kew res ~ john wardle architects
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Misplaced Lens Cap
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Today's Document
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we're not kids anymore.
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kew res ~ john wardle architects
Source
Esfahan Dreamland Complex Concept
Conceptual design by Farshad Mehdizadeh commissioned by Esfahan Housing Development Organization for 50,000 sqm location.
Beauty of Exposed Steel and Feats in Architecture & Engineering
Architecturally Exposed Structural Steel (AESS) sits firmly on the boundary between architecture and engineering.
Tabiat 3-Level Pedestrian Bridge (Tehran, Iran)
The concept of Tabiat Bridge was based fundamentally on inspiration from ancient Iranian architecture in which, bridge was not just a crossing path, linking 2 sides of a river or valley, but It was a place to stay, relax and enjoy beautiful views. The bridge links Ab-o-Atash and Taleghani parks, spans 270m and was opened to the public after four years in October 2014.
Wespi de Meuron - Renovation of a historic home, Scaiano 2014. Photos (C) Hannes Henz.
Absolutely brilliant integration between the old and the new, it just goes to show that modern progressive conservation and restoration can work wonders.
Rüf Stasi Partner - Panoramic restaurant, Dornbirn 2013. Photos (C) Zooey Braun.
Bamboo Composite: Alternative to Steel Reinforcement?
Failed Dream of Industrialised Construction
Ronan Point tower located in East London, a 22 story building that was left partially destroyed by a gas leak explosion on the 18th floor on May 16, 1968.
The Ex-Majlis Building in Tehran by Heydar Gholi Khan Ghiaï-Chamlou in 1955. The project depends heavily on principles of Islamic geometry and combines them with varied textures, materials, and dimensions. Long, exaggerated lines are used on the exterior façades, echoing the Futurist Manifesto. The brise-soleil recalls traditional Middle Eastern screens that filter light and delineate ornate patterns cast in shadows upon three dimensional surfaces. The dome of the building was inspired by the architect’s family crest. It was one of the first major modernist projects in Tehran and was considered the greatest advance in Iranian architecture at the time. Rather than borrowing from the west, it evolved the traditional forms already found in the vernacular architectural vocabulary of the region.