Leif Engström (Swedish, 1992) - The Invisible Weave (2024)

Kiana Khansmith
Jules of Nature

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hello vonnie
Xuebing Du
Sweet Seals For You, Always

titsay
🩵 avery cochrane 🩵
occasionally subtle
tumblr dot com
Monterey Bay Aquarium

Love Begins
Keni

No title available
Mike Driver

JVL

oozey mess

if i look back, i am lost
EXPECTATIONS

❣ Chile in a Photography ❣

seen from United States

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seen from United States
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seen from Brazil

seen from South Korea
seen from Venezuela

seen from Malaysia
seen from Pakistan
seen from Libya
@tesilated
Leif Engström (Swedish, 1992) - The Invisible Weave (2024)
afro palestinians, collaboration between mahmoud jiddah and tanya habjouqa
Katie Harris is photographed with her Appaloosa. Harris made most of the horse trappings as well as her own traditional outfits herself, including the bead work. Some of the trappings are passed down from older generations but the girls like to make their own to continue the tradition.
By Erika Larsen
March evening facing west, J-Six Ranch, Cochise County, Arizona.
Huge waterspout near Uganda (Africa)
easy over by danielle mckinney, 2023, oil on linen, 14 x 11 inches
Foragers (2022, Jumana Manna 🇵🇸)
Palestine is the home for several wild, edible plants. Za’atar and akkoub are popular herbs in Palestinian culture and cuisine. In 1977, however, Ariel Sharon declared za’atar a ‘protected plant’, rendering its foraging, possession or trade a criminal offense. Akkoub suffered a similar fate when it was labelled protected in 2005. Those who pick za’atar and akkoub subsequently became lawbreakers and in many cases were indicted and convicted. Despite this, several Palestinians, especially the elderly, are willing to defy these laws.
Assortment of whimsy window grates
Cooking Jam - Teija Lehto, 2016
Finnish,b.1965-
Woodcut,61 x 77 cm.
Siberia, 1980. Neighborhoods of Salekhard. A child leaves the reindeer herders' yurt
Petroglyph depicting whales, Qaqortoq, Greenland, 2010.
seen coming home
Mike Prysner, Iraq War veteran and anti-war activist.
Grietje Postma, 1992-I, woodcut