(1) Vaughn City Map, with prominant features of the city marked out, including the three Royal palaces, Houses of Parliament and Sutcliffe Power Station
(2) Regency of Vaughn, a powerful coastal city state and colonial power.
The Bright Sessions
noise dept.
Keni
Mike Driver
let's talk about Bridgerton tea, my ask is open
Aqua Utopia|海の底で記憶を紡ぐ
No title available

if i look back, i am lost
art blog(derogatory)
YOU ARE THE REASON
Cosmic Funnies

Origami Around

Product Placement
One Nice Bug Per Day
Fieri Frames

Love Begins
ojovivo
Monterey Bay Aquarium

Jar Jar Binks Fan Club
Cookie Run:Kingdom Official!
seen from Indonesia

seen from South Korea

seen from Malaysia
seen from Philippines
seen from Türkiye
seen from Ireland

seen from Colombia

seen from Malaysia

seen from France
seen from Indonesia

seen from Malaysia
seen from United Kingdom

seen from Malaysia
seen from United States

seen from China

seen from South Korea
seen from Indonesia
seen from Nepal

seen from Hungary
seen from Bangladesh
@the-natural-silence
(1) Vaughn City Map, with prominant features of the city marked out, including the three Royal palaces, Houses of Parliament and Sutcliffe Power Station
(2) Regency of Vaughn, a powerful coastal city state and colonial power.
CURIOSITY - Prologue
A sun. A tempest of nuclear fire. The inferno fills the vision: one cannot look away. Yet why would she want to?
It is enchanting. Hypnotising. The flow of fire, a shifting ocean, spiraling through a sphere, leaping with elemental unthinking joy. The consuming light is heavily dulled for observation through the screen, allowing the conflagration to reach Leslie’s eyes as a ruddy red radiance, instead of the full fury of ruinous fusion. Reflected in both her glasses and her eyes, the sun spawns cosmic duplicates. She narrows her eyes; brings her blunt up to her mouth. Breaths in the smoke deeply, and sighs, letting it out in a cloud that is instantly sucked into the air filtration system.
Leslie prefers not to blink. She adores the hellfire, licking her lips as equations and nuclear collisions and insane Feynmann diagrams arrange themselves in her drug-addled brain. She giggles softly.
Behind her, curled up beneath a blanket, her associate yawns; stretches. She is a spectacular sight to him, framed by the silent nuclear apocalypse seething beyond. Naked she stands, pale skin transformed into curved topography of glowing crimson. Her hair is untied, and hangs to the small of her back. She leans heavily on her left leg, posing with one hand gripping her blunt between two fingers, the elbow supported by the crook of the opposite arm. In that crook, she holds her walking stick loosely.
“Leslie…?” he slurs, stretching.
She turns, and the smile on her face rises a centimetre or two. “Hello Logan.”
“You look amazing.”
“Hmm.”
“You look beautiful.”
“Do I now?”
“Yeah. Like… like… Abigail Addis.”
“The action star?” her Northern accent makes Leslie sound even more amused, her faint laughter playing havoc in sunlight.
“Yeah. I dunno…” Logan laughs as well.
Leslie returns her vision to the star. A flare leaps out of the blaze, spinning, dancing, so happy to be alive. She takes another drag.
“You wait,” says Logan, “we calculated it to end in about eighty-nine minutes.”
“It really is… spectacular.”
“Pass me the dope, will you?”
Leslie walks slowly backwards, keeping her eyes on the viewing screen. She slips down next to Logan; holds the joint between his lips while he inhales. She giggles and plants a kiss on his cheek.
The observation room they have taken up residence has no illumination, but for the red star that dominates the far wall. The ceiling is low, made of a black carbon fibre. . Barely anything is visible, just a haze of shadow that allows her focus to remain entirely on the scarlet inferno. The vague shapes of a conference table, chairs, walls; she entirely misses them.
Leslie puts her head in her lover’s lap, so that she may uphold an acceptable degree of intimacy with Logan, while maintaining her dedication to her adopted pagan idol. She takes off her spectacles, place them on the closest of the pillows the pair brought. Her carved walking stick she throws out of the way. It clatters on the tessellation of heated tiles that composes a floor in a place where the concepts of up and down have limited meaning.
This star seems immortal; its light, even inhibited by the smartglass, could be blinding. It’s only science that promises an imminent demise. Leslie sighs. Somehow, the thought comforts her and contents her no end.
“You know, we’re going to have to unlock the door at some point, Leslie. This isn’t a ship for sex, this is for the advancement of human understanding.”
Leslie just makes a faint murmur in response, patting Logan on the head.
Logan laughs, and strokes her dark locks, playing with her hair. If she had been at home, this would be the point where Leslie would have dozed off, but she doesn’t feel tired. She feels far too alive, a wave of utter contentment. She cannot close her eyes.
The two lie for a while, enjoying the sun and each other’s presence.
“I’ve completed my PhD,” says Leslie, her voice clear and bold. “My thesis on the mathematical modeling of tachyon particles across higher dimensions was very well received by the Academy, or so I’m told. We’ll have the ceremony once we get back.”
“Oh my god, that’s fantastic! Congratulations!”
Leslie hides her grin in the blankets and shrugs.
“We all knew you would do it though, I mean, there was never any doubt…”
“Yeah, I know.”
“And now you have a career of teaching ahead of you.”
“Oh shit, so I do. Is that compulsory?”
“Well, it is on Minerva. To some extent, anyway”
“Fuck.”
“What’s the problem?”
“You know how I feel about… urgh, students. Minervans.”
“You were a student once.”
“I was never a Minervan.”
“If you say so.”
Leslie inhales some more dope; notices her reefer has gone out. She sighs and throws it away. It lands some feet away, blackened ashes and pungent herbs congealing on the floor.
“If you’ve finished your PhD, why did you come on this cruise? ” asks Logan casually, “This was a research vessel for me and Biyu. Everyone else is just Odessia poking its fat face into everything. And I know you’re not here for them.”
“Oh, it was for you.” Leslie smiles lazily.
“Really?”
“Mmm.”
“My god, that is so sweet.” Logan leans down; kisses; retracts. Then he leans in, kisses becoming hungry. He moves down Leslie’s sharp jaw line, and nuzzles her neck. Leslie moans.
As she does so, there is an insurgence on the surface of the sun. A revolution, an anarchistic flare of blazing flames, extinguished in violence by the airless void. Leslie cannot look away, even as her lover bites exotically at her throat. The instinct of fear, of the awe we feel when we are witness to natures gods, quickly becomes deeply sexual in Leslie’s drug-addled mind. Her face turned from Logan’s incessant gnawing, Leslie’s pupils dilate, becoming so large that they drown the colour of her iris. The instinct to contract the visual field when seeing the brightest lights seems to be muzzled, corrupted.
The mighty eye of fire is the only thing Leslie can see. The only thing that matters.
She grasps one of Logan’s animalistic groping hands, guides it down to her moist cunt.
Their coitus is long, but unimaginative. Logan is a considerate lover, but Leslie is not. She goes hard, and bluntly, without passion. By their side, the elemental unthinking intelligence of the sun rages. They finish with a sigh, and Logan sits back, quietly unsatisfied. Leslie turns in her seat of sex and indulgence, and stares yet again at the sun. She puts her glasses back on.
“Oh…” she sighs sensually.
She stares into the fire, transfixed, while Logan slowly drops into post-coital slumber, snoring softly. Leslie waits a good twenty minutes until he has passed into oblivion.
“Computer,” she whispers into the invisible wrist mounted microphone on her rig, “Observation room eight. Turn the opacity of the window to minimum.”
The ship is equipped with a silent computer; such is the ego of Captain Barrowman, that he can only bear one omnipotent voice onboard. The ships mechanisms comply without complaint or assent.
Filters on the nanoscale dissolve, and the star turns from a dull maroon punctuated with enormous black sunspots to a piercing red just above damaging. Swirling prominences become more distinct and become blurred with previously invisible fire, oceans of Hadean flames that climb out of the sun and dance like demons. It is now abundantly clear how close they are to the supergiant; they orbit just outside the pestilent atmosphere. It is all so near. Leslie feels like she’s falling… she wants to fall. Spiral into the tormented firestorm.
She looks at you, eyes twinkling behind glass. Slowly puts a finger to her lips in the universal sign for quiet.
“Don’t worry about him,” she whispers, jolting a thumb at the prone Logan, “he’s yesterdays news. This, on the other hand…” she gestures at the dying sun.
“This is... special.”
She sighs, and sits back, leaning against her lover. He grunts, but remains asleep.
Leslie giggles softly. Her laugh is something quite unique; in parts harsh and in others melodic; all parts wild. She tends not to use it.
“Maybe, in another universe where I didn’t enter the fields of science, I would have been a pyromaniac,” she murmurs, a chuckle in her throat.
“But even you can’t deny its beauty. One of the largest and most powerful things known to man. After three billion years of energy and life beyond our puny comprehension. On the brink of demise. Cataclysm.”
She locks eyes with you again. Her glasses are grimy; she uses her nearby discarded shirt to wipe the lenses. The fabric is emblazed with the logo of an obscure band, a pomegranate impaled with whaling harpoons. This is her explanation face: animated, relentless, and solemn.
“This is a star we call Montague 9. It’s about three billion years old. An oldie. Now, the principles of a sun are simple. Hydrogen isotopes collide at massive velocities, which allows them to smash together, form helium. Easy. All a fusion reaction needs is a bit of energy to get it going, and then it supplies itself with all the stimulus it needs. But sooner or later, the hydrogen runs out.
“Then the sun is outta fuel. It starts to die. And there’s a point, which we’ve found with the specimen there, where the energy Montague is making is not providing enough force to counteract its own gravity. The whole thing starts to collapse in on itself. The weakest force in the universe, so often overcome… oh it wants revenge. Nothing left to stop it. The star collapses under its own weight.”
Right on cue, the stars surface bursts into activity, but it seems weaker than the last conflagrations, inhibited. It is the desperate spit and scowl of a dying boar. Leslie snaps her head round as the flash of fusion catches her peripheral vision. She looks back at you, cheery sadism intricately woven into her face.
“But of course… the star is massive, so the core collapses long before the rest of it does. All that matter, packed into tight spaces, gets hotter, denser. Everything coming together with all that force: it’s just Newton’s Third Law. Action and reaction.”
Leslie smacks her palms together in a clap that seems deafening in the stuffy silence of the observation room. Logan turns his head in his sleep behind her, but Leslie doesn’t notice, so absorbed into the story is she.
“So the universe kicks back. A shockwave, compresses the star’s atmosphere, then tears the fucker apart. A gory and spectacular end. Star’s blood. Everywhere. Everywhen.”
The star seems almost to tremble, as though it too is listening to Leslie’s psychedelic sermon. This process started a good four hours ago, the final countdown has already started. Immense, stubborn, too stupid to accept it’s fate, Montague clings to Leslie’s relentless descriptions.
“We are seeing the slow and agonising formation of a neutron star. The matter of that massive, packed into a sphere just 25 kilometres wide. All that remains of this monster. A deep pit in the fabric of the universe, darling.
“It’s all just first year university cosmology.” Leslie shrugs dismissively. “We worked all this shit out hundreds of years ago, and fascinating people like Logan have just been figuring out classifications and stuff. Me… I’m more interested in something a bit more… fundamental.”
Leslie lets out a bark of feral laughter. Too loudly.
Logan awakens with a yawn.
“Who were you talking to?” he murmurs groggily.
“No one.”
The cosmologist groans; sits up. He clicks his neck, and sniffs air stifled with sex and cannabis.
“Jesus, a bit bright, isn’t it? Computer, turn up opacity a good few units.”
Leslie bites her lip, but says nothing. The drugs are wearing off.
The two sit slightly apart on their blanket, estranged in that way people often are after casual hedonism.
“Oi, get up lovebirds.” A new voice breaks the silence, snarky and accented with the upper-class American colonies; Bliss and Pandora. Biyu has taken hold of the onboard mike system. “You won’t want to miss this. It’s the end. Motherfucking D-Day. Computer, open the solar sails, quickly. We’ll be riding the shockwave from here to Salome.” The scientist cackles, and then shuts off the intercom.
The star is falling apart. Fire. The blood of the cosmos. Detonation. Armageddon. It’s killing time.
The supernova rips at the very edge of the brain, the cacophony of colours, of blinding haze and vacancy. The universe seems to split, to bleed a great arc of vitality. Magnified in Leslie’s keen mind, elements rich and poor snap into existence in the spontaneous ignition, like the act of a thoughtless god. The ship trembles, groans. The edges of the window glow with radiation, with raw energy. Though the ship is being thrown forward by this chaotic onslaught, the multicoloured rivulets of matter still seem to stream around them in a soundless psychedelic torrent, an illustrious odyssey of energy and power.
It’s insane, sweetheart.
“It really is beautiful,” admits Logan, glancing at her. The reflection of the lunatic light turns the glass in her spectacles into opaque circles of unnerving ever-changing glow, a thousand colours and hues. Lust and trepidation conflict within him.
“Yes…” answers Leslie in a voice that originates from very far off, “It’s far more beautiful than we’ll ever be.”
DARKNESS - Prologue
In the void of space there is an overwhelming presence of tangibility, in parallel with a consuming nothingness. At a level beyond both sight and notion, particles collide, dance, fornicate, flash in and out of existence, scraps of matter and information on the stage gripping to reality by laws abstract.
There is no life here. Not a sound. The rigid laws of nature permit no company… and give you a place to hide. Salvation. The Asphodel Fields. The abyss is ultimate freedom.
Few indulge.
His name is Isaac.
Just as his ship, majestic Daedelus, floats in the void like a mechanical leviathan, he floats in the secondary engine room, wrapped in raw machinery, a womb of almost arcane architecture. He squints into rigidly forged components, adjusts them, tempers them. His tools hang in microgravity limbo beside him, drifting silently with unhampered momentum. On one eye is fastened an eccentric eyepiece; it clicks and sparks with magnifying technology.
Isaac mutters to himself, a habit he has picked up inadvertently. As natural as breathing, he unveils his thoughts to his intricate surroundings, layers of mechanical thought and ingenuity; a anchor in the world, his tangible mind.
His words are nonsensical, many made up for convenience or necessity. Through the night that never ends, he works with strange engines.
But now, he has completed his labours. He floats with dexterity, experience. Though he does not live in microgravity, he doesn’t extend the range of onboard bosonic engines to this claustrophobic cavity, so he can rehearse this unnatural charade. There are few thoughts more pleasing in his mind than that of conquering an environment mankind should never have entered.
“I am in the emptiness,” he murmurs, “the endless abyss.” His ductile Irish intonation fills the room with something resembling life… or mocking it.
But it is difficult to believe that at present, for he is in closest proximity with human life. In fact, the Daedelus’s co-ordinates are in one of the most prosperous systems in the Orion Arm, the obscene Goiás System. Imperial Brazilian wealth has brought him here, seeking new work, a new way of living, inside interstellar principles. He spits with disdain; watches the gelatinous ball of liquid spin without detention in the confines of throbbing apparatus.
He can’t wait to leave.
With a push against the far wall, Isaac propels himself expertly towards the engine room hatch. He lands on the opposite wall nimbly, reptilian in his motions. He presses the door release, and the hatch swings raucously open, hinges screeching in protest. Isaac winces; quickly twists his lean body through the opening. He enters a field of artificial forces, mimicking gravity with pristine artificial precision. The sudden change in physics is one he is used to, and he lands gracefully on his bare feet. He turns; shuts the hatch. After ensuring it is tightly fastened and airtight, he activates the airlocks inside the secondary engine rooms. Much of the apparatus only functions in complete airlessness. The primary engine room is permanently kept in the vacuum, being comprised of far more sensitive devices. If the primary engines were ever exposed to air while active… the catastrophes of old-fashioned spacecraft such as the Daedelus in planetary atmospheres are well known.
Isaac sidles into his main deck. The ladder to the cargo bay lies to his left, occupied at present with hundreds of crates of titanium ore and raw tungsten destined for trade depots in the wealthier inner planets. Goiás consists of seven planets, and many more moons and asteroids. At present, Isaac is directing his craft to Minas dos Reis, where the super-rich of South America bask in the light of the sun and their own wealth. His freelance trading won’t bring him anywhere near the profits that they’ll gain, but they’ll certainly keep him alive for a year or so.
All too well does Isaac know the pains of famine, a childhood that left him with a permanently thin frame, and a hollow look about his visage, eyes slightly sunken into his head. Though he despises being at the whims of human weakness, he is not ready for that sort of death. Not yet.
And thus, he works in trade, manipulating the paradigms of supply and demand to scrape a meager living.
Isaac walks without hurry, dawdling through the consecrated halls of his craft. There is no impatience in his stride, no exploit, no enthusiasm. He is simply moving from one place to another with dutiful progress. His toes ease off the decks paltry carpet, cool on his soles. Fibres stick to his pale skin, the grip of reality in fabric.
Isaac shivers vaguely, and adjusts climate control by use of a panel in close proximity. Immediately, the atmosphere warms, and Isaac permits a smile of contentment onboard.
The silence of the Daedelus, that would make many paranoid or nervous, is soothing to Isaac, like the soft kiss of a vacuum, the melodic touch of oblivion.
His sleeping quarters, unmade and messy, at the left. The quarters of guests; unused, at the right. Between the two portals, at the end of the elongated corridor, is the stairwell to the bridge. He ascends the metal steps, and taps an unnecessary code into the touchscreen. The door swings open obediently, without so much as a whisper.
Here is the centre. The cranium. Isaac’s dashboard, populated with hundreds of dials, switches, screens; most are deactivated while he made repairs. The bridge is dominated by the viewing window, an immense curve of glass that displays and endless ebon sky studded in all directions with the savage pinpricks of glaring stars. The back of the Daedelus stretches out ahead of him, the mottled back of a mechanical whale, pockmarked gawkily with the acne impacts of asteroids, and ribbed by tubing, armour plating, palpitating pistons, gears that grind viciously and silently against each other. He lowers himself into the chair; relaxes into the black leather. Patchwork and unsightly as Daedelus is, Isaac loves her all the same, with the strengths of a mother’s heart, and none of the weaknesses. He loves her in the way that one loves life, truth, or beauty.
Everything in this trove of technology is built to Isaac’s dimensions and limitations, from the length of the chair arms to the armament display, tuned to compensate for the mild shortsightedness in his left eye. The labels on controls have long ago decayed and flaked away, never replaced.
With a sardonic smirk on his face, Isaac checks his communication systems. As per usual, they function, but are not used. No messages.
Isaac sighs, leans back in his chair; puts his arms behind his head. Isaac is impressive in stature: despite his stunted youth, he has the remarkable strength that is granted to interstellar engineers. He is dressed in an emotionless white shirt, oil-stained and filthy, as well as dark shorts that cut off at the knee. His hair is tousled and brown, and cut crudely to the ears for practicality rather than aesthetics. It is wavy, unwashed, and shines a faint ruddy copper in certain lights. His eyes are blue; not a blue like the tranquil ocean, but composed of the troubled and gaunt palate of a sky teetering on the brink of storm. Isaac appears youthful in light and time, skin unwrinkled and fair, years only just bordering three decades, but those eyes betray otherwise. His youth is ill spent.
He meditates nonchalantly for an hour, a minute, or a day, and then blinks back to the contemporary dream. The communication screen flashes insolently, pleased to be of a use that is not ridicule. The obsolete envelope symbol glows blue, red and white. Isaac does not scowl or glare, but the edge of his mouth dips subtly, full of suggestion.
He picks up a pointer from the armrest’s cavity, points the light beam at the display. The Daedelus computer is clunky, sluggish, and it takes a full second for the nanochip clusters to translate the entanglement message. “Clearly an urgent message,” Isaac explains to a freckle on the back of his hand, “if they are using the QE system. Less expensive to use long range radio, but it would take about thirty minutes for us to receive it. They want us to change course immediately.”
As predicted, it is an order to change course, for Acre, a planet in closer proximity. The ore is to be jettisoned. Never will it reach the refineries and factories on Minas dos Reis.
However Isaac did not expect the rest of the message: an abnormally specific order, to meet a gentleman by the name of Abbott, in a café in Nova Alamos, in thirty hours. He furrows his brow. All debts repaid promises the text, all crimes pardoned. Additionally,Isaac’s financial losses losing the cargo will be returned three times over. Isaac leans forward, studying the words closely. He couldn’t care less if his crimes were forgotten: he has managed to avoid interstellar law most of his life, and he knows smugglers are not high on the agenda of universal policing, with brigands like Calamity Jane and Gentleman Kwasi still active. But the promise of all debts wiped out… that perks his interest. How far does that extend?
He could ignore it. Continue with his voyage. But now Isaac’s insatiable curiosity draws him close. It has its claws into him.
He sees his own face reflected in the inside of the glass, made even gaunter by the warping manifestation. He is a ghost in black and deformed tints. “What am I doing?” he asks himself, watching the mouth move in time with the words: he’s made up his mind.
He reaches for controls; pulls up a hologram of the Goiás System. He makes brief calculations in his head, and alters his course to a new path, tracking across the screen in striking red on blue. He switches on primary engines, angles them, injects raw energy into them. Daedelus twitches, then rolls, but the artificial gravity onboard keeps Isaac in the same relative position, unharmed.
Acre is only a few hours away using low power engines. Isaac sits back, lets the ship do the work. His mind is preoccupied with his unusual orders. His eye lingers on the signatures at the bottom of the message: Hannibal Silva, the man most of his orders come from; an illegible scrawl that must be Madam Valentina Coriolanus, a port official he has only met once; and another, that he does not know. It takes some time to decipher the names, but he manages. Ridley Nguyen. Beside the name, a little symbol, a seal perhaps: a moon pierced by a spear.
“Aristocratic arms,” he realizes, and sinks deeply into thought.
He remains in a prone position of contemplation, as the Daedelus scours a new path through an ocean of probability and nihilistic void. They are watched intently by blind eyes, a billion stars intelligent with a mind granted to them by superstition, by humanity. The resilient hull of the craft is lit by starlight.
Liberty never shone so coldly, or with such indifference.
in space, no one can hear you scream.
DUST - Prologue
“Fräulein Moore, would you be so kind as to give me the time?”
Isabelle jerks awake, with a soft squeak. The room is filled with sunset light, startling to the waking eye. The velvet voice of Sebastian Dreiberg seems weak, the soft German accent stumbling over the words.
“Sorry, sir, I… I must have fallen asleep.”
Dreiberg smiles softly and sadly, his exhausted face framed by soft pillows.
“That is nothing to be sorry about, my dear. I understand how tiresome looking after a decrepit wreck must be.”
Isabelle smiles apologetically, then stretches, casting a glance around the room. It appears they are alone. Even Riverya Gray seems to have left, to stand in solid menace elsewhere.
The sheer wealth in the room is almost overpowering, though not imposing. Everything is simple, but screams affluence at the top of its lungs, from the Ming vases on their pedestals of clean white to the curve of the pearl ceiling, towering far above, generating an innate sense of vertigo, almost a sort of paradoxical euphoria to any who simply sits back and lets the empty space consume them.
The walls are not colourful, but they are also not the sickly pale of an infirmary, or the blinding stagnant white of a laboratory. No, Dreiberg’s quarters are painted a white that is simultaneously soft and sharp, clear and enriching, and at the same time irrevocably alive.
The northern edge of the room curves elegantly, wasting space with glee. It is hung with select paintings, including no less than two originals by the legendary Tai Yi that shift and transform in the changing light; individually worth ten to fifteen times Isabelle’s net earnings in a lifetime. The lights lie at the base of the walls, throwing triangles of docile yellow light up the walls.
The western wall is all Dreiberg. The empire of Dreiberg, the endless dunes, the countless towns, the distant worlds glittering in the mauve sky.
Isabelle stares for a while, entranced by the shimmer of the golden sands as a mild sandstorm waltzes past her field of vision. It seems that the surface of Staub dances in the winds… so lethal at ground level, but here in Sebastian’s palace, one can only marvel at their dexterity. From up here, everything is beautiful on Staub, the capital of Dreiberg’s empire. Even the monstrous harvesters that crawl along the surface of the planet, devouring and refining the sands in tandem; from up here, they gleam a metallic russet, bejeweled beetles on the epic face of the desert.
“Miss Moore?”
“Oh… shit, sorry Herr Dreiberg, I…”
“Please do not swear in my presence, Schatzi.” Dreiberg does not frown or change the town of his voice, but closes his eyes and lies back again, his exhaustion seeming to spread ever so slightly further.
“Of course, sir, I forget sometimes. Sorry.”
“You apologise too much. But I must inquire for the time once again. It is… important to me.”
Isabelle checks her watch.
“It is just past 4300 hours Staub time.”
“And on Earth?”
With only the briefest hesitation, Isabelle brings up her rig’s dashboard, and switches to the intergalactic display that is indispensable to any administrative role in the Dreiberg Corporation.
“It’s… just past eight in the evening.”
“That’s in…”
“Yes, as always.”
“Good. I still have time.”
“Yeah.”
They sit in silence for a while, Isabelle in her chair, while Dreiberg tries to relax in his luxurious but simple surroundings.
The lights flicker. Only for a moment, but it is a prominent enough change in the illumination for Dreiberg to see through his eyelids. He opens his eyes and raises a silver eyebrow inquisitively.
“What are they doing down there?” he asks, slowly, pronouncing every word, purposefully making them ooze with contempt.
“I think Amadeus is trying to arrange a display of lights on the desert in your memory. Or something along those lines. It’ll be ready by red sunrise, but it’s going to need a lot of power though.”
“Foolish boy. I’ll be gone by morning.”
“You don’t know that.”
“I’ve never been more certain of anything in my life.”
“You aren’t afraid.”
Dreiberg laughs, a musical thing that seems, for a moment, to strip a hundred years from his lined skin.
“What do I have to fear? I have my comfort in passing. I have my God. And I have you.”
Isabelle smiles, and brushes her scarlet braid off her shoulder. A tear teeters at the edge of her eye; falls silently to the lush intricate carpet at her feet.
Then it comes again. Dreiberg’s pleasant face twists; eyes seem to spin in their sockets, the wise grey replaced with a clouded and worried shade that saw things that weren’t there.
“Where… where is Paula?”
Isabelle chokes on her words; stands up and turns so he cannot see her tears, which come far too sudden.
She looks intently out at Staub instead, trying to blot out the distressing sounds of his wasted body twitching beneath the blankets. She watches the harvesters clamber up the edges of dunes, gorging on rich minerals in the sands. They do not falter; even as the lord and master lies dying, his creations continue their march, oblivious and uncaring. She wonders if they would ever cease work, if the great behemoth that Dreiberg has set in motion would ever stop its relentless labour; more minerals, more money, more monopolies, more desire for more. Fifteen trillion new marks, Isabelle recalls her director’s net worth from the stocks eighteen hours earlier, as the suns reached their heights in the sky. What’s going to happen when he’s gone?
“Bitte, Paula, sie bedeuten mir nichts… Ich liebe dich… nur dich…” moans the old man, croaking as if he was crawling across his own desert.
She can almost see the vultures spiraling in from the sky. Odessia. The Church. The Vereinigung. The Commonwealth. Amadeus. Johann. Heavens forbid, even Richard. When the richest man in the galaxy has been accumulating wealth and territory for over one hundred years, you can be sure the scavengers will leap into ravenous frenzy when he is gone.
Isabelle realizes that she is scared.
As suddenly as they had come, Dreiberg’s moans and shaking disappear. His eyes lose their glaze, and his taut jaw line relaxes. He looks with concern at his nurse.
“Are you alright, my dear?”
“I’m scared, Sebastian.” Isabelle coughs, and wipes her eye furiously with the back of her left hand.
Dreiberg touches her other hand with his; grips it comfortingly.
“Tell me what is scaring you.”
“It’s… it’s you. Your world. Everyone’s world. When you go, what’s to stop it from all crumbling down?”
Isabelle exhales with a rattling breath and shivers beneath her clothes.
“I can’t lie to you, Isabelle. It is looking to me very likely the world I leave behind will be… how do you say? Pandämonium.”
“What?” she leaps up from the bed, locks her damp brown eyes with Dreiberg’s compassionate grey ones. “You know what is going to happen?”
“Nein. No one knows that. But I have a very good idea. And I have taken steps to influence it. I have done my best to lessen the blow.”
“What have you done?”
“I can’t tell you that. You have to trust me.”
“I… I don’t know if I can. You’ve been the best person I could ever have asked for, for so so long, but…”
“But what?”
“I don’t know. This is going to be big. Maybe even more than you could handle. I feel it.”
“Isabelle.”
“You saw the German ambassador’s craft enter low orbit yesterday. And she’ll only be the first…”
“Isabelle.”
“And Amadeus! Johann! They won’t need me once you’ve died will they? I’ll be nothing…” her voice was becoming high, panicky.
“Isabelle!”
She stops, stares. Dreiberg is looking at her with absolute seriousness.
“I know what I’ve done. It is for the good of everyone. You won’t see now. But you will,” he says, clutching her hand firmly, but with utmost benevolence.
“Okay,” Isabelle bows her head, and sits back down next to the old man.
Another minute of silence, broken only by the sound of the pair breathing: Isabelle’s gentle but nervous sigh and Dreiberg’s clumsy rattle of a man beginning to slip oh so tenderly off of his mortal coil. Isabelle becomes nervous, and feels drawn to interrupt their symphony. It is always too quiet in Dreiberg’s presence.
“Music?” she offers softly.
Dreiberg’s skull-like face breaks into a wide smile. “Please. The Debussy.”
Isabelle gets up gradually, and points to the window, microcomputer imbedded in her fingernail sparking with invisible information. Holographic light blossoms from the centre, tasteful violet that complements the affluent golden glow of the desert. Music library. Artists. Debussy. Yes…
“Clair de Lune. So supple. So gentle.”
The music softens everything. It could be that the man at her side, whom she loves and cherishes as family, is merely going to sleep. It is not hard to imagine.
“Nearly five hundred years old, Isabelle, and yet it…”
Dreiberg’s expression of bliss fades slightly, his face falls.
“What have we done with ourselves?” murmurs Dreiberg. “You know, Isabelle, my pleasantest dreams of late have merely been of me, sleeping peacefully and awaking with some sense of accomplishment.”
The music continues as Dreiberg stares out the window, taking in that empire of his. Did it give him any pleasure? Did it ever give him that sense of inner concord that the music did?
Dreiberg is muttering to himself in unintelligible German. The symphony washes around the two, and then the fluid music recedes as a tide. The song fades, and is replaced with senile rambling. At first, Isabelle thinks Dreiberg is going to break down again, but he composes himself with a rasping cough, and grimaces weakly at her.
“My apologies Isabelle. It is much worse than it used to be. The time?”
“4335 hours.”
“Hmm. It’s almost time. Please prepare my solar.”
The solar is a room at the very top of the palace; a mighty domed crown of glass atop the towering granite metropolis, floor space sparingly adorned with simple furniture and some bookcases. The smart glass is set as opaque in the daytime, as it’s proximity to the suns makes it swelteringly hot. Isabelle sends the commands upstairs instantaneously with her rig, and then helps Dreiberg out of his settee. He is far too light, slight in build and emaciated beneath his quality Minervan cotton shift. His stick-like limbs shake, and his head is slightly too big for his body. He staggers across the paved marble floor, leaning heavily on his attendant.
The mahogany elevator gates are flanked by a pair of elegant trees in rich black earth. Between such specimens of abundant vitality, Dreiberg seems even smaller, even more mortal. The doors open, to reveal the extravagance within; an interior of crystal and rosewood, rails of polished brass, and a fountain running with spring water. Isabelle wonders if he will be able to stand for the entire journey up, even with the rails of the lift acting as supports.
“Are you sure you want to go alone?”
“Yes. It is time for me to be alone with my sky.”
Isabelle nods, and swallows tears as she stares into Dreiberg’s failing bloodshot eyes. He leans to the fountain; sips a few drops and sighes with contentment.
“What of Amadeus? And Johann, and Richard if he shows up”
Dreiberg sighs, stands in silence for a tense moment.
“They’re good boys really. They’re just… flawed.”
“I’ll tell them you gave them love.”
“God knows they need it from someone.”
She is talking to a dead man. A dead man who knows his fate.
“I… Sebastian…”
“You don’t have to say anything, Fräulein. You’ve done too much.”
The doors shut with a click, and the engines within start with the faintest whisper.
And he is gone.
Isabelle stares at the mahogany for a while, then walks back to the window. The sandstorm has started to swell, gathering dust and debris. It sweeps through the indestructible bulks of Dreiberg’s harvesters, breaking against the distant settlements with reckless abandon.
She looks at Dreiberg’s domain. It’s all built on dust, she reflects, and the thought does not comfort her.
From the Blog of Dr Matthew Long
Earth date 2904
3rd Coatlicue Quarter Turn
2600 hours
Naturally, in the period of isolation we are in, I won’t be able to upload this to the Internet until our group has been evacuated. But Dr Singh has insisted that we continue our research despite the unfortunate circumstances. She also requested me to continue this log of the Galactic Academy’s xenobiological exploration of Coatlicue, so as to fulfil the interests of our online following once I have returned to a sustainable colony. But I digress. Many of the readers may be wondering what has happened to Coatlicue that has resulted in this sudden media coverage. Well, our resident astronomer has infrormed us that the orbit of the planet has brought it much closer to the resident star, Eta Cassiopeiae. Essentially, this has led to the extreme summer that we are currently suffering… for survival we have had to evacuate into one of the mines on Coatlicue’s nearest mountain range; Section 9. While the conditions are not bad, and it is at least cooler than the surface of the planet, there is concern among the militia here that supplies of food may not last long, and that the well may run dry in the current conditions, just like how the oasis we were previously stationed boiled away.
The sergeant in command here has expressed a great deal of anger at those in orbit. She has been abusively accusing the orbital command of abandoning the communities that couldn’t make it to the shuttles in time. Too many people. Not enough shuttles. Not enough time. At this point it doesn’t matter whether or not they’ve abandoned us. The heat has forced us to move our camp deeper into the mine, and the communications cannot penetrate the ores and limestone above us.
Now, to the biological observations we were able to make, what you will all be reading this for no doubt. About 50 sunrises ago, the air began to severely increase in temperature. It’s only gotten worse since then. As one would have expect, the lifeforms on Coatlicue have long ago adapted to this violent change in climate. The coral-like flora Dr Aramov described in his last entry have shut down, their shells as dull as the stones they mimic. This response could be to the increasing temperature, or to the adjacent ocean boiling off. I am inclined to believe both, and I’m sure Aramov would agree with me, if he hadn’t been lost during the shift into Section 9. I sincerely hope he is safe, that he has found some cave or shelter from the intense rays of the sun.
But now, it is not just the sun we have to fear.
Regular readers of our blog know that locomotive lifeforms on Coatlicue, while not unheard of, were mostly of the microscopic variety; the largest predator we could find was a mere eight millimetres long. However, with the change on season, we have seen a vast flood of formerly unseen species, apparently emerging out of hibernation in the caves beneath the planet’s surface. While many are harmless creatures that appear to undergo some supremely efficient form of photosynthesis, there are others that occupy the positions of ruthless killers. It is a source of no small amount of trepidation for me that one such predator seems to have great interest in our newfound community. To make matters worse, Dr Singh has decided that it will be my responsibility to investigate the mechanics and biology of these monsters.
Even in the face of the chaos that has gripped this planet, she insists on our continued service to the Galactic Academy and to the science it represents. Admirable in many ways.
6th Coatlicue Quarter Turn
1603 hours
Yesterday was a triumph. After many days of fruitless working, we have successfully acquired a specimen of what we have dubbed Torquesegnathus (no true classification as of yet, as Coatlicue has not yet been approved for planetwide taxonomy). The other inhabitants of this rudimentary settlement have taken to calling them ‘Rascals’ for their destructive curiosity and apparent fascination with us. They steal our tools and seem to find enjoyment in sabotage. Considering the amount of bullets it took to take the specimen down, it is in remarkably good shape. A brief examination of the carcass has revealed that it does not have flesh in a familiar sense, more of a wooden complexion than anything else. I shall examine the cadaver in about nine hours, once I have had some rest. It has been an exhausting day. For now, I will describe the behaviour and outward appearance of this curious being, while enjoying the fresh water that thankfully still runs fresh from the well. Perhaps, if I am not too tired, I will describe the circumstances that granted us this sample.
We will begin with a first impression of Torquesegnathus. The creature is of varying size, which could relate either to age or substance; with xenomorphs it is difficult to tell. On average, they are about 1.8 metres in length, and half a metre tall at full height. They possess no eyes or any feature familiar to us on Earth. They have two discernible sections to their anatomy; I have dubbed them the thorax and the abdomen. The abdomen has the appearance of being black in the shadows of the tunnel, but under powerful lamps in my laboratory, one may see that in fact the layers of fibre that cover it are transparent, and the bare flesh underneath is gold. These fibres are most curious; I can identify neither their purpose, nor their substance and structure. It is possible that this is some form of ‘web’, like that of an arachnid. Torquesegnathus produces these fibres in a similar way to a spider or a silkworm, fabricating the silken material from their skin, and spinning all around itself as it moves. It coats the cave walls as they move, and seems to aid movement and protection.
The thorax of Torquesegnathus is rather distinctive. In place of jaws or a head, the creature has three large ‘arms’, which act as support for the creature when it climbs, and grants it remarkable jumping capability. The inside of these solid limbs are lined with jagged edges that have the function of teeth but are not of the same composition. During vicious combat with our specimen, I could see the function of these teeth at work; in a remarkable display of violence, the Torquesegnathus wrapped its arms around the chest of one of the soldiers (Yosef, I believe his name was), and with a shift of it’s thorax, shredded through his Kevlar vest, right down to his flesh, stripping the skin from his ribcage. This visceral sight held me fascinated. The teeth act as a conveyor belt, drawing nutrition up grooves in its arms to be absorbed into the body.
I suppose now, it would be unfair to mention the encounter without a full account of the kill.
So I had tried to organise an expedition into the lower caves, where the silken threads were thickest. I believed that this would be the highest concentration of specimens. However, the sergeant was adamant on the matter; no one was going to leave the camp. As she put it, “the sons of bitches aren’t getting any more of us.” She was referring to the damage the Rascals had done to our machinery, as well as the casualties. The motivation behind these attacks is unclear to me… it is unlikely people are suitable nourishment for an alien lifeform, indeed, our biochemistry is probably completely different. Instead, it seems the Rascals are studying us. They play with the corpses, as a child does with its food. It will be most interesting to dissect their neural system, to measure their complexity and evaluate the intelligence behind us. Their actions are incomprehensible to us… what is their stimulus? There is no recognisable pattern. Nonetheless, I detect an alien curiosity in them.
In any case, it turned out I did not need to find the Torquesegnathus. They found me. In a sudden flash of dark flesh and silk, from all angles, they attacked. Eight soldiers were severely maimed, and remain in the infirmary, and two are dead. The specimen that lies on the dissection table before me approached from above suspended on its ‘web’. This substance (whatever it is) has given the Rascal the advantage of locomotion in three dimensions. The fibres themselves we have not severed, and trail into the dark above. The subject is now deceased, filled with bullets by our courageous sergeant. Her blood drips from the specimen’s third jaw, and she remains on IV. Once she has regained consciousness, she will no doubt seek someone to blame.
I suppose I had better be there to greet her.
6th Coatlicue Quarter Turn
2959 hours
It is with a trembling hand I type these words. My laboratory is in pieces… as is Dr Singh. The deathly state of our Torquesegnathus specimen was mere dormancy, as we learned today to no small cost.
As I tried to clean up the corridors, sweeping the silken threads from the facility, I heard a great cacophony from the laboratory. The specimen was alive and well, and ripped Dr Singh to pieces. Nervously, I followed the trails of visceral red and glistening silk through the facility. This was very easy… the entire area is lit up with harsh spotlights, which the specimen did not harm. As a creature that has never developed any variation of photosensitivity, it had no reason to react to the light.
And I found where it escaped. It tore through the loading bay, creating a rupture in the facility’s airtight outer rim. Until we are certain that the perimeter is once again secure to both the noxious atmosphere (an effect of the increased temperature… the atmosphere has degraded into toxic gas) and to any further attacks, we must all wear facemasks. The device is unwieldy, and gives one a overbearing sense of claustrophobia, as its rim hems in the vision. A Rascal could be lurking in my peripheral vision as I type these words, and I would never know.
Forgive me. That’s the last straw. I can no longer write. I shall update once night falls, once the causalities of the breach are calculated. There are children…
7th Coatlicue Quarter Turn
3012 hours
Extensive examination of these unusual fibres under the microscope this evening has forced me to conclude something rather remarkable. After the morning’s massacre, I noticed a degree of discolouration in the ‘web’ that still coated the interior of my ruined laboratory. More to occupy myself than anything else, I was compelled to examine the Torquesegnathus silk under my microscope.
Technically I should be helping those that inhaled the poisonous Coatlicue atmosphere earlier today (many of whom are in critical condition), but to be perfectly honest, they are a lost cause. We all know how potent the atmosphere is, but it seems to only be yours truly that has the prudence to give up on them. We shall never survive if they keep fawning over cadavers. They’ll die. There’s no kinder way to put it. But these Rascals… they’ll last forever. They deserve my undivided attention.
But I digress. The material of this web the Torquesegnathus generates is not, as I first thought, a simple organic product of their internal biology. It is best described as an extension of a Rascal’s being. They lay their most vital possessions at the mercy of the elements, of the passing breeze. In the absence of the specimen, the silken substance dies in a similar way to cell death in a missing limb.
It was a stroke of inspiration that made me realise what it was. Through the microscope, the material is not an elementary organic compound, but a rudimentary form of organic cells, that exchange lithium and fluorine ions. It was so obvious! An exchange of such ions is so familiar: we may observe it in the neural pathways of our own brain! This is no web. This is the brain of the Rascal, spread across its environment like a sort of external neurology. I hold in my hands alien intelligence! Never before has the Galactic Academy come across anything coming close to the intracite workings of the human brain. But here, there is limitless potential. An aged Torquesegnathus could have double the brain capacity of a human… five times! Ten times!
Excuse me. I shall have to finish this later. That callous sergeant is at my door. I’ll have to make her understand the significance of what I’ve discovered. As the last representative of the Academy (now that Dr Wu is missing, and Dr Martell is disposed of), I feel it is my duty. Perhaps I should take my pistol. If the stupid bitch can’t understand my persuasions, perhaps she’ll respect something she knows.
I wonder what her name is?
2nd Coatlicue Quarter Turn
0028 hours
I’m sorry for not updating earlier. Actually, I’m not really that sorry. I was preoccupied with the duties of the camp. I’ve really set myself into the swing of things. I’m only writing this to satisfy my need for the flimsy human connection.
Now that the camp is peaceful, I’ve been able to make my way to the surface unmolested. The Rascals don’t bother me. They have plenty on their plate, ha ha. Now I approach them. They are friendly. Their inherent curiosity was misguided. After their appetite is fulfilled, I can examine their behaviour without fear of mutilation or death. They appear to have no social bonds. Perhaps they have evolved beyond such things? Each has their own fascinations, their own exploits.
They join me on the surface of the planet, which is currently dark. The soil is still steaming with heat, condensing down into thick sedimentary stone, mingling with the bones of limestone flora.
I collected a sample, originally so that I could analyse the dormant flora of this planet for any signs of nocturnal activity in their sluggish biochemistry, but I quickly lost interest in this. The view is spectacular. After being bombarded with so much solar radiation during the day, the atmosphere has turned clear, showing a magnificent manuscript of the Coatlicue System, planets, moons and glittering rings punctuated with distant stars. I watched the satellites burn in the sky, brief as embers. The orbital station burned up right before my eyes, so large and distinctive. Even with all that technology, they couldn’t withstand the rays of Eta Cassiopeiae like the Rascals can. I wondered briefly which star was home, before leaving. The sun was rising, and the monsters were coming out to play.
I have seen no clues as to how the Rascals reproduce, or whether they do so at all. A lack of a social structure in their incidental community would surely prove a lack of intelligence for an observer from the Academy. But their definition of mental aptitude is out of date. What is our variable? Mankind? What does that mean in the dark reefs of the cosmos? We aren’t the blueprint for an alien intelligence. The Academy knows nothing. They are content to measure the mind, to observe it. Ah, but this new being I have discovered, they live in their memories, they live in their emotions, and whatever higher functions the alien brain possesses, that one could not hope to understand.
A further analysis of Rascal silk under my microscope shows that the cells also have sensitivity to motion in the air! Remarkable! Not only does the Rascal brain act as its sanctuary and its tools, it acts as the senses of the creature!
The human mind. It is confined. Limited. We could never understand this universe. What I first took for madness. Its just beyond me.
They could understand.
Their mind is.
Everything.
4th Coatlicue Quarter Turn
0290 hours
midsummer rises
theres fuck of heat ha
the rascels r altight I think
my head hurts
i wonder
Notes:
Here the transcript ends. Our forces landed once the planet was safely out of range of the sun, (503 Coatlicue days after the final entry), and found the mine by following its emergency radio signals. The entanglement communication systems were damaged, and the temporary facility was in ruin. The water levels on the planet were quickly rising, and the team had to quickly salvage the remains.
There was only one body found; DNA testing revealed it to be the corpse of Dr Matthew Long, who wrote these entries. There was no sign of either the people he describes in this text, nor of the alien “Rascals”. The body’s head was severely mutilated; a large piece of skull had been removed, and the doctor’s brain was exposed. Under closer inspection, it appears a crude lobotomy had been applied to the man. This was very confusing for us, as there was no other in the facility, nor in the tunnels surrounding. It is unlikely that anyone could have survived in the harsh environment of midsummer Coatlicue. Our medical officer tells me he has examined the damage to the head, and says that it was done at least eighteen hours before death.
The business stinks to high hell if you ask me. There are more than twenty thousand families looking for answers, and they expect them to come from you, director. This could well spell the end for the Brazilian Real Mining Company, if you don’t mind me saying so.
As to the unfortunate doctor, I’ll be sure to keep his work under lock and key until your response.
Regards
General Abdul Johnson
The Long Night
Open or closed, the eye yields the same image of an intangible void. Closed, the inside of the eyelid hems in the consciousness, entertaining it with smudges on an ebony sheet. Open, the universe unfurls an elaborate fabric in the visor, studded with stars. But observed parallel, they are identical.
Here, I am drunk on silence. As crafty and dextrous as water, this eternal peace, crawls beneath the skin, suffocating. I fear to breathe, lest the air be snatched from my lips. When the silence is absolute, even the faintest sounds of life are insult.
Reluctant to leave my meditations, but half-heartedly aware of my depleting oxygen, I turn away from the dark, to return to the Leonardo. She basks in the light of a million far-flung stars… oh, long dead; she towers above me in all dimensions, in all orientations, a titan of steel and enlightenment. The steady thrumming of life support, ever present on board the infernal growling of flies, reaches me dead, only in memory. The engines, scorched and decrepit, stretch far beyond my vision.
Amidst such mighty works of the artisan, the engineer, the scholar, I am but the scrap of chaos, the end of the bell-curve, the number unaccounted for. but we are free in the abyss. I grasp my guideline delicately so brittle! and pull myself gently towards the airlock so fragile! This takes far longer than one would expect.
the universe likes to keep a hold of those it has ensnared
I am to be wrapped back up in precious oxygen, forced upon the body by tyrannical necessity; I await the hiss, the gasp of life returning to the vacuum of the Leonardo’s vestibule. The walls of the antechamber do bulge inwards, inhibiting the mind. In claustrophobic halls of order and cold brilliance, I flinch, cower, wince when the taciturn walls brush the elbow.
Ah, who greets me in my limbo, where all objects are weightless, without function or design? I push aside a veil of pens, papers and tools, suspended in the natural silence. As they collide, the faintest clicks and rattles are deafening; they spin with immeasurable inertia. Bouncing off the walls. Off the skinny hominid now partially garbed in a spacesuit. Off the squat drone awaiting me.
It observes me with faceless apathy. It is nearly my own height, yet its rotund neck plate makes it seem stunted, unintelligent. Imitating my own agility in microgravity, it moves around me and continues its patrol around the perimeter of the starship, without greeting or recognition you are no kin of mine.
In the void of space, day and night are meaningless terms, as pointless as up and down, so I make my own time; I sleep when I grow weary, eat when I am hungry weep when I am desperate. My dawn is that of a thousand glorious suns, and it comes at my own bidding.
Look upon it as I pass that window and glimpse myself in the refletion. Remember my years in the eyes of God, when I spoke to Him, if only to hear the echo of my own voice. despair!
Truth be told, the creator divine is delusion, illegitimate spawn of mankind’s world of conceited illusion. The poetry of the universe is not in the patterns of God nor man, it is in the abyss. Clockwork spread across an empty velvet fabric; the pattern of cogs and springs that build false laws of certainty, of Newtonian cause and effect.
Alone and stranded of light and any lower puropse, I ponder the darkness and what immortal machinery lies within… what set it in motion. In the motes of possiblity, the atoms of purpose, I am consumed in this dry ocean, this bastards carnival, this void.
As I manouever through the hallowed halls of rigid regulation and enlightenment, I come across the remnants of my skeleton crew. Automatons, lustily fashioned in the image of Adam and Eve… rust, rejected, in the unsympethetic recesses of the ship. I can no longer endure their painful charade of false passions and crude imitations of love. At every creak and groan the Leonardo utters, the crew trembles, obscene models of man that they are. I have long discarded them, favouring the drones of unfamilar form, without eye, face or programmed sentiment. For years I tinkered with these blind machines, their inner perfection laid bare in stark lighting. Where are my mechanics?
The pile of plastic corpses catches my eye. Restrained by the wall straps, that prevent their wanderings in my weightless mauseleum, is a face. Disturbingly familiar. A machine’s face gazes at me, lips partly apart, oozing with impeccable crafting. Its eyes are dark, and reflect my own drawn face. Slowly, with tenderness, I take it in my hands and look into that dead visage. Its human. so human
I would have smiled, but I don’t remember how.
Scattered microchips and a machine’s blood stick to me. Even my hands can’t brush it off, powerful and stained as they are. I spiral past the door to the bridge; barred and locked. Airtight. A breach in the hull has made it inaccessable to me.
Occasionally I wonder, what has possessed me to think and act in such unfamilar ways, but the truth is that I am possessed by nothing, I muse. The turth is that all possession has left me, leaving the stark flesh and bones of man.
I am as empty as the void outside, as alone as the Leonardo drifting through the cosmos. Why do I continue to to maintain this bundle of infernal machinery, this insult to the almighty chaos of Heisenberg’s universe?
…this shipwreck…
Brooding over the blood on my knuckles, the pain in my nerves, I drift through the greenhouse, spheres of ruby vitality trailing me like satellites.
Ah, exquisite, the flora around meexplodes from the walls in great wreaths and garlands, entwined around shelves and hydroponics. This is my paradise, my square of Eden. Chaos germinates, grows, blossums, flowers and fruits around me, in the splindly arms of vines, embracing the marooned mariner with leaves. Here I can kiss anarchy without fear, safe from asphixiation, from pain.
Behold, my looking glass, bound with greenery. Windows are a luxury in the abyss; I am blessed with few and I savour their prescence. Here, I am so close, I could almost grasp that soup of invisible flashes of possibility, of particles in infinite superstates, that collapsed, fucked, blurred, defined, experimented, fought, annihilated; stacks of all that could have been all that will be, all that madness, all that celestial lunacy, all culminating to make…
Me.
Suddenly I am homesick.
The dark turns friendly; my own face reflected in the window. In the workings of the fanciful watchmaker, the asylum that is our cosmos, one is made truly immortal. Long after the space suit degrades, and bones are spread amoungst the stars, they will have pillaged a place in that exquisite design of the shadowy heavens.
And then, I am in the void once again. Once again, the abyss is studded with stars.
Oh, the knife, sharp; the tether, old, weak, pitted with micrometeorites.
I cut ties with my sepulchre, with constraint. Farewell, ye hindering chains of illumination. Fare thee well Leonardo, thou rigid queen of enlightenment.
I lie back and let the anarchic motions of the universe take hold of me, giving myself to the welcoming arms of the long night.
“Battle not with monsters, lest ye become a monster. And if you stare into the abyss, the abyss gazes also into you.” -Friedrich Wilhelm Nietzsche
Minotaur
They found me at daybreak.
So still was the frozen ground of stone and foreign bone, that I could not sense such beasts of magnitude, even as they loomed against sky rust-red with my spilled blood, basking in the light of twin suns. The tremors of their hooves jolted me awake only as they passed directly over me, titanic shadows swaying with crimson radiance.
Their mighty haunches towered above me, and I cowered in half-hearted fear. They spared me barely half a glance, balefully observing me with intangible bastard wisdom. In their cavernous brows I saw no sign of myself; no reflection in shiny mirrored eyes, even as the suns blushed and shyly brushed the minotaur’s cheeks with radiance.
Without thought for the fallen, they continued their march towards the horizon, a dozen of them. They did not interact, nor did their stolidness show any sign of morality or principle, but somehow their single-minded cause was love enough: to touch even the heart of those such as I; those who stared an icy death in the face.