“On Tumblr, we don’t post for likes, we post for the soul.”
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styofa doing anything
Three Goblin Art

pixel skylines
Aqua Utopia|海の底で記憶を紡ぐ
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noise dept.

Discoholic 🪩
AnasAbdin
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Today's Document
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One Nice Bug Per Day
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@thealwaysonpoint
“On Tumblr, we don’t post for likes, we post for the soul.”
by Holger Lippmann
Alpine Ibexes climb nearly 90 degree angles to lick salt deposits of of mountainsides. They crave that mineral.
Why is this back on my dash in 2018
Thank god this is back on my dash in 2018
Another day
Volcán Osorno, Ensenada, Los Lagos, Chile.
my issue with the argument that "disliking ai art is inherently reactionary" is that it acts like pro-ai art people are somehow less reactionary on their views on art, when like the majority of defense's of ai art as like a higher form art are indistinguishable from the arguments people use to defend the art of like. hitler
like the logic is that hitler was actually a great artist, entirely hinges on the belief that "objectively good art" is just art that looks detailed if you've never drawn before, which like why ai artists who want to prove their actual artists will just make a pretty looking building or lady, cause it's all about aesthetics i guess
like i'm not saying your a nazi if you like ai art, i just think it's silly when people act like anti-ai artist's are just hysterical luddites, and that ai artists are the ONLY people who actually care about art, when 99 percent of ai artists on twitter only care about art that's "beautiful" on an extremely superficial level.
Jacob Geller dissected the intersection of Fascism and modern art in 2020, sadly before the AI art boom, and goes into better detail than I can about how abstraction is a threat to fascist ideals. I also want to draw attention to possibly my favorite commentary on modernism.
Comic by Ad Reinhardt, an abstract painter, who's made multiple comics about art and perception.
AI slop only bring repetition and lack of original idea to the table. it's an advanced form of stolen art collage. It seeks only to trace and multiply without provoking. It's the anthesis of art.
The way I explained it to my young cousin was like this:
Back before cameras, paintings were just recording reality, and that's why painters tried to be as realistic as they could, and only paint things that could exist in the world around them--objects, and people, and animals. Sometimes they did paint things from their imagination, but only to illustrate stories, like stories from their religion.
Then, cameras came along, and painters were free to paint things cameras couldn't see--things like the artist's feelings, or ideas, or thoughts, or lots of things. Some artists tried to see if they could paint from every angle at once, and we call that Cubism. Some artists tried to paint very quickly, as quickly as they could, so they could capture one single moment of the daylight, or their impression of a moment, with all the feelings light gives, and that's why we call them Impressionists. Some artists were more interested in the process of painting, like Mr Rothko; or in finding the most intense versions of a colour, like Mr Klein. Some were more interested in the spaces between things, like Mr Mondrian. But art, after cameras, could suddenly SAY something, say something by itself! And art, as it turns out, has a lot to say!
"I can do that too! I can do that!" You can, little friend! We all can!
My little cousin didn't get mad looking at modern art; she was excited, and asked her parents if she could have fancy grown-up paints, because she didn't know Art could be something she could do, could be something about expressing her feelings and ideas. This is a child who can't yet write very well, and not nearly as fast or as well as she speaks, so you have to understand something clicked for her, that she could express the complex human things inside herself with colour and shapes and images, instead of struggling to learn how to spell "melancholy" or "excited" or conjugate verbs to a degree that could encompass it.
Because words take TIME to master as an art form--I should know, I've been practising using them to express MY ideas and feelings artistically for 36-and-a-half years! Paint, however, doesn't require such mastery in order to begin expressing the artist; certainly it helps to know skills, but it isn't as required as it is with words. You can just scream and yell with paint, you can experiment more purely with images than with sounds, which after all are regimented into languages before we can begin to use them at all, let alone for the art words make.
And honestly, why are whole-ass adults not understanding that "I could make that!" should be exciting, should inspire you to go and make that! Why are you so mad? "I could make that!" Yes you can! And you get to! And you're an adult, you don't have to ask your parents to buy you paint and canvas and brushes, you can go and do that yourself and be expressing your own feelings this very afternoon! Nothing is stopping you! You don't NEED that plagiarism machine, you can do better art yourself! And nobody else in the whole world, now or in the past or in the future, is EVER going to be able to make the art YOU can make, the art YOU have inside you! So go make it!
caucasus mountains, azerbaijan
matthieu paley
Banana Granola {Vegan/GF} | Our Food Stories
Art made by me for a magazine art submission, unfortunately I didn’t make the cut 🥲💕🐅🪬
One of the funniest failures of US school system is the fact they are legally obligated to teach us all the states but they never actually show how big Alaska is like I have actually had teachers tell me that Texas is the biggest state. We have all just convinced ourselves that Alaska is that small shrunken down thing on most US maps and the people that know it's the largest state can almost never accurately describe how large it is.
For context here is a picture
It has a national park that’s bigger than maine. Or Switzerland. A park.
I lived in Alaska for two years and I will never get over the sheer overwhelming bigness of it.
Nights where the sky is clear you can see clusters of stars or the Northern Lights dancing. When the lights are rippling especially strong and fast you can hear a static crackle in the air. When the moon is out after it’s snowed, you don’t need flashlights to see. Everything glows and glimmers like polished quartz.
But when the sky is clouded over so you can’t see the stars, you can kind of almost sense the mountains towering over you and helping to block out the light, these giant monoliths acting like this void darker than your soul. I’ve never experience night like Alaska night.
Everything is big, the mountains, the sky, the valleys.
And the dark.
define hole / is a hole a real thing? / Marco Poloni, Black Hole, from The Majorana Experiment, 2010 / Flatfields Fotografien / What We Talk About When We Talk About Holes / Dark (2017-2020) / post / Disco Elysium / Twin Peaks: The Return (2017) / Donnie Darko (2001) / Outer Range (2022) / Kaveh Akbar, from “The Miracle,” Pilgrim Bell / post / Weizmann Institute of Science / Mathworld / post / post / post / post / Anne Boyer, from “Woman Sitting at the Machine,” in A Handbook of Disappointed Fate / Star Wars: Knights of the Old Republic II: The Sith Lords / Dennis Patrick Slattery, The Wounded Body: Remembering the Markings of Flesh / The Incredulity of Saint Thomas, Caravaggio, 1601–1602 (detail) / The Incredulity of St. Thomas, Bernardo Strozzi, 1582-1644 (detail) / Don McKay, from “Twinflower,” Field Marks: The Poetry of Don McKay, intro. Méira Cook (Wilfrid Laurier University Press, 2006) / thierryetherve / Pathologic / post / Gregory Orr, from How Beautiful the Beloved / Tomas Tranströmer, tr. by Robert Bly, from a poem titled “Track” / Disco Elysium / Anne Carson, Economy of the Unlost / Pathologic 2 / Jonas Burgert, Sand brennt Blatt (2010) / Disco Elysium / Carl Phillips, from “Givingly”, Wild is the Wind / from “The Man With a Hole in His Head” by Rick Bursky / Rosario Castellanos, ‘Memorandum on Tlatelolco’ (tr. Maureen Ahern) / post / Pathologic / The Juniper Tree (Nietzchka Keene | 1990) / John Banville, Eclipse / Twin Peaks / Disco Elysium / VectorStock / True Detective / Night in the Woods
"I'm in my late 20s and I'm scared I've already peaked" just don't peak then, idiot. what do you mean like you're going to just stop trying to think harder and build taller and learn more and get luckier and read deeper and dress better and fuck weirder and run faster and draw crazier and smoke danker and dance bigger and steal better and stun everyone with your cunty charm and zeal because, what, you think those are the rules? get real. get up. you have another 50 years and you're not going to use them??? give them to me.
Not to be that person, but if you remember this, how's that newfound back pain going for ya babe
come close
Michael Kenna • Kussharo Lake Tree, Study 2, 2005