But Roy?” “Yeah?” “I loved them, too. Just remember that.”
You guys realize requests are always open, yes?
Feel free to send something in, I don’t want this account going to waste ~
Jax is on his way, if he finds you here, I don’t know what happens I do
“I got this.”