I found these Percy doodles from last year that I never posted!
i love this :)
Monterey Bay Aquarium

tannertan36

oozey mess
art blog(derogatory)
đȘŒ

Kiana Khansmith

#extradirty
todays bird
h
hello vonnie
Not today Justin
đ
taylor price
Phantogram Three
occasionally subtle

izzy's playlists!
Noah Kahan

Love Begins

romaâ
d e v o n
seen from United States
seen from Serbia
seen from Venezuela
seen from Singapore
seen from United Kingdom

seen from Germany

seen from TĂŒrkiye

seen from Malaysia
seen from Russia
seen from Bangladesh

seen from Vietnam
seen from TĂŒrkiye
seen from United Kingdom

seen from United States
seen from TĂŒrkiye

seen from United States
seen from United Kingdom
seen from Russia
seen from Argentina
seen from TĂŒrkiye
@the-chaotic-christian
I found these Percy doodles from last year that I never posted!
i love this :)
I just wrote my final essay on the Christian influences in Star Wars :)
Disclaimer; these are just my opinions. I'm not looking to start a fight.
I'm getting concerned about Katara's character in Netflix's show.
In almost every trailer, advertisement, interview-at least the ones I've seen-they've been really trying to drive home the point that she's a warrior. Which she is; there's no disputing that. By the second half of the first season she's a force to be reckoned with.
But that's not what I think of when I think about her.
It's not her defining character trait. Her main goal isn't to become a warrior; at least, she doesn't want to be a warrior just because. It happens out of necessity, because she has talents and abilities that are huge assets when fighting.
But at her core, she's a caretaker. She's a girl who sacrificed her dreams and own desires for people who needed her at the age of eleven.
Having her openly pursue and argue with Sokka over the whole 'warrior' business almost seems to discount that. It adds a touch of immaturity and naivety to her character that just feels shallow. Katara has always understood sacrifice; what it means to give up your own wants for another's-she does this all the time.
It's one of the things I find most admirable about her character.
From episode one it's established that she's the person that makes sure everyone has everything together; she's not, primarily, a fighter. She can fight-and she does-but she's more than that. Katara holds the gaang together, both physically-cooking, repairing clothes, making sure everyone's healthy-and emotionally-calming Aang out of the Avatar State, encouraging Sokka, attempting, albeit unsuccessfully and overbearingly, to curb Toph's reckless antics. Even in season 3, when Zuko shows up, her mistrust and dislike of him is because she's trying to protect everyone else.
When I think of Katara, the first word I think of is 'motherly'. I don't want Netflix to box her into the Marvel-girlboss-power stereotype, scrubbing her of any depth and femininity in the name of making her a warrior. Being motherly doesn't make her weak; being the one who cooks, cleans, and makes sure people are, i don't know, sleeping, doesn't make her weak.
It makes her incredibly strong.
She's a warrior, but that's not her first characteristic. She's one of the few people in the series who truly understands how consequential their actions are. She understands that sacrifices need to be made; she's seen them made first hand. Katara's motherliness is an outward sign of the way that she sacrifices for others; she gives them her time, her energy, and her love. That's different than how her brother sacrifices, how Aang sacrifices, how everyone else in the series sacrifices; but that's okay.
I don't want Katara to be just a warrior. I don't want her arc to be purely about 'fighting sexism' or whatever. She's deeper than that. I'm sick of these copy-and-past boss girls hollywood keeps churning out. A;tla is full of so many complex female characters, they don't need to be changed to be 'strong' or something along those lines.
The greatest thing about Katara is that she was a strong female character before she had the ability to throw grown men across the battlefield; and her arc in the first season was so much more about her growing into her abilities than all oh 'woe is me, a female in a patriarchal society!' and I love that. She didn't just complain; she changed the status quo and proved that the Northerners were just plain wrong.
Her magic abilities aren't what make her strong; her ability to fight isn't what makes her strong; her proving that women can and will fight if necessary isn't what makes her strong;
Her passion, hope, love, motherliness, compassion, desire to impact the world in a positive way, and arc about learning to let go and forgive are the things that make her strong.
C'mon Netflix, don't scrub that for some Marvel copy-and-past.
The core of Sokkas character is that he is a 16-year-old boy who grew up trying to be a man because that is what his tribe needed after his father left for war. In that attempt, as someone immature and unguided, he had sexist attitudes, only to later mature and become a real man.
His character development is very special because it teaches little boys the true meaning of being a man. The fact that they remove his sexism in the live action speaks to the fact that they did not understand his character
With no flaws there can't be any grow
Yes! Exactly! He's a complex character with a complex backstory; his sexism was largely because of the fact that his formative pre-teen years were spent taking care of an entire village with no father-figure to rely on. Taking that out because it's 'offensive' shoots his character arc in the foot and really hurts the point of his story; what it means for a boy to become a man.
That's such an important message, one that just isn't seen enough in modern media because it's taboo to talk about.
Smalls really is just out here running on coffee and his desire to fight death itself before admitting his feelings for Heather, isn't he, and no one's gonna stop him
Ember's Blood: Chapter 1, The Capital
Part 2
There are tunnels underneath the Black Gap, though nearly all are blocked or discovered now. This last one would put them out about four miles from Half-moon ridge, a system of caves and tunnels used frequently by travelers.
Itâs the melting season, and many areas would become flooded as snow melts from the mountains and sends a surge of water rippling through the river system. Most put off their traveling until afterwards, but Smalls and Wilfred go right through it. Ironically, travel is safer now because no one else will.
The tunnels are cramped, dark, and wet, a combination Smalls decides is never pleasant no matter the context.
Smalls knows itâs odd, but heâs never liked being underground. Itâs a dislike thatâs a borderline fear- an extremely strange fear for a rabbit. He hates feeling trapped or stuck. He doesnât even like being indoors. Too much like suffocating. But itâs necessary to cross the black gap.
The Black Gap is a dangerous stretch of burned land. Morbin Blackhawk had decimated the capital and then humiliated Smallsâ people further by tearing down their greatest strength; heâd burned the wood. Just thinking about it infuriates Smalls. Even as a child, heâd seethed and chafed underneath Morbinâs authority, muttering threats of poisoning and death that Wilfred had silenced in order to keep him alive. Most twelve-year-olds were interested in baseball or fairytales. Smalls had been interested in learning every way possible to kill a person.
His dedication to his training is what got him through Dagglerâs insane training programs, through the nightmarish court, through losing brother after brother and sister after sister. Learning to turn off his feelings has saved his life on more than one occasion. It scares him, sometimes, how easily and unemotionally he can do incredibly hard things-how easy it is for him to fight and kill, now. Itâs made him a good soldier, though. An even better assassin.
Feeling things is dangerous during a war.
But a part of him is tired of only feeling anger and emptiness.
Part of him wants a real reason to keep going-not just fable phantoms heâs half convinced donât exist. Part of him doesnât want to keep going anyways.
ButâŠ..he will. Because he doesnât know how to stop.
âWhat time is it?â Smalls asks after a while.
Wilfred pauses a moment, then sighs, âI donât have the foggiest clue. My best guess is somewhere in-between one and two in the morning.â
Smalls nods. Then hears a distinct, sudden boom.
Just thinking about what they might have been talking about on their way up to Cloud Mountain that Picket couldn't hear. And Heather's latent magic powers....
I cracked up reading this. Not for the comic, but because Smalls just looks perpetually done/exhausted throughout the entire thing XD
Love it, tho. Big fan of Heather's magic powers.
Ember's Blood, Chapter 1: The Capital
Part 1
âWait here.â
Smalls looks up, surprised out of his bad mood. He doesnât want to be here, in this overcrowded, dirty city, devoid of any sort of happiness. They had passed two corpses on their way in, and the main square (which they had barely peeked at, theyâre not trying to get killed) still smelled of soot and burnt flesh from the dayâs executions. No one is out; itâs far past curfew. It makes Smalls uneasy.
âHow come?â He asks.
âBecause Mr. Jemison wonât appreciate you knocking any of his glasswork over.â Wilfred replies, tone light but hand on his sword. His eyes flick briefly towards Smalls, then back to the shop theyâre standing in front of. Itâs decrepit and illy cared for, like most buildings in the First Warren. It offers little to look at; Smalls doubts anyone would choose it for a networking base on purpose.
âI wouldnât knock it over.â Smalls protests, rolling his eyes. Unlike most rabbits of fifteen years, Smalls has the capability to stay quiet and unnoticeable, only making himself known when necessary and slipping into the shadows when itâs not. Heâd been trained to do so.
So itâs odd when Wilfred forgets that.
But this isnât the first time heâs pulled something like this, and itâs growing increasingly annoying. Wilfredâs been acting absurd for weeks now. After the arrival of a letter that had visibly upset him, Wilfred became strangely withdrawn and increasingly quiet. Smalls had even gone so far as sneaking to discover what was in the note; but had been caught to his chagrin. Wilfred hadnât even lectured him much; not like he usually did.
âWe have to go to the capital.â Heâd said.
âWhy?â Smalls asked, not keen on the idea.
âTrust me.â Had been Wilfredâs only reply.
And a fairly stupid one, in Smallsâ opinion. But he hadnât bothered pushing. Wilfred wouldnât crack.
âIâm going inside.â Wilfred interrupts his thoughts, hand trained on his sword, acting as if he hadnât heard Smallsâ earlier statement.
âKeep watch. If thereâs even a hint of trouble-â
âSignal. Yes, I know. Iâm not twelve anymore, Wilfred.â Smalls reminds him. Iâm nearly sixteen.
Wilfred relaxes slightly, the muscles in the hand clenching tightly around the handle of his sword loosening.
âYouâre right. I should trust you. But be careful. Thereâre wolves on the prowl.â And with that cheerful reminder, he disappears into the dark shop. The building on a whole looks very empty and abandoned to Smalls, and he grimaces, annoyed at being kept in the dark-literally. He begins to pace, hand on the hilt of his sword. The reminder of their enemy sets him on edge, and he wishes more than anything to not be where he is.
Smalls hates The First Warren. The old capital is a crumbling decay and ruined because of the violent occupation. The wallâs being reinforced and finished, and eventually all in-and-out access to the place would be nonexistent. Based on their current information, that âeventuallyâ will become a reality within the next week or so. Smalls and Wilfred need to be gone by then, long, long gone. Iâll go insane if we stay here much longer, He thinks, glaring at the cobbled ground. He sighs and directs his gaze up.
Clouds are gathering above, blocking out the pale sickle moon. Smalls can see raptors circling high up, waiting (and probably hoping) to find someone out past curfew. Smalls knows they can see immensely far and hopes the dark back-road and towering buildings around him will protect against their sight.
Smalls fiddles with his sword pommel, tempted to draw it simply to feel safer. Footsteps approach, the swing of a door and Smalls squints in the darkness to make out the form of Wilfred. His sword is drawn.
âWhat was that about?â He asks, hoping for a legitimate answer this time around. Wilfred has a bad habit of withholding vital information until the very last possible moment before Smalls needs to know it.
âSome intel.â Wilfred replies vaguely, swinging his pack onto his shoulders in one clean movement and re-sheathing his sword. Wilfred takes off at a fast pace, annoying Smalls. He knows Iâm shorter, why canât I get a break? He jogs to catch up with him.
âWhat kind of intel?â He questions.
âIâll tell you in the morning. Are you in a rush, lad?â Wilfredâs pointed look is as-pointedly ignored by Smalls. But he does admit;
âI donât like it hereâŠ.ItâsâŠâŠall wrong.â
Wilfred sighs. âI agree. This place isnât what it should be, the occupation has knarled it into something demented and evil.â
Smallsâ fists involuntarily clench.
He longs to act, longs to restore whatâs been lost. ButâŠ.heâs seen the results of hasty action. And he remembers watching the riots and protests as a child. His mind also unhappily supplies images of the day awful Lord Falcowit had put an end to it all.
âIt wonât always be this way.â Wilfred adds.
âI hope so.â Smalls replies, trying not to sound too despondent. Heâs tempted to add more, preferably some backhanded, passive-aggressive jab at Wilfredâs frustrating secrecy. But Wilfred apparently can read minds, because the look he gives Smalls is enough to sway him from acting on his inclinations.
âWhere are we sleeping tonight?â He asks instead.
âNot in the city.â
âI thought we were staying on for a few more days.â Wilfred shakes his head. âNo, weâll leave tonight.â His tone shifts slightly, and Smalls glances at him, sensing the difference. What is going on? The questionâs been rattling around inside his head for weeks now, and he has too little information to answer it.
âOh, and this is for you.â Wilfred hands Smalls a thin stack of letters, bound together with twine.
âEvan?â Smalls questions, unable to read the address due to the darkness.
âThatâs who I assumed.â
I havenât got anyone else who would write to me, Smalls muses. Evanâs his older brother by a year. Theyâd spent much of their childhood together and had stayed in touch consistently ever since theyâd been split after the massacre. Smalls slips the letters in his pack.
âWhere are we going to stop?â
âWhere do you think is best?â
âThat depends. Which direction are we trying to go?â
âNorthwest.â
Smalls considers for a moment. âWeâd have to get across the black gap tonight.â
âYes.â
âAnd we canât go to the citadels, yet.â
âUnfortunately, no.â
âBut the tunnels arenât completely blocked, correct?â
âYes.â They stop walking.
âHalf-moon would work.â Smalls decides at last. âItâs bound to be empty this time of year.â
âFive miles out.â Wilfred muses. âAnd at least a two-mile dead run, up and down, over debris and other obstacles. You up for that?â
For the first time since entering the city, Smalls grins. âAlways.â
A Modern Christmas
The angels descended with blazing wings
singing GLORIA in a chorus of a thousand voices
but the shepherds took for granted
the special effects and the full surround sound
and they found the Child and His Mother
in a stable
the Babe wrapped in swaddling clothes
and they felt a kind of emotional pity
as when they saw photos of starving orphans
in Africa
and they said
.
Sorry but we have nothing to give
only escalating piles of debt
mortgage and insurance payments
ever-increasing taxes
and joyless jobs that we work from 9 to 5
for the rich overlords who take from us
our petty gains
.
We cannot afford anything
not even the 1.5 children who baffle us
with their strange fashions and desires
and who are baffled by us in return
who will one day grow into joyless workers
and put us away in our old age
as men put down a sick dog
.
We have nothing to offer
but the ennui of those who rush madly
from distraction to distraction
and the casual adulteries
offhand murders
the sickly sweet vices of worn-out lusts
the enthralling fascination with illusory violence
and the sleepless nights spent trying to forget
what we are and what we have become
.
And the Child looked on the shepherds
with the wise eyes of One who has seen all things
and He said
.
I accept
the debts
and the distractions
the petty sorrows that break your hearts
the sleepless nights
and misunderstandings
the false joys and mindless lusts
I ask for no other gifts
For though their weight be more than the worldâs weight
My shoulders will bear the burden
.
And the shepherds asked
But if you take this away from us
what will we have?
And the Child said
.
Peace
.
But not as the world gives
Peace within chaos
and in the midst of war
Stillness at the heart of disorder
Joy that no man can take from you
with mindless violence
or cruel words
The joy of those who have nothing to lose
because they have given everything they have
.
And the eternal Child in the manger smiled
with empty wounded hands
while outside the stable the bombs exploded
and the sharp staccato of machine guns
pierced the night
.
And the angels sang
Peace on earth
to men of good will
.
But only the shepherds heard
i know it's late but man is this an important message. Besides the orthodox folks are celebrating Christmas on Sunday, it counts.
do you guys think jesus, the son of a carpenter, smelt the wood of the cross & temporarily thought of home
This is killing me
@wolfythewitch
I've thought about this!! The reason people seemed to empathize more with that post and with my art in general is because it humanizes Jesus in a way the church just absolutely tries to stray away from. A big part of Jesus' entire story is his humanity. It's why Satan tried to tempt him. It's why he could feel hunger and thirst. It's why he loved and was loved. It's why he had to die. He was betrayed with a kiss, with a greeting. He shared meals with his disciples. He had parents and siblings and aunts and uncles and cousins. He bled. And a big part of humanity is connection. We as humans are always looking for reflections of ourselves in others, it's how we connect and understand each other. We gravitate towards it. Of course we'll love the human side of him more. We're human
"Put those weapons down!"
haha welcome, the ninjago gremlin is back.......and bored
there r two types of people
Garmadon and Wu are fantastic. They're dynamic is wonderful lovely man do i need to go get some work done and not fall down the ninjago rabbit hole again-
(Even though i'm working on ninjago fanfic-)
The star-crossed lovers
I'm a jaya shipper. and a procrastinator. i should be writing.
the more i see these lore drops like âjay can produce a lightning boltâs worth of powerâ and âcole could split a continent in halfâ, the more iâm convinced that lloyd really IS a nuclear power plant condensed into a human body
i am afraid of that particular lore reveal. how fast could this man obliterate the world
.....I love ninjago guys
Ember's Blood: Prologue Part 3
âAnything the Bleaks do is suspicious.â Wilfred sighs. âAlways has been. But thereâs been no attacks, and Victor hasnât mentioned any raids. Terralain is quiet. Even the Hollow has settled, at least for now. Itâs not worth stirring up trouble, Jupiter.â
âI know.â Jupiter nods. âYetâŠâŠI canât shake it. This feeling that somethingâs about to go wrong.â
Wilfred ignores his gut reaction of agreement. Instead, he exhales softly and turns to gaze out over the city, which, even this late, is still glowing warmly with nightlife. âWeâve been at war a long time, Jupiter. You and I since we were fourteen. I wouldnât expect those instincts to go away any time soon. Or ever.â
âI knowâŠâŠbut this is on a different level. I canât sleep, and when I doâŠâŠ.itâs strange dreams. Very strange dreams.â
âLike the ones that came before you chose an heir?â
âWorse. Fire and blood. Thatâs what theyâre full of. Fire and blood.â Jupiter stills, gazing out at Merle again.
Wilfred doesnât have a response to that. Heâs heard some of the other Visionaries say that theyâre seeing the same thing. We havenât had an en mass Seeing in decades, Wilfred thinks, If Fay is trying to tell us something, why canât she do it plainly? Maybe it isnât her, though. Maybe itâs something else entirelyâŠâŠ
âYouâre having them too, arenât you.â Jupiter says quietly.
Wilfred nods. âTrue Blue,â He begins at last, âThatâs the only thing I can think of. It must have something to do with True Blue.â
Jupiter shakes his head, shifting. âIt canât be. We knowâŠ..well we know next to nothing about it. Just old childrenâs tales and The Hollowâs ramblings.â
âItâs dangerous.â Wilfred insists.
âWhy do you think that?â
âWhy donât you?â
âBecause I, unlike you, am not afraid of the unknown.â Jupiterâs tone heats, fist slamming onto the railing in passion.
First Flower always sets him off, Wilfred observes. âAnd that is why one of us is the voice of common sense, and itâs not you.â Wilfred replies flatly. âThink about it, Jupiter. A strange plant thatâs been missing for who knows how long suddenly resurfaces only for several of our scientists to mysteriously die while working with it? That sounds sinister.â
âYou sound superstitious.â
âAnd you sound arrogant.â Wilfred snaps. âBad things happen around the plant, Jupiter, you canât deny that. Who says it canât mess with our seers and visionaries too?â
Jupiter looks away, tense and irritated. He hates being called arrogant. He doesnât want to be like his brother, Wilfred sighs. Regardless, Jupiterâs pride is getting in his way here, and he doesnât like admitting heâs wrong. He never has.
âI donât think itâs the plant.â Jupiter says quietly. âIâŠ..think itâs more than that. Itâs why I canât stop thinking about what will happen if I die.â
âSounds like you need a talk with Maggie.â Wilfred remarks. âIf youâre spending all of your time thinking about death.â
âHilarious.â Jupiter replies dryly, âAnd no. What I need is to make sure my affairs are in order. My heir is the most important part of that.â âA three-year-old heir is hardly going to do the country any favors if you suddenly drop dead on us.â Wilfred replies.
Jupiter shrugs. âHaving one is better than not.â
True. But why is he so concerned?
âIâm leaving tomorrow to join the army.â Jupiter says tiredly. âMaybe then the Hollowers will rally to help fight off these raiding bands. Itâs becoming a bigger problem than we anticipated, and the Hollowers are just sitting there.â
âYou donât want to send Whittel up there?â
âNot after Sween just gave birth. Hardly seems fair, does it?â Wilfred shrugs. âSend Garten then.â Itâll get him to shut up for five minutes.
Jupiter shakes his head. âIâm taking him with me. But Iâm going.â Still trying to win the Hollowers loyalty, Wilfred thinks, I doubt it will ever happen.
âAlright.â Wilfred says at last. âSee you in a couple of weeks.â
Jupiter nods. He heads for the door. Then he pauses, turning back to Wilfred with a strange, pensive expression. âEverythingâs going to be okay, Wilfred. Youâll see.â He says, an almost excited tone to his voice. Wilfred gazes at him, puzzled. Right now, Jupiter seems much less of the powerful, wise king he is and much more the wonder-struck dreaming kid Wilfredâs known since childhood. Like the kid Wilfred used to protect from bullies on the playground, the kid who brought frogs to school and put firecrackers in the teachersâ desks. The kid who spent more time with his head in the clouds than his head in his studies.
Slowly, Wilfred asks, âWhat will be okay, Jupe?â
âYouâll see.â Jupiter repeats. âFirst Flower isnât the problem, Wilfred, itâs the solution.â And he leaves without saying another word, and Wilfred stands there, one hand on the balustrade, holding an empty coffee mug.
Ember's Blood: Prologue Part 2
Wilfredâs eyebrows draw together, and he turns. Jupiter looks like he hasnât slept in a week, blood-shot eyes and a pale complexion evidence enough. Heâs pacing, a sure-fire sign that something is bothering him. His face is scrunched in concern and concentration, and he frowns.
âEverything is about to change.â He continues, stopping at the balcony and drumming his fingers along the railing, gazing out past the gardens and towards Lake Merle. Mist covers the islands in the center, and Wilfred eyes it warily. Itâs superstition, he knows, but the old tales have some truth to them, and he doesnât trust Merle. âI donât know how or when, but something is changing. I can sense it in the wind.â
Wilfred pauses.
âYouâve felt it too.â Jupiter states, glancing over at his friend, some strange hint of his I-told-you-so tone in his voice. But itâs more ominous.
âI have.â Wilfred agrees, mind flashing to the strange dreams heâs been having lately, dreams of fire and blood, violence. Heâs written many of them off as visions from his childhood, but that doesnât feel quite right. Thereâs something more going on. Itâs why heâs felt soâŠ.off lately. âBut itâs foggy. It feels far off.â
Jupiter shakes his head, posture tensing. âI donât know. I donât know. Thatâs whatâs bothering me, the fact that I canât figure it out.â He grips the railing, glaring down at his hands.
âSome things remain mysteries even to kings.â Wilfred remarks, yawning. He glances down at the coffee mug, finding it upsettingly empty.
âNo!â Jupiter retorts forcefully, turning on Wilfred. âThis-this is different. I can tell.â
âIn what way?â Wilfred asks calmly. (Heâs always been the voice of reason, thatâs certainly never changed)
Jupiter ignores Wilfredâs question, steamrolling right through. âIf something happens to me, I need you to promise youâll protect my son and heir.â
Wilfred sighs. Theyâve been over this a million times. âJupiter, as much as I understand your concern, youâre being dramatic. You are the king of the most powerful state in six thousand miles. The likelihood of something happening to you is extremely low.â
âDramatic?â Jupiter scoffs, âMe?â
Wilfred rolls his eyes. âYes. And weâve had this conversation at least three times this week alone. Youâve already named me the Chief Protector, thereâs no need for this. If you need more reassurance, just go look at your army.â Wilfred shoots a disapproving look at the on-duty guards, one of whom is definitely now asleep. âJust maybe not the palace soldiers.â
Jupiter glances down, lets out a long sigh, and rubs his face. âThe armyâs north near the Hollow.â He mutters through his hands, leaning his elbows on the balustrade.
âMy point stands.â Wilfred argues, setting his mug on the railing with a soft plink, âNatalia is secure, save for those who choose not to be. You have nothing to be concerned about. Morbinâs been silent for years.â
Jupiter looks back at him, exhaustion and frustration settling on his face. âAnd thatâs not suspicious?â
Ember's Blood: Prologue, Part 1
Wilfred leans against the balustrade of the balcony, mug of black coffee in his hand. He swirls it absently, gazing out at the palace grounds. Theyâre mostly empty, considering how late it is. Only a few guards stand at the two exit points Wilfred can see, lounging against the wall and looking in a right state to nod off on duty. The soldier in Wilfred twitches at that, hand tightening slightly around his cup. SomehowâŠâŠfour years of peace and he still canât shake the foreboding feeling that sits in his stomach, a constant reminder of how much of his life heâs spent on edge. Which is fair, considering what a trouble magnet his best friend is.
He recognizes Jupiterâs footsteps in the hallway outside Wilfredâs office. Wilfred shakes his head, glancing up at the clear, starry sky. Jupiter would never have made it as an assassin, Wilfred muses, sipping his coffee. First of all, his conscience would never allow him. Second, he would trip in the dark and clomp around so loudly he would have the entire army on him in minutes.
âWilfred?â Jupiter calls from inside.
âBalcony.â Wilfred replies. Jupiter nosily makes his way towards the door. Wilfred thinks he hears him curse the dark. Itâs amusing. He comes out and immediately blurts, âWilfred, I need you to promise me something.â
âI donât know, Jupiter, Iâve made you a lot of promises.â Wilfred says good-naturedly, taking a sip of his coffee. And wondering what itâll be this time. Jupiterâs absurd requests and ideas have certainly decreased the older heâs gotten, butâŠâŠthereâs always something. Jupiter always has something up his sleeve, and Wilfred either must make it work or talk him out of it before someone ends up in the hospital. Again.
âThis is different.â