thoughts on witches’ sabbath by goya? i told my friend about your posts on here and she asked me to send that one in on her behalf. love your commentary btw!
Witches' Sabbath is one of my favorite Goya paintings, honestly. I had it as my phone wallpaper for a long time.
A fun fact; one of his black paintings was also titled (posthumously) Witches' Sabbath. It's also often called The Great He-Goat.
I think some amazing analysis could be done comparing the two and their use of the goat figure and the crowds (and comparing the original Witches' Sabbath and Witches' Flight). I'm sure said analysis already exists. But you're not here for that. You're here to talk about eroticism.
And eroticism we can find! Goya's work is rife with it, in my humble opinion. His simultaneous looseness with and attention to detail are stunning.
In this painting we see that attention to detail primarily in the goat and one of the witches. The goat itself is absolutely beautiful. The gentle curve of his snout, the soft detailing in his fur, the warmth of his eyes. I can just imagine sinking my fingers into that fur. His horns also contrast wonderfully against the wreath. The former powerful and sturdy, the latter delicate and elegant.
The goat in this is, of course, likely intended to be Satan. The common superstition of the region at the time was that witches are in league with Satan, gaining their powers from a pact with him. Depicting Satan as a black goat was also very common. This turns the goat into not just a central figure in the painting but a deeply powerful one.
The witches are painted loosely, with the exception of the elderly one offering up the starved child (we'll get to that soon). The lack of detail and the generally pale colors used for them just further draw your attention to the goat.
As we've established before, contrast is erotic. Dark and light, harsh and soft, detailed and vague. It creates focus, it creates a sort of tension within the work that's just exciting. Seeing extremes next to each other sharpens both, and seeing them opposed to one another creates a tense dynamic, a conflict. All things move towards equilibrium just by nature, after all. This contrast is a common theme in eroticism and sexuality too! Leather and lace, dom and sub, temperature play.
In this painting the contrast exists because of the colors, the detail, and the power displayed.
Now, one detail that does stand out is the use of children in the piece. Just personally that does detract some points. I'm sure this isn't a controversial statement, but starving children do not evoke eroticism. This piece is, notably, a criticism of superstitions and the church's encouragement of the fear of witches. There was an idea that witches were sacrificing children to Satan, and in this painting we see a baby and a severely malnourished child being sacrificed. We know it to be a sacrifice given the three dead children hanging in the background and the dead child on the ground. We're meant to notice this sacrifice and abuse of children too! The witch handing over the skeletal child is painted darker and with more detail than anyone besides Satan himself.
This idea of witches sacrificing babies to Satan is, of course, uncomfortably reminiscent of blood libel. This was an idea spread by the church that Jewish people were sacrificing Christian babies and drinking their blood. It was used to justify pogroms, and anti-semitism. The idea of evil Satanists sacrificing your babies also arose again in the 80's for the Satanic Panic which was just deeply unsexy.
Overall Witches' Sabbath would get an 8/10 for jerkability. But it gets me thinking too much about the imagery and what it was criticizing.
Smash or Pass?
Voting ended onJan 3, 2025