Yuck Release New Single
Head to Soundcloud to check out “Hold Me Closer”, the new single from indie rockers Yuck.
Cosimo Galluzzi
Xuebing Du

#extradirty
NASA

❣ Chile in a Photography ❣

oozey mess
Keni
DEAR READER
taylor price
Jules of Nature

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noise dept.

if i look back, i am lost
TVSTRANGERTHINGS
trying on a metaphor
Noah Kahan
Sade Olutola
occasionally subtle

Kiana Khansmith
Aqua Utopia|海の底で記憶を紡ぐ
seen from Brazil

seen from United States
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@thealternativetone
Yuck Release New Single
Head to Soundcloud to check out “Hold Me Closer”, the new single from indie rockers Yuck.
Introducing: The Cambion
In our first 'Introducing' feature of 2015, Tyler Sharp catches up with hardcore band, The Cambion. Head over to their Facebook to find out when they're coming to a town near you.
First off, please state your name and role in the band. CJ: CJ, I play drums.
Tyler: I’m Tyler and I’m the vocalist.
Jake: My name is Jake and I’m the guitarist.
Brian: Brian Moore, I play guitar.
You’ve all have past experience within the music scene in Northwest Indiana and surrounding areas. How did you all come together to form The Cambion? CJ: Originally, Jake and I had gotten together with some friends that we've been playing shows with for a while, but had just never actually played in a band together. Their band and our band, were both going downhill at the time, so we decided to join together and start from scratch. Some things didn't work out and we were forced to start looking for new members. I had never played with Brian, but I knew he has a similar mentality of playing music and being in a band as Jake and I, so he started playing a few shows with us and it just worked. I toured with Tyler a few years ago and we worked awesome together, so that was a given.
Tyler: I’ve known the members of this band anywhere from 2-4 years, depending on which member you’re talking about, and it all kind of happened by chance. I did a brief tour with CJ, I’ve known Brian for a few years now, and Jake is more-or-less a package deal with CJ.
Jake: When I played in my old band, Framed In Gold, I had become friends with CJ, who eventually partnered up with us after a while, and had ended up meeting Jake, Kyle and Ryan Anderson who were originally in the band. After a little over a year, CJ and I were asked if we wanted to form a band with the three. At first, we weren't too sure of it, but shortly after Framed In Gold was nearing its unofficial end, we just decided to start up the Cambion.
Brian: The Cambion had already been a band for a while, and when the last guitar player left, both Jake and CJ sent me texts asking if I would be interested in playing with them. I played two shows with the old vocalist, and then Tyler just sort of naturally flowed in after he left. Our bass player Roland has really fought for his role in the band, and I feel like he deserves more credit.
With all of the lineup changes, how has that affected the overall motivation behind the band? CJ: It has definitely gotten me down at times, but eventually everything works out for the better. I'm friends with everyone who has been in the band and it was awesome working with them. I recently got a tattoo from one of them and I just filled in for the other three's band a couple weeks ago. Sometimes it just doesn't work out, people disagree and have different mindsets and ideas - it happens. You get through it, and find a way to make it a positive thing.
Tyler: I feel that the people who are in the band now, coupled with our combined desire to tour and push ourselves to the limit, have opened a new door into what this band could grow into.
Jake: It was a little stressful because we didn't know how we were going to go about getting new members, but luckily Brian picked up guitar, then Tyler took on vocals. As far as affecting the motivation, it only made us more motivated by not wanting to just give it up.
Brian: I was only ever really involved with this lineup, but from what I can tell, and what I've been told, this is the most productive, and forward thinking version of the Cambion. We focus really hard on always looking and sounding professional.
You have a handful of stand-alone singles released and also play various shows around the region. As a band, are you focusing more on the recording aspect to grow your fan-base, or the performance side of things? CJ: Both factors play extremely important roles, but to me, a band's live performance needs to be spot on more than anything. People will remember an awesome performance that blew them away more than a cool song they heard on the Internet. I can list tons of bands who write music that I really dig, but can't play it for the life of them. It's disappointing; I would support a band with an awesome live show playing music I don't like before one of those bands any day. Just personal opinion, though. Like I said, both are crucial.
Tyler: We want the entire experience to blow people away. Everything we have recorded we can play live to the letter, so the performance aspect is something that is always important to us. As far as growing our fan base, our only hope is that we continue to put out quality material that people will enjoy and tell their friends about.
Jake: We definitely are wanting to get on writing new material and recording it so we can continue to keep and build fans, but we also strive on a solid live performance to please as well. So, from my perspective I don't see us focusing more on one or the other.
Brian: I would say the performance aspect for sure. The music world today is way more focused on whether or not you can play your songs live, and we try to put on the best show we can every time. Having a catchy song with a million views on YouTube is one thing, but if you can't play your music, you shouldn't be on stage. Seeing bands live is always how I determine if they are legit or not; I’ll give a band I don't like on recording another chance if they are awesome live - and vice versa. If I like a band on recording, and they suck live, I’ll probably stop listening to them.
When it comes to the structure behind the band’s material, how do you go about the song writing? CJ: As far as instruments go, every song has had a different writing process thus far. One song was completely written by one member, and then presented to the rest of the band to learn. Sometimes there's a an idea, and then the whole band writes the song together, while others are half and half between two members. It just depends.
Tyler: It’s pretty cut and dry. The guys will crank out an instrumental or two, record a rough cut of the song, keep jamming it and work out the kinks, and then once we’re satisfied with that product, we take it to the studio to finalize it.
Jake: Basically, I just sit down and start playing. As soon as I come up with a part that I like, I’ll start up a song. Eventually I start coming up with more parts that I like and if they sound good together, then I've made progress. Honestly, it's all about flow. If it doesn't sound good together to me then I won't even bother.
Brian: I am entirely removed. [Laughs]. I just let Jake and CJ do their thing, and it turns out awesome every time.
Where do you find inspiration from for the band? What are some artists that influence you? CJ: Good question. [Laughs]. I can't really think of anyone that I specifically pull inspiration from, but the heavy bands I've been listening to nonstop lately are Gideon, King 810, the Ghost Inside, Volumes, and In The Midst Of Lions. You could probably hear a little bit of those bands in our music, but I'm not too sure.
Tyler: Personally, vocalists like Daryl Palumbo from Glassjaw, Phil Bozeman, Claudio Sanchez, and Nick Arthur have inspired my live performance, my lyrical content and style, my vocal patterns, and how I manipulate my voice to produce the sound I want.
Jake: I like most of what we play to be on the "heavy" side of things, so basically anything mean sounding. I don't like having an artist influence me because then I feel like I'm just rewriting their music, but some bands you can catch me listening to a lot are Volumes, Gideon, Thy Art Is Murder, Those Who Fear and those who are similar.
Brian: As I said, I don't play a part on the writing, but as far as bands that I take influence from, definitely Every Time I Die, No Bragging Rights, Whitechapel, Volumes… I could go on forever.
Are there any plans for an EP or full-length in the near future? CJ: Nothing set in stone, but definitely one or the other sometime this year. Probably an EP.
Tyler: Hopefully a new EP; possibly a full-length album will be a reality within the next year, but anything can happen in regards to that.
Jake: There are no actual "plans" yet, but we have talked about knocking a few more songs down and going out to get them recorded. So we'll just have to see how things go.
Brian: We definitely want to record something, but there are no immediate plans to hit the studio.
If there was one thing you could change about the music scene in Northwest Indiana (and the surrounding areas) what would it be? CJ: Support. It's weak. Band's show up for their set, play, and leave. So lame. We try to travel more than we play locally, but yesterday we played a local show with a couple touring bands from Texas and West Virginia. Members of the bands that were from far away were up front watching during our set, while almost all of our friends and fellow local bands stood far away, or were nowhere to be found. I'm not trying to complain about our show not being ideal, it's not just about us, but I run sound at just about every Northwest Indiana show and I see how everyone is. No one supports each other like people do in other places. Shout out to the Fort Wayne, IN scene. There isn't a huge variety of people who attend shows out there, but it's a tight group who love, respect, and support each other and every band on each bill.
Tyler: More support. It’s a pretty sour feeling to see a once flourishing scene begin to degrade slowly over time. Favoritism is pretty prevalent in our area when it comes to a few bands, but regardless, we work to stand out and not just exist within our local sphere.
Jake: People need to stop having their little cults. Come to shows when they start, give bands the attention they deserve. Too many people come for one or two bands and are no where to be found until those bands play.
Brian: I just wish everyone stopped being too cool. Everything is really trendy, and people won't support you if you aren't a part of the "in crowd.” Everyone loves Terror now, and can't admit that they loved Oceano and Whitechapel three years ago. Everyone talks about how heavy music is about acceptance, and inclusion, but if you don't have the right merch on, no one will even talk to you, and everyone acts like they are doing you a solid by getting into your band, or moshing at a show.
Thanks for taking out the time to chat. Anything else you would like to add?
CJ: Thank you for showing interest. Thanks to anyone who has given us the time of day to stand and watch a song, or listen to one on youtube. Thanks to our previous members. And to our future ones once we all inevitably get sick of each other. Thanks to Region Shows for not pulling the plug on NWI's breathing machine yet. Thanks to Taylor Voeltz and Chris Foster for being awesome producers. And thanks to my parents, because I'm not ashamed to admit that they bought my van and trailer.
Tyler: Tell your friends about us, buy a shirt, listen to our music subjectively.
Jake: Thank you for the questions! Other than that, if you're reading this and find your dudes in the Cambion near you, come watch us headbang.
Brian: Come out to a show, come say hey (shout out to the dude who punched jake at a Taco Bell), come see what the Cambion is all about.
The Alternative Tone Christmas Mixtape
The Alternative Tone has put together a playlist to keep you nice and warm this Christmas. Dozens of tracks from across various genres, they're all brought together by the shared theme of the festive season. Sadly, there's a few tracks that, due to their nature as live recordings etc., aren't available on Spotify but these are the best of what we've got. Follow the playlist here and let us know your suggestions on Twitter at @thealttone. Merry Christmas!
(Disclaimer: sadly, Death Cab For Cutie's cover of 'Christmas (Baby Please Come Home)' is not available on Spotify but go look that shit up).
Tracklisting
The Pogues - Fairytale Of New York (ft. Kirsty McColl)
The Waitresses - Christmas Wrapping
Chris Farren - Like A Gift From God Or Whatever (ft. Jenny Owens Young)
Los Campesinos! - When Winter Comes
Sufjan Stevens - Sister Winter
Low - Just Like Christmas
Sufjan Stevens - Christmas In The Room
Julian Casablancas - I Wish It Was Christmas Today
She & Him - Baby, It’s Cold Outside
Bright Eyes - Have Yourself A Merry Little Christmas
My Morning Jacket - Xmas Time Is Here Again
The Shins - Wonderful Christmastime
The Civil Wars - I Heard The Bells On Christmas Day
Rufus Wainwright - Baby, It’s Cold Outside (ft. Sharon Van Etten)
Andrew Bird - Auld Lang Syne
The Head And The Heart - What Are You Doing New Year’s Eve?
LCD Soundsystem - Oh You (Christmas Blues)
The Head And The Heart - Winter Song
Kishi Bashi - It’s Christmas, But It’s Not White Here In Our Time
Bright Eyes - Blue Christmas
Fiona Apple - Frosty The Snowman
Weezer - O Come All Ye Faithful
Regina Spektor - My Dear Acquaintance (A Happy New Year)
The Magnetic Fields - Everything Is One Big Christmas Tree
Mogwai - Christmas Song
Eels - Christmas Is Going To The Dogs
Belle & Sebastian - O Come, O Come Emmanuel
Deerhoof - Xmas Tree
The Decemberists - Please Daddy (Don’t Get Drunk This Christmas)
Kate Nash - Auld Lang Syne
The New Pornographers - The Spirit Of Giving
Yo La Tengo - Winter A-Go-Go
Of Montreal - Christmas Isn’t Safe For Animals
Animal Collective - Winter Wonderland
The Fall - Hark The Herald Angels Sing
Neko Case - Christmas Card From A Hooker In Minneapolis
Emmy The Great & Lightspeed Champion - Christmas In Prison
Stars - Christmas Song
The Flaming Lips - A Change At Christmas (Say It Isn’t So)
Okkervil River - Listening To Otis Redding At Home During Christmas
Camera Obscura - The Blizzard
Nick Cave & The Bad Seeds - Fifteen Feet Of Pure White Snow
Galaxie 500 - Listen, The Snow Is Falling
The Walkmen - The Christmas Party
Jimmy Eat World - Last Christmas
Slow Club - Christmas (Baby Please Come Home)
Hurts - All I Want For Christmas Is New Years Day
Rogue Wave - Christmas
The Flaming Lips - Christmas At The Zoo
The Futureheads - Christmas Was Better In The 80s
Glasvegas - A Snowflake Fell & It Felt Like A Kiss
The Legendary Tiger Man - Fuck Christmas, I Got The Blues
Youth Group - Christmas Windows
The Apples In Stereo - Holiday Mood
!!! - And Anyway It’s Christmas
Chris Farren - Emo Revival Christmas 2014
Kate Bush - Home For Christmas
The Avalanches - Winter Wonderland
Damien Rice - Silent Night
The Wedding Present - Step Into Christmas
Sufjan Stevens - Did I Make You Cry On Christmas Day? (Well, You Deserved It!)
Kate Nash - I Hate You This Christmas
Gas Chamber - Hemorrhaging Light
LP + flexi 7″ (Iron Lung Records- 2014) Written by Brian Chamblee
Gas Chamber is a 4 piece from Buffalo New York. Hemorrhaging Light is their second full length release. Members of Gas Chamber played in the Buffalo fastcore/powerviolence band Running For Cover before forming Gas Chamber in 2007. There is more than a nod to the Running For Cover Sound in some of the earlier Gas Chamber records but Hemorrhaging Light seems to have stepped further into the genius and insanity that encompasses Gas Chamber's sound. If you're looking for your run of the mill hardcore or powerviolence album don't bother listening to this because its so much more than that. Hemorrhaging Light travels through dark labyrinths of sound and leaves the listener really wondering what might be around the next twisting corner. The album begins with truly virtuoso bass playing and bass/guitar harmonies reminiscent of a classical chamber music feel. Just when you get comfortable with the incredible bass work inter-spliced with manic fast hardcore the fourth song "My Warsaw" is a big surprise with a female voice singing beautifully in polish over a marching drum. That is just the first of many surprises this album throws at you. At the end of the A side a sobering segment of an autoharp melody with what sounds like ceramic plates breaking against a wall brings the listener into a contemplative moment of reflection. The theme of human destruction and the pain it causes the world is rampant though out the album, the song "Stacked Logs" is about slaughtering animals and ruining the land and the album art depicts what humans build as well as the filth that our constructions create. The B side becomes very upsetting when the sound of pigs (presumably going to be slaughtered) squealing is heard over a long passage of a melancholic riff that reminds my almost of something like a instrumental segment you might hear from a band like Still Life. Gas Chamber excites me because they aren't another band ripping off someone else sound, they are traversing into new territories of sound that are yet to be explored, they are taking risks and trying new things. Gas Chamber proves there are still punk musicians making interesting and innovative music.
Superheaven (ex-Daylight)
Ross McGarrie caught up with the members of Superheaven (previously Daylight) on their UK tour.
How are you guys doing?
We’re doing good thanks.
Is tour going well?
Mmhm
Is there anything you missed about touring the UK from your last time here?
Uhm, I guess just touring with Basement.
You must be pretty stoked about them getting back together then?
Yeah, I mean we kinda knew it was going on because we are pretty close to them, we knew the deal from the beginning that it wasn’t a permanent hiatus. We knew it was a matter of when Fisher was gonna be done with his school thing, so it was just a waiting kinda thing.
You took Nai Harvest out with you on this tour, is there any reason for that?
We like their music and they do okay, I mean people really seem to like them. We never knew them prior to this and it’s a plus that it’s only an extra two people because we’re sharing a van with them.
What’s your least favourite thing about touring in general?
Probably just being away, I mean just being away from home in a sense that if you lose something or break something, well at least for me. I don’t have a lot of money, I don’t think anyone has a lot of money, just that feeling of being far from home and not having the security of being home is stressful, well at least for me. So I guess just being away gets a little overwhelming at times.
What was growing up somewhere like Doylsetown like? When I visit there last year it really seemed like there was nothing for younger people to do.
I actually don’t live in Doylsetown, I lived sort of close to it. Maybe like 15-20 minutes away, the only reason people think were from Doylsetown is because our old drummer is from there so he put it on all our social networks. None of us lived far from it so it wasn’t like when bands claim they are from Boston but they are like two hours away from there. There’s nothing in Doylsetown to be proud to claim you’re from there. It’s a rich people area, it blows, I grew up in a much poorer part of the suburbs of Phillydephia north of there where theres not a whole lot going on but we’re not in the type of place that has like one grocery store, we’re close enough to the city that we can go there where there are plenty of things to do. I think it was just your normal growing up thing really.
Jar has been out for a while now, is there anything new on the horizon?
Yeah were recording a new record right when we get home, like the day after we get home we start so that will probably be out in the spring.
Are you feeling pretty stressed since Jar did really well?
I feel good, I think some of the stuff is a little different, maybe a Pixies or Weezer kinda vibe so it’s a little more on the poppy side. I’m a little nervous about putting out a record like that but we all like the songs so it will be fine.
So going off the back of that, who are your main musical influences?
It’s less of specific song writers and more just bands that just kinda do their own thing without any compromise or without worrying about how they are perceived. I think the Foo Fighters are a big influence on us just because they are literally the biggest modern rock band in the world and they do whatever the hell they want, they don’t have to adhere to anyone’s preference or demands because they put their records on their own label. I think that would be the easiest example to give.
You are really close to all the guys at Run For Cover Records, how did you get involved with them?
We met Jeff a couple of years back and he asked if we wanted to do a record, we didn’t know him prior to that and I knew Alex through Basement before he worked there. They are really easy to get along with and we have a similar sense of humour so we became really good friends pretty fast.
What are your favourite shows you’ve ever played?
A lot of those with Basement in America just there were really good, the New York and Philadelphia in particular were awesome. The shows on this tour are cool too because we don’t headline a lot and this was our first headline tour, we thought it was going to be rough but it gone way better than we expected.
I know it’s been talked about to death already but whats your thoughts on the whole Joyce Manor incident?
I have mixed feelings about it because I definitely agree with what he was saying but as a lot of people said there are plenty of pictures of Brandon jumping into the crowd with his heave ass guitar. I don’t know him so I can’t give an opinion on them as people so I don’t want to give much of an opinion because I don’t really have one. I’m really not sure if he thinks that no one should stage dive or if it’s just people of a certain weight shouldn’t dive but I think people should just do whatever they want, maybe try to have better judgement and obviously don’t dive on a small girl. He probably didn’t have to single him out, I know they were respectful as possible about it after, but I think it would have been easier to say “be careful”. I mean I’ve said similar things, “be careful, I want everyone to have a good time but I want people to not get hurt”. The whole thing didn’t really matter to me, it didn’t affect my day and to be honest I’m surprised it turned into as big of thing as it did.
What do you like to do when you’re not on tour?
I don’t do a whole lot, I write music and play guitar a lot, and I draw. I watch a LOT of movies and TV shows, I like to hang out with my friends, girlfriend and my dogs.
What are your dogs called?
Sora and Bell. They aren’t actually my dogs, they are my sisters, but they live at my house.
What sort of things do you like to draw?
I guess, the past couple of years it’s been stuff for other bands so it’s usually what they want me to do. I prefer just to do black and white drawings, I really don’t how to use photoshops because I don’t use computers a whole lot for art stuff but I guess my own stuff is just like aliens or animals and weird shit. I don’t like doing hyper-realistic stuff, like sketching people with every single freckle; I much prefer a bold kinda cartoony style.
Going off that then, do you have any weird hobbies?
I don’t really know, probably, I'm trying to think of shit im into that most people wouldn’t like. The only thing I’m really into is guitar gear. I don’t use any of it, I use the crappiest shit, but I really like just looking at it all. Im using an Orange Amp on this tour and I fucking hate it. I just hate it, I don’t like the way it sounds at all! They work great for other people but I can’t get a single sound I like out of it.
Pokemon or Mario?
Oh Mario! I had a Pokemon for Game Boy when I was a kid but I was never into it. If I play Mario Kart I always pick the turtles, think he's called Koopa.
Whats your favourite “bad” movie?
There are a few I really like, there’s one that came out in the 90s called Warriors of Virtue. I can’t completely remember how it unfolds but this kid ends up in an alternative universe in old japan where there is this crew of kangaroos into Karate and shit. Its one of the worst movies I’ve ever seen but I really liked it. There’s another called Kung Pow too that you might be able to find on DVD, I think it has a like cult following, those are like my two favourites that no-one will have seen.
Do you have any celebrity crushes?
Oh yeah I have tons of them, Nicki Minaj, that’s the main one! Im a big Miley Cyrus fan, Elizabeth Olson too. I’ve got loads but I think those are top 3. Anaconda is my favourite video right now.
Any finals words?
Shout out to Basement, Ovlov, Big Jesus, Tigers Jaw, I’ll leave it at that!
Black Pistol Fire
Kelly Doherty caught up with Canadian blues rock duo Black Pistol Fire about their recent album, Hush or Howl, comparisons with The White Stripes and their plans for the year.
Who is Black Pistol Fire and what's your story so far?
We are two fun lovin' chaps from Toronto, Canada by the names of Eric Owen and Kevin McKeown. Kevin plays guitar and sings, Eric plays the drums. We have been friends since we were wee tykes and play Rock and Roll. Nowadays, we spend a lot of our time in Austin, Texas though Canada is still home.
How would you describe your sound for someone who's never heard you before?
It's Rock and Roll! Each song has a different feel to it: Some are bluesy, some funky, some country, and some have a punk rock edge. But in the end, it's only Rock and Roll!
What's the band up to at the moment?
We just got back from a tour with The Toadies and doing something very special with T-Mobile in Chicago that will be happening very soon. We were also recently in the studio laying down a few new tracks. Just keeping forward momentum going!
How has the reaction been to Hush and Howl?
It's been great! Radio has been really supportive and we've made many new fans while also pleasing those that have been with us for a while.
What inspired the album?
This album was a put up or shut up album for us. We were getting frustrated with a lot elements within the music business and decided that we needed to really make a splash with this album and either fall asleep (Hush) or Scream to the universe (Howl).
Tell us about the recording experience.
I believe it was 5 days total. 4 of them taking place in April at 5th St Studios in Austin and 1 day in October at the same studio. Nick Joswick is a mighty engineer and we recorded to 2" tape on the famous "Neve" Console. Our dear friend and long time producer Micael Rocha flew in and helped guide the LP in the direction it needed to go. While 5 days to record might not seem like much, I actually think it's the most time we've ever had for an album, so we actually got to experiment a little.
How do you feel about the comparisons between the band and acts such as The White Stripes and Black Keys?
They are bound to happen I suppose. Aesthetically, the comparisons are obvious. And yes, there are indeed some similar sounds. I think if someone were to listen to the music and not know anything about the band (that there's two of us), they might not be so quick to make those comparisons. We're both Jack White fans so if someone needs a point of reference for our music, then it's fine.
What are your plans for the rest of the year?
We're playing Loufest in St. Louis and then ACL in Austin. Probably more touring and laying down more tracks whenever we get the chance.
Who influences your sound?
Other musicians and artists. Both old and new alike. I could go on forever naming acts we love. Zeppelin, Creedence, old Kings of Leon, Little Richard, and The White Stripes are some but there are so many more. We really do love all types of music.
Final words?
Baba Booey!
Madball
Kelly Doherty caught up with Freddie of hardcore legends, Madball, about their new album Hardcore Lives and life after 20 years of Madball.
It's been 20 years since you guys released Set It Off, what about Madball has kept you guys going for so long where so many other bands have split up and fallen apart?
You know the saying 'ignorance is bliss'? Hahaha….just kidding. Hunger and passion has kept us in the game. Those components haven't changed. There's still a lot of hunger, a lot to do and accomplish. There's still a lot of passion behind everything we do. Doesn't hurt that we've maintained our relevance. Shout out to the Madball supporters!
Hardcore Lives' title is a pretty strong statement. Do you believe the hardcore scene today is as good as it was when you guys were starting up?
Yes, it's a statement, a reminder, all that and then some. I think the scene is different but a lot bigger on a global level!
What inspired 'Hardcore Lives'? What's the album about?
Many things inspired this record; family, inner demons, our sub culture, the times we live in, etc, etc. Like with all our records, it's documenting our state of mind at the time. As we grow and evolve personally so does our band, but the angst never goes away...
Has your approach to writing music changed a lot since you started the band?
Most definitely. For the better, I hope! We are very conscious about how Madball should be presented/represented.
What separates 'Hardcore Lives' from the rest of your back catalog?
It's much better across the board - more diverse, catchier and more aggressive then previous releases in the approach.
How do you feel about the fact that Madball are seen as hardcore punk 'legends'?
We're not legends and we're not punk. Not that i don't have love for punk, I most certainly do. We're an authentic NYHC band who's still working hard to earn our place in this music world. That's all. I'm flattered by the praise, truly we all are! But honestly, i feel like we're a brand new band trying to make a statement.
Do you have any major regrets from your time in Madball?
No - its all part of the journey… The good, bad and everything in between.
What's your opinion on the way that many pop punk bands in the past few years took the hardcore sound and style and watered it down into a more commericalised product?
Hardcore always gets used and abused.. haha. All that aside, I think it's more so about what the people in these bands are truly influenced by and what their background says. For example: my friend Chad Gilbert plays in a pop punk band, New Found Glory. He also happens to be a hardcore kid who is a big Madball fan, among other bands. He was the original singer for Shai Halud, so his background is hardcore and you can't blame him if he's influenced by our genre/culture. He comes from that. It all depends… not everyone has that pedigree and so I get what you mean in certain scenarios. G ive props to those you're influenced by, that's what I say, and don't bite too hard. That's just corny.
What are your plans for the rest of the year?
Support Hardcore Lives and keep doing what we do!
Anything else?
Yes, thank you.
Empire! Empire! (I Was A Lonely Estate)
Kelly Doherty catches up with Keith Latinen of emo revival heroes Empire! Empire! (I Was A Lonely Estate).
Hi there, Empire! Empire! (I Was A Lonely Estate) Who is Empire! Empire! and how did the band come about? Empire! Empire! is me and my wife, Cathy. I’m Keith. It started out as my solo project and when our old band called Anna Flyaway was on the verge of breaking up, I put all my eggs into this basket and finished our first EP. We were working on both my solo project and Anna Flyaway EP at the same time and when the writing was on the wall that that was going to end, I shifted my entire focus to Empire!. Naturally, when we decided to start playing live shows, Cathy joined and we went through a long string of members before we ended up with just the two of us again.
How would you describe Empire! Empire! in a few words? Pretty boring ;) What can we expect from your UK and Ireland tour? This time around we brought our friends Warren Franklin (Warren Franklin and the Found Fathers), Barry Mielke (Driving on City Sidewalks), and Stewart Oakes (Joie De Vivre) to play our missing pieces. All three have filled in for us before, so we have a pretty large list of songs we can choose from. We’ve been playing a good mix of them every night, so people who have been kind enough to see us more than once on this tour should hear a few different songs every show. How does it feel to be playing overseas and knowing that you have fans from so far away? It feels amazing! It’s sometimes hard to believe that we are able to do something as grand as this for something as silly as being in a band. This is our fourth international tour and every single one has been a lot of fun. We planned this with less ground to cover so that we could see a lot of the sights the UK and Ireland have to offer, and so far we’ve gotten to do a lot of that. You've done quite a few splits this year, with bands such as Two Knights, Driving On City Sidewalks and Mountains for Clouds. What is it about splits that you enjoy? Is it that you have a preference for working with other bands, or is it just more convenient? I really enjoying sharing that bond with another band and being on a split with them is like being their siblings in music. You are a part of their catalog and they are a part of yours. I love that. It’s also amazing to give your fans a chance to hear the bands you love on the same release, and for the same to happen with the band(s) on the other side of the splits. I wouldn’t say I have a preference with working with other bands [over doing individual releases] or that it’s more convenient or anything, because we’ve had many, many releases with just our name on it. I just fell in love with the idea of splits when I was 15 and it never left me. What are your plans for the rest of the year?Well, there isn’t much time left in this year by the time we get back, which is crazy. This year went by so fast! We are planning the rest of it by writing for our next full length. We have a lot of work to do on it left. We had hoped to be all done with it by the end of this year, but time got the better of us so we just have to redouble our efforts and get this thing going again. How do you find balancing the work with running Count Your Lucky Stars and being in Empire! Empire!? Is it hard to find time to write songs and and still have the ability to focus on the label? Actually, that is a big reason why the album isn’t finished- though not the only reason. It is incredibly hard to find time for both the band and the label, and we both have other jobs too. The best thing to do is to specifically set aside time to write every day or so, but that time is usually stolen by something more pressing. We have about three songs on guitar written so far, but that’s it. What do you think of the current shape of music? I’m not sure if I can answer that, per se. We live in a very small world, musically. It’s a small scene and everyone is probably like one or two degrees separated. As for where our scene fits into a global scene and by-in-large the shape of music in general, I honestly don’t know. I would say it’s probably a very small footprint at best. I feel like our scene is something where either you know it or you don’t- but if you do know it, you seem to know everything about it. Which makes it sound inclusive and not welcoming, but that is the exact opposite. Everyone is very open and even if you have never met anyone at a show you are attending, they make you feel at home. I’m not sure if that answers the question, as it is a very large and encompassing one. Maybe this is a better answer: Music will always be a force in our lives. There will always be pop music with certain trends that shift and change, but I doubt very much that you will find a lot of cross-over from our scene to that. Pop music is doing fine; it’s never not going to do well. It seems to be shifting back to the boy band/pop star/diva era again. I’m curious to see if it ever finds its ways back to bands in the way the 90s saw Nirvana, Gin Blossoms, Third Eye Blind, etc.
What bands influence Empire! Empire!? Who do you personally listen to?The bands that really speak to me are Death Cab for Cutie, Mineral, Promise Ring, Appleseed Cast, Knapsack, Get Up Kids, Colossal, Penfold, Pedro the Lion, Benton Falls, Pop Unknown- stuff of that ilk. A good portion of my playlists will still include that, I don’t expect that to change much. What's your favourite album of all time? And why? I guess if I had to choose one, it would be Photo Album by Death Cab for Cutie right now. There are a few albums that will always be my answer to this question, but this one currently edges the others out. I love the drum work on the album. This era of Death Cab drumming is a huge influence. But really, everything is beautiful- every melody, every lyric, every bass line. I love that it wasn’t afraid to be repetitive. It’s one of those less-is-more albums, which is what I’m hoping we can make our new album. If Empire! Empire! was a planet, what planet would it be? Ummmm… Pluto? I mean, it isn’t even a planet anymore, but it used to be classified as one. We are a dwarf planet, relegated as a second-class being. Haha, how’s that for emo? No, no, just kidding- I don’t know how to answer a question like that. Final words? Thanks for the interview! We are about to port into Ireland so I have to wrap this up. Hope to see a lot of people on the rest of this tour.
Nick Stutsman (Canadian Wedding)
Kelly Doherty speaks to Nick Stutsman about his new band Canadian Wedding, the current music scene and awesome guitar tunings.
How would you describe your music for the unacquainted? I guess I would first ask them if they've ever heard any twinkly band ever and tell them it probably just sounds exactly like that. Or, you know, a whiney teenager that lacks originality crying all over his guitar.
I'd say I'll try and promote the first description a little more, haha. What are you up to at the moment? A few months ago, my band (Park Jefferson) kind of fell apart. I moved to Philadelphia, our other guitarist moved to Tennessee, and our drummer was already in a few other bands (most notably William Bonney), so we sort of decided to just call it quits. While in Philadelphia, I started a band (pennypack!) that went nowhere, mainly because I moved home to Michigan. Philadelphia just wasn't a good fit for me, I guess. Since I was tired of starting bands that sound like all of the past bands I've been in, and only last a few weeks or less, I had it in my mind that I wasn't going to make music anymore for anyone other than myself and maybe my friends if for whatever reason a guitar was laying around and yeah. So. I went a few months without writing anything. Right now, I'm working on a new band called Canadian Wedding that started off as basically just my solo work, but with a full band. I don't really want to release anything as Nick Stutsman any time soon, or maybe even ever again, but Canadian Wedding is practically just my solo work full band-atized. It was going to be just me, with maybe some friends recording the other instruments, but recently, a few permanent members have been added to the lineup. We've spent the last month or so going over to my friend Dave (Park J bassist)'s house and writing/recording songs for a full length. We've got about nine or ten songs written/recorded, but I feel like we're probably going to record a ton more, because I'm not happy with the way everything's turning out. I don't mean that the recordings themselves are bad, or anything. I just want to make sure I don't half-ass this record, like I've done with everything I've released since the first few Merchant Ships EPs. So, I guess to FINALLY answer your question: I've started a new project that you probably won't hear anything from for a while. Lots of writing/recording is happening. I'm just trying to put out the best record I can, so that I'm finally content with something I've written. So that I can show the record to someone and be genuinely proud of what I've created. Whether or not the record is released to the public is still something I'm trying to decide. Sorry for the book-long response. I thouroughly enjoyed the sole pennypack! song, actually. You're quite diverse in your musical output. Do you find it difficult to stay within the boundaries of the same genre, what with being in so many bands? Or is it just that you like all of the genres? I personally think that Park Jefferson sounds like what Midwest Pen Pals would have sounded like if I had done vocals. And Midwest Pen Pals sounds just like Merchant Ships without the screams. The only bands I consider myself to have ever been in are those three, everything else I just sort of don't include in my "bands" list. But really, what I mean to say is that I don't think I've even begun to write outside of the whole twinkly emo genre. Which is the reason I'm taking my time with this new record I'm working on, I don't want it to be just another repeat of what I've been doing for the last five or six years of my life. So I mean, thank you for seeing differences in each of the bands. I, personally, think it all sounds the same, which is something I'm trying to avoid this time around. What can we expect from Canadian Wedding's sound? You've said it's like a full band version of your solo stuff, so is it a more indie sound? Or can we expect a Conor Oberst does Bright Eyes type sound?Haha, I guess you could say that. I don't know, honestly. Because we're still in the process of writing the record, I'm trying out different things so that it doesn't sound like I'm ripping off Mike Kinsella or Conor Oberst or whatever, and trying not to sound like things I've done before. It's still going to have the overall Nick Stutsman solo shit vibes, but, I don't know. Honestly. I feel like maybe I should just send you a track that we have recorded that I know we're going to use and let you decide for yourself what you want to call the sound. Sounds awesome! Are you planning on doing any shows with Canadian Wedding in the upcoming months? Yeah, I'm sort of planning on doing a record release show in my hometown for my friends, where I'll pass the album out for free, probably just on a shitty burnt cd or something. And if we're offered other shows, do them, but probably just Derek (one of the other guys in the band) and I playing acoustic guitars and singing together. Probably very few full band shows. How do you go about writing a song? Does it just come together naturally? Or do you sit down and aim to write a record? Writing songs for me is like journaling for other people. I have literally hundreds of songs written/recorded poorly on my computer that will never see the light of day. Like I said earlier, I kind of half-ass everything I do. Most songs I write are written in under an hour. I write a guitar part I like, sing nonsense over it to get the melody, and then sing more nonsense over it until I sing something that I like, and go from there. The problem I seem to have, I think, is that once it's written, I can't ever make myself go back and try to rewrite the song so that it's better, you know? Once it's done, recorded, I tend to just forget about the song and am ready to write the next one. Good stuff. Where does your lyrical inspiration come from? I just write about whatever's going on. Like I said earlier, it's my way of venting, or journaling, or whatever. I tend to reuse and steal lyrics because of either how much I like them or the fact that I feel I can use it again, but make it about something completely different, and that, to me, makes the lyric itself new. What's your opinion on the scene at the moment? There's a lot of great bands coming up and gaining popularity that they couldn't have gained without the internet and whatnot, how do you feel about music in general, right now? With every scene there are obviously going to be pretentious, shallow assholes that think they're Jesus Christ because they wrote a record that a couple hundred kids like from the internet. I think I let a few bad experiences with some people like that kind of distort my view of what the scene is like today. I made some remarks about how "everyone is like that" and whatnot, and I'd like to take this opportunity to take back my statements. Because lately I've come to find that there are a lot of people starting bands that are really blowing me away. Every time I'm in a different city that I had no idea had a thriving scene, their local bands make me feel like I should just give up on music altogether. For example: Indianapolis, Columbus, and, though I knew Philly has been putting out a lot of really amazing bands the last few years, I found a ton of sweet locals that aren't getting as much attention as they should be in Philadelphia/surrounding areas. And something I've noticed is that the people in these bands seem to be getting younger and younger as years go by. I saw a band while living on the East Coast that consisted of three 17 year-olds called Toasted Plastic, and it honestly made me want to be a better musician just by watching these kids that were younger than me fucking kill it. I also think that the whole "twinkle daddy emo" bullshit is finally dying out. It got to the point that everyone was ripping off Algernon Cadwallader and every band was putting out the same record as the last band, and I think everyone's ears just need a break from that whole thing, and people are trying, now, to push themselves to write better music. And the results are fucking awesome. I'll shall check Toasted Plastic out! What bands do you personally listen to? You've done splits with the likes of Cameron Boucher and Slurred Terms, is that because you're a fan, or just that you've find their music to be compatible with yours? No, I used to be friends with Cameron, and Ethan is one of the sweetest guys in all of Indiana. I just decided to put the splits out with them because they're good guys and I didn't see why not to do them. The music I personally listen to doesn't almost ever change. I almost never download new music, but I really should, especially since all of these tight locals are popping up all over the place. My all-time favorites are bands like Why?, Death Cab, Owen, I really like Bon Iver's first album, really into my friend Dylan's band Tiny Moving Parts. Other local bands you should check out, all awesome people and musicians: Vowel, Tiny Moving Parts, Toasted Plastic, Marietta, Flare Jeans, Modern Baseball, Eureka Driver, PESSOA, deadghost., there are honestly so many, but those are probably my favorites. So, do you have any particular favourite guitar tunings? Haha, nice. My favorites I feel I've over-used in my last few bands. A lot of FACGCE, DAEAC#E, DADF#AD, you know. All of that. Actually, if you want to know my favorite guitar tunings, go to www.ultimate-guitar.com, search Owen, and open any of the tabs that come up, copy the tuning, and voila! My favorite tunings. (Probably should come up with some of my own so I'm less of a "Mike Kinsella rip-off", maybe?) Awesome. Final question, if Nick Stutsman's music was a pizza topping, what would it be? Oh man. Probably pineapple or some other topping that some people really enjoy but others really hate. I don't think I can say it any better than that. Final words? Thanks for interviewing me, good luck with the site and all that!
Emo Side Project
Kelly Doherty speaks with Andrew of Emo Side Project.
Who is Emo Side Project, and how did it come to fruition? Hi! My name is Andrew. Emo Side Project is my solo project that I started in 2002. Basically, I had written a few songs for a band I was in at the time but we broke up so I decided to use them to start a solo project. These were the first four songs on the self-titled album. I’ve always loved acoustic guitar so I think that’s why for most of its existence ESP has been acoustic. As Jesse Lacey would say, I’m a sucker for anything acoustic. I’ve experimented with a lot of different sounds though. How would you describe Emo Side Project's sound for the unacquainted? The sound has changed a lot over the years and it’s a little different each album, especially during the beginning of ESP. The first few albums are pretty standard singer-songwriter songs, I think. Then I began to incorporate piano into the songs. After that I experimented with writing pop punk influenced songs. Then the sound changed to more soft picking songs and slowly became more and more math-rock influenced. There are a few electropop influenced songs throw in the mix as well! Recently, I’ve dabbled in having full band songs to change it up a little and I really love the sound so I’m trying to stick with that for a bit. Basically, Emo Side Project’s sound is all over the place. It’s not the type of project where the sound does not evolve and I definitely experiment with it a lot. Great name! Is it as obvious as it seems? Or does it come from somewhere else? It sort of is what you expect it to be and not as the same time. I had a band at the time ESP started (we mostly played covers for fun) so the name sort of sprung from that. A lot of my initial influences were solo acoustic acts (Dashboard Confessional / The Early November / Bright Eyes). But I’ve always thought the name to be kinda of a parody of the entire scene as well because ESP was never created to be an “emo” band and I’ve never considered it that. Some people like the silly stuff more. Some people like the serious stuff more. Some people don’t like any of it. At the end of the day, I’m just making music because I love to do it. I just got lucky that some people enjoy the music as well. How has 2012 been for you? 2012 has been extremely busy! ESP went on a two week summer tour of the Midwest and East Coast with my Kansas City friends Lion House and it was amazing! Also, it still blows my mind that I got to do splits with three of my favorite bands. 2012 is the first year that Emo Side Project made it onto vinyl too (Thanks to It’s A Trap! and Carucage Records)! Other than that, I’ve been working on building up my label, Sea of Tranquility, and writing music for my other band, Lizards Have Personalities. What are you up to at the moment? I’m in the process of recording right now! The first project is a new full length full band album entitled “You Know What Sucks? Everything” that has 10 gut-wrenching songs. The style is pretty similar to the other full band stuff that has been released. Keith from Empire! Empire! (I Was A Lonely Estate) (http://empireempire.bandcamp.com/) will be playing drums on the record, so I am extremely excited to see how that comes out. The second project is a split with California’s Mane Horse (http://manehorse.bandcamp.com/). I’m really excited for everyone to hear the new songs! What should an audience expect from an Emo Side Project show? The live shows are very intimate and personal. Usually I play acoustic shows but there have been occasions that I’ve done full band live shows! Sometimes I use a loop pedal and sometimes I don’t. The set list is different every show. Usually I’ll play covers as well. My friend Spencer usually provides the help on drums if we have a full band show. I think fans of ESP would love his band SeaKings! They just released an amazing EP under my label and you should check it out! (http://seaoftranquility.bandcamp.com/album/the-seap). You're extremely prolific! You've put out so much music in so little time. How do you maintain that? Is it that you're constantly writing or...? Yeah, I’m always writing. It’s one of my favorite things to do. It’s sort of a self-therapy too, I guess? Instead of keeping a journal or a personal blog, I write. Sometimes it’s exhausting. Sometimes I get writers block. But I think it helps that I’m constantly listening to music. That definitely keeps me going. You've done splits with bands like Joie de Vivre, Little Kingdoms and The Please And Thank Yous in the last few months. What do you think of the state of emo at the moment, and how generally awesome the scene is right now? In general, I think that “emo revival” is going pretty well! It’s definitely a trend that has been gaining momentum for a few years now. The only problem with it is that it has produced a lot of bands that sound a lot alike (ESP is definitely guilty of that too). For me, it’s not a problem since I love that sound and never get sick of it. The current sound ESP fits in well with the whole scene right now, I think. What are your plans for the rest of the year? For the rest of the year I am going to finish up recording and get the new music out. Other than that I’ll be playing a few local shows! Then I’m going to take a big ol’ break haha! What bands do you recommend? What influences Emo Side Project? If you’re into Emo Side Project I would suggest the following bands:- Dads: http://dadsnj.bandcamp.com/- Joie de Vivre: http://joiedevivreband.bandcamp.com/- Penpal: http://penpalmusic.bandcamp.com/- Bicycle Sunday: http://bicyclesunday.bandcamp.com/- Old Gray: http://oldgray.bandcamp.com/- You Blew It!: http://youblewit.bandcamp.com/
These are just a few that I’ve been listening to a lot. If you really love emo, use bandcamp and search the emo tag! Any final words? You should check out my amazing friends because without them I wouldn’t be able to keep ESP going as easily!- It’s A Trap Records: http://itsatraprecords.com/- Count Your Lucky Stars Records: http://www.cylsrecords.com/- Carucage Records: http://www.carucagerecords.com/- Songs from the Road Records: http://songsfromtheroad.bandcamp.com/- Keep It Together Records: http://keepittogetherrecords.com/
Apologies, I Have None
Kelly Doherty talks to London folk-punks, Apologies, I Have None.
Who is Apologies, I Have None? And how did you come about? We are four dudes from London who spend most of our time arguing amongst ourselves, and write songs with what time we have left. You released the excellent London earlier this year. How's life been for the band since? It's been pretty busy. We did quite a bit of touring at the beginning of the year, then had a good run of shows in the summer, and now we're back off on tour again so I can't complain. It's good! According to your Tumblr, you're recording some demos at the moment. Care to share any details with us? We've got a few songs that we're demoing right now. There’s not loads to say about them right now other than we think they are good. It’s probably the same with every band that you always think your newest stuff is your best, but we do think that these newest songs are our best. I guess that’s not really for us to decide though. You've [had] an incredibly busy few months what with dates with legends Less Than Jake, Reading Festival and a European tour with the brilliant Joyce Manor. What [was] it like to be playing with a band a legendary as LTJ? And indeed playing a festival as popular as Reading on the typically awesome Lock Up Stage? Playing with Less Than Jake was great. They’ve been doing what they do for a very long time and it’s very inspiring to see them still tear up a stage as much as any band, I truly hope we’ll still be doing that after 20 years.Playing the Lock Up stage was very special for us. It’s been my favourite stage at Reading since I was young, and to be able to play it was just awesome. The show went very well, I don’t think we could have asked for more. What other bands [did] you check out at Reading Festival? watched The Gaslight Anthem, Me First & The Gimmie Gimmies, Trash Talk, loads of bands really. The Skints were the highlight for me though. It was the busiest I saw the Lock Up tent the whole weekend and they nailed it. If you can actually choose, what's been the best moment of your musical career so far? I would say releasing ‘London’. It was the culmination of many many years of work so it was relieving and exciting to finally have it done and out. If Apologies, I Have None was an ice cream dish, what would it be? I guess Neapolitan as we can never really seem to agree on anything. Final words? GET OUR RECORD! COME TO OUR SHOWS!
A Place To Bury Strangers
Kelly Doherty talks to noise rockers, A Place To Bury Strangers.
For the record, who are A Place To Bury Strangers? And how did you guys get together? A Place To Bury Strangers is a group of men who make rock and roll music. We got together by other people abandoning the idea that rock and roll was worth persuing further. We didn't believe that so we continued to work on what rock and roll is. We break stuff, we scream, we cry and then this is what we have. What is ABTBS up to at the moment? We are just about to start a tour in the UK. So I'm on some crappy computer because they haven't brought real internet to the UK. How has 2012 been? I always have a blast no matter what I am doing but this year has been really great for us. Our new record Worship has really exceeded my expectations and turned out great. I don't know how we wrote such a good record honestly. What was the songwriting process for Worship? Do you write together or work separately and bring it all together? Or do you have certain rituals? It was a total collaboration between me and Dion Lunadon. We got together and worked on writting and recording every day for about a year. We would work seperately at times but only so we could get more done with our time. The rituals we had were just experiment and challenge ourselves to create something full of life and as fun as we could to recapture what was so cool about being young and discovering recording for the first time. APTBS are quite a challenging band. Do you set out to make the listener work, or is the music you make just what comes natural to you? It is just what comes natural to us. I feel like there should be music that sounds like this out there so we create that. If it were exactly what most people wanted to hear or what sounded natural to most people it probably wouldn't appeal to me. I see "Fitch" tees and bromans and strange things all around me in these times and I just don't fit in with a lot of it so it seems natural to me to not completely connect. What inspired the lyrics on Worship? Fucking. You guys are pretty infamous for your live shows. How important is putting on a massive show to the band? Do you get more enjoyment from playing live than working in the studio? I think playing a massive show is extremely important in this day and age. There aren't really many bands doing this sort of thing and I think it is important for people who might like it to experience it. It's like taking acid. It can be a real eye opener. This can be inspiration for bands to hopefully work harder and see that people got together and made this stuff that we use to create some intense soundscapes. I like both live and in the studio equally. In the studio it is a very comfortable and reclusive place and there is no pressure so it is very safe to live life there. What can fans expect from shows on your upcoming European tour? We are playing a lot of new songs and older ones that we haven't played in a while. We also have our lighting master from the US so the shows have a really cool new element that we haven't brought over to Europe yet. The shows have been getting crazier and we have been getting wilder so it looks like its going to shape up to be a pretty intense journey. What bands have an influence on APTBS? What bands would you recommend? Child Bite, All the Saints, the Lucid Dream, Screen Vinyl Image are all amazing bands and influence us every time we get to see them. If APTBS was a colour, what colour would it be? Death red. Final words? Go out and do something.
Bear Arms
Kelly Doherty catches ups with Scottish indie rockers, Bear Arms.
Who is Bear Arms and how did you get together? Bear Arms is Richard Wardrop (guitar/vocals), Keiran Hird (guitar/vocals), Lewis McGourty (bass) and Dean Louden (drums).Lewis and I (Richard) went to school together along with our original drummer, Ben Sneddon. We all moved to Glasgow together and started the band, we then began looking for a second guitarist and recruited Keiran into the band. Ben Moved away to Surrey to go to uni and we now have the talented Dean Louden playing drums for us now!
How would you describe Bear Arms music for the unacquainted? I usually describe our music as alt/post-hardcore. The best way I've ever heard it described though was 'a healthy mix of Thrice, The Xcerts and Fightstar'.
How has 2012 been for you? 2012 has been good for Bear Arms. We played our very first ever show at King Tuts, recorded and released our latest e.p New Skin, had both singles, 'Towers' and 'Cities' from the e.p played on Radio 1, played a tour around Scotland with our buds in Forest Fires, supported Flood of Red and the mighty Funeral for a Friend! How was the recording process for your recent EP, New Skin? How did the EP come together? We've never really struggled to write material so when it came to recording and releasing the e.p we were able to choose the best tracks out of a potential list. we just chose what we thought were the punchiest tracks and tried to put together an e.p that flowed nicely. Recording was and always will be one of my favourite things about being in a band, so personally I loved it... Even though our producer, Owen Waldron can be a bit of a nazi when it comes to tracking guitars and vocals! What's your favourite song from the release? Personally, my favourite song is the apple and the tree, the 2 minute beat down at the end is always so much fun to play live. We always end the set on it. What plans have you got tour-wise for the rest of the year? We're currently looking into a mini tour in November. It's really coming down to how much money it's gonna cost though! Typical band type struggles really but it can get quite difficult to generate even enough money from a band to break even. Especially seen as we just give our music away for free where and when we can! What bands influence Bear Arms? Who do you personally listen to? Brand New, The Xcerts, Biffy Clyro, Thrice, Fightstar, Funeral for a Friend and Deftones. All of those bands and probably much more. If Bear Arms was a flavor of ice cream, what flavor would it be? Probably chocolate, cause I'd like to think our music can be quite more-ish!
Final words? Thanks very much for asking us to do this interview! Please help us continue to spread the word about Bear Arms. 'Like' the Facebook page and get your free download of 'New Skin' from our Bandcamp.
Make Do & Mend
Kelly Doherty speaks to Matt Carroll of post-hardcore noise-mongers, Make Do And Mend.
What are you guys up to at the moment? We just put out a new record called "Everything You Ever Loved." Just finished up the summer which was filled up with Warped Tour, and we are gearing up to head to Europe, The US and Australia all within the next three months to promote the record. How has 2012 been for the band? It's been great so far. We got to release a record that we love. What more could you ask for? You released Everything You Ever Loved earlier this year. How has the post-album cycle been for you? How was the reaction to the release? Yes, we did. It's been good so far, ya know? It's only been out for a few months, and we were on Warped Tour the entire time. So we are looking forward to hitting the clubs with these new songs. Everything You Ever Loved was quite a progression for MDAM. How do you manage progressing as a band without isolating your fans, but still being able to grow as a band? To be honest, it's a really tough thing. We are so completely grateful for everyone who likes and supports our band. The last thing that we would want to do is disappoint someone who supports us. But at the same time, we have to follow our creativity. We make the music that we want to make. No frills, no bullshit, just us. And we would hope that whatever we would create, people understand that it's just MDAM making music, and they are a part of it all. Generally, your lyrics tend to be of a more serious nature than many of your peers. Is that a conscious decision? Where do you take lyrical inspiration from? We write about real things. We take music really seriously. Sure, they is room for playful music, but that is not what we are about. We want people to be able to connect on a real level. Is there any particular reason for you guys changing labels for each record? (Panic to Paper + Plastik, and currently Rise). How is life on Rise Records treating you? No real reason, no. Life on Rise is great! You've got a tour coming up with the amazing line up of, Into It. Over It, La Dispute and Title Fight. What are fans to expect from the shows? And how are you looking forward to it as a band? We are very much looking forward to it. Not only are all of the bands great friends of ours, but we are also huge fans of them all. It's probably the most solid tour we've ever been a part of, and I think people coming to the shows are in for a real treat. How was the festival circuit this summer? What was your best festival? We only did one, haha. We were on Warped Tour the entire summer. It was an experience we'll never forget. How were you received in the UK? How does it feel having a fan base so far away from where you actually come from? We love playing the UK . It is definitely wild. Never in a million years would I believe you if you told my 16 year old self that we would be able to have fans all over the world. It never even crossed my mind. What are you hoping to achieve by the end of the year? For everyone to hear our new record. What bands are you guys listening to at the moment? I've been listening to The Early November's new record a ton, it's so so good. And I've also been jamming a lot of Interpol and the Yeah Yeah Yeah's. If Make Do And Mend was a soft drink, what soft drink would it be?Coca Cola. No question about it.
Looking For Alaska
Kelly Doherty chats to Calvin Lauber of indie-punkers, Looking For Alaska.
Who is Looking For Alaska, and how did you get together? Looking For Alaska is: (me) Calvin Lauber (vocals, guitar), Joshua Cannon (guitar, vocals), Garrett Galtelli (bass, vocals), and Chris Chamoun (drums). We all played in different local bands in the past, and basically through a lot of people quitting a joining a band Josh and I started, it eventually became what is now Looking For Alaska. How would you describe your music for the unacquainted? Loud rock n roll, sometimes we're quiet though. We try to be kind of catchy but can be known to throw that out the window and just yell a lot.. How has 2012 been for you guys? Pretty crazy, really. We had a pretty huge line up change with our old singer leaving. This left us writing all new material and in a way starting over as a band. It's been cool though, we've been taking things in a direction I know Josh and I have been searching for for a while. Other than writing, we are about to release a new EP called "Sing Your Heart Out" on Sep 29th, as well as doing a pretty fair amount of touring the last few months, through florida and up/down the east cost. We're heading out on tour after we release the EP with a cool pop punk band also from memphis called The Summers. I think we're planning on going though Texas, it should be awesome. You released the demo of Gainesville earlier this year. Want to talk us through the song? Musically that song is one of those "aha" moments, where it actually came together pretty easily. Lyrically it really hits home for us, especially Josh and I. We had a past musically of being a pretty spiritually based band, and Gainesville basically addresses our departure from that, referencing "the river", which was a metaphor used on our last album for God/Christianity. Though we are in no way a "pro atheism" band or anything like that, if that's even a thing. basically everyone in the band has their own beliefs but we've decided to remove that from our song writing and focus more on personal, more worldly issues. Gainesville specifically addresses coping with leaving that state of spirituality and finding peace within yourself. Can we expect any more material before the end of the year? Yes definitely, new EP september 29th. Also we are already writing for a full length, which will hopefully be written by the end of this year. What bands do you listen to? Who influences Looking For Alaska? Balance & Composure, Colour Revolt, Transit, Title Fight, Brand New, Jimmy Eat World, Circa Survive, our families, people who love us, people who really don't love us. Great band name, by the way. Big John Green fans? Definitely. Josh named the band when we were like 16, but we still stand by it. Really solid book and John Green has written a lot of other great material as well. If Looking For Alaska was a poem, what poem would it be? roses are red violets are blue im not very funny or witty or good at writing poems josh, garrett, and chris are all funnier than I sorry Final words? Thanks for checking this out! We really hope you like what you hear. You can see us on various places on the interweb, including www.facebook.com/lookingforalaska , twitter @Looking4Alaska, instagram @looking4alaskaband, and our website www.lookingforalaskaband.com Get in touch with us and tell us where you want us to play, we'll try to come play in your city really soon. Thanks everyone, and don't forget to listen to our new EP "Sing Your Heart Out" available September 29th! <3
Pulling Punches
Kelly Doherty speaks to the guys from the excellent up and coming punk rockers Pulling Punches.
Hi there, Pulling Punches! Who is Pulling Punches, and how did you get together? Joe: Pulling Punches is a group of friends that explode whenever they get together and the result is pure, raw, energetic rock.
Michael: We’re a band that grew up listening to a lot of punk and hardcore records. The band has gotten together entirely through Craigslist believe it or not. Each member was looking to be in a band and responded to an ad. We are a product of the internet in that way. Maybe that makes us huge geeks. Maybe we should be sponsored by Craigslist. We should really look into that. As far as band members go:Michael singsRob and Sam play guitarJoe rocks the bassMike plays drums. How has 2012 been for you guys? Michael: Well, it doesn’t look like the zombie apocalypse is coming any time soon, and we’re thankful for that. Joe: 2012 has been a solidifying year, we picked up our two guitarists and that has been a huge piece in pushing the band forward. Before Sam and Rob came along it had been about a year since we had a full line- up. What are you up to at moment? Joe: Right now we are writing new songs, and recording some of our favorites so we can get our sound out. We really went through a restructuring when Sam and Rob came in the band and people can hear that in our songs. Michael: We were thinking about global domination, but it doesn’t seem likely. We’re finishing up recording an EP this month. We’re really excited for people to hear our new sound. You released a couple of tracks last July. How was the songwriting process? Michael: Both songs were written quite a while ago. Affleck Plays the Shark was written in what felt like 5 minutes. It was probably done over the course of one practice though, it came quick. “Breaking Bottles to Forget” on the other hand took a while, we’re glad we survived that one. Sam: The tracks released in July were written by previous band members, so I can't really say how that songwriting process was. We're coming out with a 6 song EP of new songs written by me and Rob. For most of these songs, I demo them, bring them to Rob, and then we rework the songs together - adding parts, rearranging the structure, etc. Joe: Michael has volumes of lyrics just waiting for songs and Rob and Sam have said at different times that their song writing techniques really mimic each other while still pushing each other to create different melodies. Any plans for new material, or a tour before the end of the year? Joe: We are pumping out the jams as fast as we can and we play as much as we can. I work at a school which is a little restrictive with tour schedules although once we get an album done and become more established it will definitely come. Michael: The new EP, which I think we’re calling “Complicating a One Car Funeral,” will definitely be out in 2012. A tour won’t happen this year, but we all want to do it, so we hope more road trips are in our future. Sam: I am hoping so hard that we can get a tour together in the coming months. We've never actually been on tour, and it's always been a dream of mine to get out on the road and play shows every night. We're trying to put out a 6-song EP before the end of September, when we're playing a show (9/30) with Rescuer (Rise Records) at the Barbary in Philly. What should we expect from any new material? Sam: The new material is definitely a lot different from the old material. It's an interesting (read: weird) combination of hardcore, punk, and pop that I can't really describe. Though if I had to, I'd label it melodic post-hardcore/punk. Yeah, that sounds about right. Michael: We try to be awesome with everything that we do, so I’m going with more awesomeness… Perhaps some Iron Maiden inspired guitar riffs too. What bands influence Pulling Punches? Who do you guys listen to? Joe: I’m going with H20, Kanye West, Lil’ Wayne, and Minor Threat Sam: Right now I'm listening to a lot of The Ghost Inside, Gwen Stacy, Norma Jean, and I just got my hands on a Defeater's "Travels" (thanks to Michael, and the Bridge Nine 20 Cds for $20 deal) Michael: The Smiths and Joy Division. Within the genre we play, my favorites are Grade and Strike Anywhere. If Pulling Punches was a particular chord, what would it be? Sam: We'd probably be some crazy jazz chord like a F7b9. Yeah, something like that. Joe: open D Final words? Joe: Michael carries a switchblade, Mike has the largest collection of red hair in the band, Sam resembles the comic book character storm, just with black hair, and Rob is a virgin. Michael: Joe is the tallest band member, and he plays bass, so we at least have that one rock n roll cliché down. Sam: Book us! Please?! :D We put on a really good live show, I promise!
State Champs
Kelly Doherty interviews up and coming pop punkers, State Champs.
Hi there, State Champs! Hi! Who is State Champs, and how did you get together? State Champs is a 5 piece pop punk band from based out of the Capital District of New York. We got together when our bass player Bill approached Tyler at our local Planet Fitness and asked if he wanted to start a band. The rest is history!
How would you describe your music for the unacquainted? Like dad unacquainted? - "it's like punk music with cleaner vocals." You've recently put together the Overslept EP . How was the recording process for you? What steps did you take in putting together the release?The recording process was great. Our engineer, Jay Maas, did an awesome job at bringing out the best in us. Aside from writing and recording everything, we shot the album art with our dude and photographer Mason Garnot (www.facebook.com/masongarnotphotography) and our best friend and male model Mark Oliver (@markxoliver) in Jesse's (guitar) backyard. From there, Derek edited it all. We also got to choose two of the vinyl colors. A lot went into it! What inspired the lyrics on the release? What sort of vibe is on there? The lyrics are generally inspired by problems that Derek is dealing, or had to deal with. Shitty girls, hating life, loving life. You know! How has 2012 been for you? 2012 has been sweet! We played a ton of sweet shows and met a ton of great people. We went on our first US tour with With The Punches and Forever Came Calling. We can't thank them enough for spending the summer with us and teaching us the ways. We also recorded the EP in June. Working in a legit studio that has put out records that I play regularly was awesome. What do you hope to achieve by the end of the year? Make it to the west coast, go to Canada again, make new friends/fans, write most of our full length. What bands influence State Champs? Who do you guys listen to? Aside from all the pop punk scene staples, everyone in State Champs likes 90s alt/emo, rap, and EDM. We listen to far too many bands to list! If State Champs was a sport, what sport would it be? Probably hockey or soccer because like hockey and soccer, state champs is endurance sport. A lot of stuff goes wrong and you just have to brush it off and keep pushing. Final words? Thank you all so much for supporting us over the past two and a half years. Without you, we'd be nowhere. Check out Overslept and pick up a copy from PURENOISE.MERCHNOW.COM and come out to some shows on the Leaving Forever tour! Keep your eyes to the web for November and December tours!