Unorthodox @the-young-and-relentless - Tumblr Blog

i'll literally never have enough of that dylan b hollis dude cause like. hes a college student who just.,.blew up on tiktok. he has the soul of a man who has lived for 60 years in the body of a twink. he cooks and is surprised every single time. he goes CINAMIN everytime he uses cinnamon. he has the kitchen of a 60s house wife and cooks like hes going to kill someone

tinkeperi-deactivated20180615

izzymar

Disney Fine Art: “Ohana means family“ by Heather Theurer:)

(Source: disneyfineart.com)

aki373

walkingtravestybutstillsmiling

joeyclaire

"i could fix him" i could break him. i could snap that fucker in half

petruchio

one of my favorite things about katniss especially in the first book is that she is literally ALWAYS scheming. and like it’s a great character trait honestly because she’s super observant and aware of how she is being perceived, but it’s also fucking hilarious because she constantly assumes that everyone around her is the same way. like when peeta is crying after being selected and she’s like “hm. what could this strategy mean? is he possibly trying to look weak to trick me? won’t work on me you chiseled beast” LIKE KATNISS HES JUST SAD

funnytwittertweets

dutchster

for someone who’s grown up I sure plan to do a lot of things later when I’m grown up

firstfullmoon

“I fell in love. Or, more accurately, I realized, and accepted for the first time that love was not merely a general, human possibility, nor merely the disaster it had so often, by then, been for me—according to me—nor was it something that happened to other people, like death, nor was it merely a mortal danger: it was among my possibility, for here it was, breathing and belching beside me, and it was the key to life. Not merely the key to my life, but to life itself.”

— James Baldwin, from “Take Me to the Water,” in No Name in the Street

delta-breezes

ancestorswatching

In many cultures, ethnic groups, and nations around the world, hair is considered a source of power and prestige. African people brought these traditions and beliefs to the Americas and passed them down through the generations.

In my mother’s family (Black Americans from rural South Carolina) the women don’t cut their hair off unless absolutely necessary (i.e damage or routine trimming). Long hair is considered a symbol of beauty and power; my mother often told me that our hair holds our strength and power. Though my mother’s family has been American born for several generations, it is fascinating to see the beliefs and traditions of our African ancestors passed down. We are emotionally and spiritually attached to our hair, cutting it only with the knowledge that we are starting completely clean and removing stagnant energy.

Couple this with the forced removal and covering of our hair from the times of slavery and onward, and you can see why so many Black women and men alike take such pride and care in their natural hair and love to adorn our heads with wigs, weaves, braids, twists, accessories, and sharp designs.

Hair is not just hair in African diaspora cultures, and this is why the appropriation and stigma surrounding our hair is so harmful.

arofrog-archive

[ID: nine square images explaining the importance of Black hair. All but the first image have a plain light cream background, a title and text with a picture and are credited to @vibesofablackgirl.

Image 1: a picture of a dark-skinned Black woman wearing makeup with their hair styled in an Afro. A search bar across their face reads “Reasons why Black hair is not just hair”.

Image 2: Title is “The Pencil Test”. Text reads “Between 1948 and 1994, the pencil test was a method used to assess whether a person was White or Black. A pencil was slid into the hair of someone being assessed. If the pencil fell out you were White and if it stayed in you were Black. This was a tool used to segregate Black people and stop them attending functions, schools and events. Not only did this cause racial division it also tore families apart”. A sketch of a Black woman undergoing the pencil test is shown beside the text.

Image 3: Title is “Map to Freedom”. Text reads “Cornrows have a rich history in the Black community. Slaves would braid escape routes into their hair. They were used as a way for slaves to communicate with with one another without their slave owners knowing. Some of the cornrows and the number of plaits worn would let them know how far they needed to travel or how many roads they needed to walk til they would be able to meet one another to escape the plantation”. A photo of seven people with different cornrows.

Image 4: Title is “Means of Survival”. Text reads “The Black women who came before us were innovative and showed that the thickens and texture of Black hair was so valuable and had a purpose. This was because slaves would braid rice and seeds in their cornrows before journeying the Middle Passage. Enslaved mothers would also braid seeds in their children's hair so they could eat in case they were separated due to slave auctions”. A photo of a Black woman having her hair braided with food.

Image 5: Titled “Cultural Representation”. Text reads “Before colonisation in the 15th century, Black hair could tell you everything you needed to know about a person just by looking at the style alone. Hairstyles were able to indicate things like wealth, religion, culture, tribe, marital status, social status, age and plenty more. You were even able to know a person's last name just by looking at their hairstyle. This is because each tribe had their own unique hairstyle”. A photo of a Black person with a tribal hairstyle.

Image 6: Titled “The Tignon Law”. Text reads “Late 18th century in Louisiana, Black women were banned from wearing it in public and were ordered to cover it up at all times. This was because they wanted to curb the growing influence of the free Black population and keep the social order. It was also believed Black women's hairstyles would draw the attention of white men, and this increased the jealousy of white women”. A photo of a Black woman with her hair covered.

Image 7: Titled “Stripped of Identity”. Text reads “When the slave trade started and the slaves were captured, Black women were forced to shave all their hair off. This was the beginning process of eradicating the Black identity and culture. It was also a tool to minimise Black beauty and dehumanise Black women, as slave owners knew their hair was something they valued enormously, was part of their identity and it also held so much significance”. A photo of a Black woman with a fully shaved head.

Image 8: Titled “Cultural Appropriation”. Text reads “Black hairstyles are an outward expression of self-acceptance and self-love. However, the anti-Black hair sentiment has existed in society for centuries. Black hair has been compared to wool and often described as ‘wild’, ‘nappy’ or ‘ghetto’. Yet non-Black people are praised, credited and even profit from styles and trends that Black women have been ridiculed for. Cultural appreciation is about recognising the history and where it came from, which includes learning about and giving credit to what you're borrowing, instead of saying ‘it’s just hair’”. A photo of three white women wearing thick dreadlocks.

Image 9: Titled “The Corporate World”. Text reads “In 2010, Chastity Jones accepted a job offer from Catastrophe Management Solutions. However, the offer came with one caveat – she had to cut off her locks. Jones refused, and the company rescinded its job offer. Chastity’s case is not unique. Cases filed by Black working women alleging discrimination against their natural hair in the workplace have filled courthouses for more than forty years”. A photo of a Black woman on TV in court.

End descriptions.]