Trabalhos de que gosto (caderno pro Efrain)
Trans-Fixed, 1972. Chris Burden
A still from the new documentary Burden (2016), showing the artist performing Trans-Fixed (1972). Courtesy Magnolia Pictures.
Doomed, 1975. Chris Burden
“My performance consisted of three elements: myself, an institutional wall clock, and a 5′ x 8′ sheet of plate glass. The sheet of glass was placed horizontally and leaned against the wall at a 45 degree angle; the clock was placed to the left of the glass at eye level. When the performance began, the clock was running at the correct time. I entered the room and reset the clock to twelve midnight. I crawled into the space between the glass and the wall, and lay on my back. I was prepared to lie in that position indefinitely, until one of the three elements was disturbed or altered. The responsibility for ending the piece rested with the museum staff, but they were unaware of this crucial aspect. The piece ended when [a museum employee] placed a container of water inside the space between the wall and the glass, 45 hours and 10 minutes after the start of the piece. I immediately got up and smashed the face of the clock with a hammer, recording the exact amount of time which had elapsed from beginning to end.”- Chris Burden
http://www.rogerebert.com/interviews/chris-burden-my-god-are-they-going-to-leave-me-here-to-die
Asphalt Rundown, 1969. Robert Smithson.
ROBERT SMITHSON, DOCUMENTATION FOR ‘MIRROR TRAIL’: MINE - CORNELL UNIVERSITY, 1 UNITED STATES GEOLOGICAL SURVEY MAP AND 8 COLOR PHOTOGRAPHS,1976.
Movimento HO, 2016. Eleonora Fabião.
Confronto, da série "Unus Mundus", 2005. Cinthia Marcelle.
