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Xuebing Du
Not today Justin
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he wasn't even looking at me and he found me
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DEAR READER
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@thearticulatesk
Scrooge The Musical: A Review
Scrooge The Musical: AÂ Review
Mackay Musical Comedy Players and Mackay Choral Society are two Mackay institutions that have been around for so long that they have become backbones of our community. Separately, they have been giving talented locals the opportunity to step into the spotlight for a little while culturing multiple audiences a year, so it was exciting to learn that they were collaborating at long last with theâŠ
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Crossroad Arts 'Loose Ends' A Review.
Crossroad Arts âLoose Endsâ AÂ Review.
Crossroad Arts Inc collaboratively develops opportunities for people who experience a disability and those in aged care, to access and participate in the arts, and on Saturday night I got to see one of their shows for the first time at one of my favourite venues, Dirty Martinis. A show, I must point out, that was sold out before opening!
The performers in this production treated their audience toâŠ
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Audition Help!
It's that time again!
How to Audition- and how NOT to Audition- for Community Theatre
Image downloaded via Shutterstock
Community theatre is a funny little world that one canât fully understand until theyâve been swept up into it, and once that moment has happened, it cannot be undone. Never again will you have a normal human beingâs perspective where matters of the stage are concerned⊠you are a Thespian, youâve beenâŠ
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CAN YOU ESCAPE AIRLIE BEACH?
CAN YOU ESCAPE AIRLIEÂ BEACH?
 REVIEW: ESCAPECQ
1a/400 Shute Harbour Road Airlie Beach PHONE:Â 48293411
Ever been to an Escape room before? I hadnât, and I hadnât even heard of one until a few months ago when I found out one was being built in Airlie Beach and now that Iâve seen it, I canât wait to go back a second time!
The premise is so cool; you are locked inside the first room of a place called Addington Manor, and areâŠ
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An Unofficial Review: Carrie The Musical
An Unofficial Review: Carrie The Musical
Carrie The Musical Mackay Conservatorium Of Music Triple Threat Theatre Company
Iâve been a fan of the Stephen King novel Carrie since I was old enough to read anything above the Baby-Sitterâs Club. In fact I believe it, Geraldâs Game and Richard Laymonâs The Stake were the first âadultâ novels I ever read, so naturally, Carrie was also one of the first horror movies that I ever watched too, whenâŠ
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The Mackay Cabaret Festival
The Mackay Cabaret Festival
Photo Above: Joel Bow, Lance Horne, Molly Rosetto, Mayor Greg Williamson Photo By Leah McLean
Few people could argue that the Mackay theatre scene has undergone and overhaul in the last few years since home grown theatre aficionado, Joel Bow, whirled back into town like a cyclone of thespian energy, challenging those in the wings, in the spotlight and in the audience to try something new orâŠ
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Review âHear Us Singâ Mackay Choral Society S.K Munt
Review âHear Us Singâ Mackay Choral Society S.KÂ Munt
The Mackay Choral Society was established in 1947 as a post-war pick up for residents of the Mackay Community and now that I have finally seen them in full action, I can see how that ambition has came to pass because attending the rehearsal for their upcoming performance âHear Us Singâ last night was up-lifting in every possible way.
For those of you that are as unfamiliar with how the MackayâŠ
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REVIEW: 'Aladdin The Pantomime,' Mackay Musical Comedy Players
REVIEW: âAladdin The Pantomime,â Mackay Musical Comedy Players
I just came from the Mackay Musical Comedy Players finale performance of Aladdin, and very much regret that I didnât buy tickets earlier, because my kids missed out on a show that I know they would have loved. Mackay has only done two pantomime performances in the last three years, starting with Cinderella in 2016 and now, Aladdin in 2017, and I hope they dust off another favourite fairytale againâŠ
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And The Eurobeat Goes On Mackay Musical Comedy Players December 2018 Magpies Sporting Club
Last night I got to attend the final performance of the Mackay Musical Comedy Players production: And The Eurobeat Goes On, and I walked away not only impressed, but also with a sore face from laughing so much. Iâve been to and in a lot of MMCPâs theatre restaurants in the past so I thought I knew what to expect, but Eurobeat had a format unlike any of the others and because they were in a new venue with a cast that was very different from their typical theatre restaurant line up, it felt like a whole new experience entirely.
Modeled off the Eurovision song contests, Eurobeat is a competition showing several performances from people representing different European countries performing for audience votes via an app. As talented as Eurovision performers always are, there are always those one or two acts that are completely off the wall in the hokey, Japanese Gameshow sense and Eurobeat is almost completely filled with these kind of obscure performances that are delivered with wild, glitzy costumes and crazy back up dancers. I knew that the format of the show was going to be something like that, but I had no idea that the songs featured were going to be random originals written to suit the theme and some of the lyrics had me in absolute stitches, as did the accompanying choreography. The singers featured all have lovely voices under normal circumstances, but musicality was clearly at the bottom of the priority list for this one and I just laughed and laughed as these seasoned performers quite literally let it go for the sake of characterization so that they could screech, swoon and âschalpâ their way through these hilarious routines that presented as parodies of Bjork, Daft Punk and Abba. Obviously there were some lovely solos, (I think everyone collectively heaved a sigh of relief during Marina Duncan, Sue Dalton and Josh Duncanâs numbers) but the entire production was about entertainment and that was what we got.
Every single performance had something incredibly special to offer, but the highlights for me personally were Vianne Conroy representing Iceland (who went on to win last night, much to my delight) Andrew Deguara singing about beer while representing a jolly German, and the keyboard number from Lichtenstein that didnât have any singing at all- simply featuring a handful of futuristic characters âplayingâ the keyboards, swinging cats for special effects and somehow maintaining straight faces all the while. I was almost on the floor laughing during the song from Reyn and Shein from the UK due to the hilarious filmclip that played behind them and I donât know if that was in the script or something that was made up for the production but it was absolutely brilliant and the perfect parody of any lovey-dovey filmclip thereâs ever been.
But I have to say, as glittery and blinding as the entire production was, it was the stunning performance of Vicky Bobeldyk who played Boyka, the hostess from Bosnia that really made my night. You hear the words âTriple Threatâ get thrown around a lot in this business but Vicky is a quintet threat because on top of her mad skills as a singer, dancer and an actress, she is strikingly beautiful and a talented director herself, so she always throws 150% of herself into whatever it is sheâs involved in. Vicky had the only dialogue in the show, and quick changed from one flamboyant outfit to another between acts so that she could introduce each new entrant with aplomb. Her accent and characterization was dead on and there wasnât a single person in the audience that could take their eyes off her- which is saying a lot because sometimes the glare coming off her outfit in the spotlight was borderline painful.
It was an absolutely glittering spectacle from start to finish, delivered flawlessly thanks to the amazing production team including Tonia Beckman, Elaine Power and Tim Philips and they and the whole cast deserved the thunderous applause they got, especilly for the set and stage layout which was again, atypical o anything the MMCP usually does. The backdrops were all technical- a montage of lights and montages set off with just one roaming stage light and it gave the whole show a genuine telescast feeling.
Well done to all involved, because that was an amazing start to the Mackay Musical Comedy Players 2018 season. Make sure you keep your eye out for tickets to Rock Of Ages in May, and The Best Little Whorehouse in Texas (which will be directed by Vicky Bobeldyk) next year! #mmcp
Review: The Eurobeat Goes On MMCP And The Eurobeat Goes On Mackay Musical Comedy Players December 2018 Magpies Sporting Club Last night I got to attend the final performance of the Mackay Musical Comedy Players production: And The Eurobeat Goes On, and I walked away not only impressed, but also with a sore face from laughing so much.
Review By S.K Munt:
Make This Script
Savvy Scripts & Joel Bow Productions
Paxtonâs Warehouse Mackay
Friday November 24th 2018
Last Friday afternoon I had the pleasure of going to see âMake This Script,â which was a collaborative project between Savvy Scripts and Joel Bow Productions, and I had no idea what to expect and was pleasantly surprised with what an unpretentious and moving production it was.
The idea behind âMake This Scriptâ was that a handful or local artists- performing and non, would take a short script that had been penned by local writer Michaela Boyd, and adapt and translate it via their chosen mediums with local producer/actor Joel Bow choreographing it all together. The original script, titled âThe Red Giantâ was a simple scene that centered around two people having a rather complicated discussion. One is battling depression and attempting to explain how it feels, while the other is trying to listen, understand and empathize despite the fact that they have not experienced the affliction themselves. I thought it was a very clever script that used simple but poetic language to vocalize complex thoughts and feelings that are traditionally too overwhelming to escape an individualâs internal dialogue and are therefor often kept locked up tightly within a stream of consciousness. Though the performance of this scene was not intended to be the sole focus of the production it was the catalyst that brought it all together and actors Ethan McCarthy, Pagan Camilleri and Erin Finlay handled it beautifully, focusing a spotlight on themselves and what they were saying. The actors clearly understood what they were trying to say well, but they read from paper scripts because that was the authorâs intention- to make it clear that this one scene was just the beginning of her desire to explore (and have others explore) this subject, so she wanted an open and non-finalized feel to it. This is a very unusual sort of practice but it definitely had its charms- one that seemed perfectly compatible with the venue, Paxtonâs warehouse.
As expected, the theme of âThe Red Giantâ was echoed in other mediums throughout the hour-long presentation. As you entered Paxtonâs you were treated to a display of art titled âArticlesâ that Holy Spirit College students had contributed, and once the performers had finished âThe Reg Giantâ local singer/songwriter Tate Obst treated us to a beautiful performance of one of his original songs as local dance star Taylor Hayes danced along ethereally to it with a routine that she had choreographed to compliment it. Then, to conclude the production, Michaela Boyd recited an original poem that she had written that was as funny as it was moving, articulating her personal feelings regarding depression in a way that made it easier to understand.
All of the performances were causal but perfectly delivered and despite the fact that the central theme was depression, the production was devoid of any gloomy feelings or emotionally weighty shadows. The hour flew by in what felt like minutes. I was glad that I had gone along to see these amazingly talented artists and I know that that was a sentiment shared by everyone in attendance. Well done to all involved, and I look forward to a repeat performance next year.
Review: Make This Script Review By S.K Munt: Make This Script Savvy Scripts & Joel Bow Productions Paxton's Warehouse MackayâŠ
Review: The Anniversary by Kucom Theatre, Mackay
The Anniversary Written by Bill Macllwraith Directed by Vicky Bobledyk Kucom Theatre Beaconsfield State School Show Dates November 17th and 18th 2017 Tickets available at https://www.trybooking.com/RNST $30 adults $25 Concession Students/Pensioners.
Let me set the stage for you- though I cannot imagine how I could possibly hope to describe the set in question while hoping to do is an ounce ofâŠ
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Why Iâm not comfortable voting âyesâ
Why Iâm not comfortable voting âyesâ
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#equality
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A Review: It Takes Two; Songs In The Key Of Giraffe,'by Red Giraffe Theatre.
A Review: It Takes Two; Songs In The Key Of Giraffe,âby Red Giraffe Theatre.
Red Giraffe Theatre It Takes Two: Songs In The Key Of Giraffe Dirty Martiniâs MackayâšAugust 27th, 2017.
Red Giraffe Theatre have only been established in Mackay since 2014/15, but they are already renowned for delivering first class productions and that was exactly what the audience of their latest cabaret act, It Takes Two: Songs In The Key Of Giraffegot for their ticket money this weekend- classâŠ
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Talking Zombies and Indie filmmaking in Australia with Kiah-Roache Turner. By S.K Munt
Talking Zombies and Indie filmmaking in Australia with Kiah-Roache Turner. By S.KÂ Munt
Watch the short for Daemon Runner here!
This week I was incredibly fortunate to get to chat with Kiah-Roache Turner, one half of the fascinating Roache-Turner team responsible for the Aussie Zombie-Apocalypse cult classic, Wyrmwood: Road Of The Dead. Hereâs what writer/director/producer Kiah had to say aboutmakingâŠ
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Jerry Seinfeld
Boondall Entertainment Centre Brisbane
August 9th 2017
â â â â â
Iâm still quite the ingenue when it comes to reviewing and when it comes to Jerry Seinfeld Iâm a confirmed fan for life, so hereâs what I have to say bout his performance in the Brisbane Arena, Boondall on Wednesday July 9th:
It was the best thing Iâve ever seen.
Quite a complex review, isnât it? Well Iâm sorry if I donât have 300 paragraphs of yada yada for yâall, but Jerry was on from the moment he walked onstage, and I daresay he stayed good and on long after he walked off it. Hell, canât you just imagine him in a coffin one day, arms folded, looking around and going: âWhatâs the deal with the air flow in these things?â because he was born to do what he does and Iâve no doubt that heâll die doing it and linger on afterwards as a sarcastic presence in the air.
I consider myself to be quite the collector of comedians. Iâve been watching them on DVD and live for years and Iâm no stranger when it comes to the muffled-splat of jokes falling flat- the empathetic âYou can do itâ titters that come from the most easily-amused fans in expectant crowds after a comedian has swung and missed. (Often, itâs me) Iâve even seen this happen to Jerry a few times over the years (âMove the shoes, move the shoes, move the shoesâŠâ Yes please move the shoes to a segue and faster) and itâs something that you just expect to see at any comedy show. I still fast forward certain bits of Eddie Murphy Raw and Delerious because I have no idea what heâs talking about and donât care to look into it.
But not at Jerry Seinfeld nope, he shot one-liners and multi-faceted paragraphs out like heâd swallowed a fully-loaded wit clip and used every laugh as  the bolt that he slid back for the next. I was sitting between an elderly gentleman and a guy ten years younger than me and they laughed at everything as much as I did, and the laughs were so big that we ended up swaying back and forth and over one another in our squishy seats with no personal space bubble necerssary because we were all in this together.
He is just so good at this. The comedian that came out before him was amazing and I think a lot better than anyone expected. We were still laughing at his jokes when Jerry waltzed out but from the moment the veteran opened his mouth, you could see why we all paid the steep price to get that ticket and then be squished in together- Jerry Seinfeld is the best stand-up comedian in the world and I donât think heâll ever be surpassed. He could go on tour at 90, and there will be tens of thousand of people waiting to see him just as there are right now to hear what he has to say about adult diapers.
Sure I guess there were a few things that didnât resonate quite as well with the Aussie crowd as it would have with a bunch of Americans, but anyone who can call themselves a fan of Seinfeld would have shown up knowing to expect that because as far as generation X is concerned- he was our go-to educator for American culture for a very long time. We know that sometimes US comedians are going to talk about shit that we donât quite get, but the beautiful thing with Jerry is that once itâs out there, itâs everybodyâs joke now and thatâs exactly what happened the other night. The crowd showed up wanting to laugh and so they did- uproariously for an hour and ten minutes straight.
In fact if there was any issue with his act, it was the fact that he was too funny- too relevant and too damn slick. We all showed up with this excitement of finally seeing him again, of getting him to throw another scrap of amusement our way after waiting for so long, but once it was over and we were inching our way out (and I was wiping tears off from under my cheeks as I am right now) you could feel the reluctance to leave in the air. It was as long as any stand up act is, but devesatatingly short. There had been so many new wonderful jokes- but not nearly enough to hit the spot now that weâd remember what it was like to listen to him ramble on.
In fact, it sort of felt like having one cigarette after years of going cold turkey, and now Iâm craving something that I just cannot get enough of. When Seinfeld was wrapping up, it was easy to come to terms with it because by that point, heâd offered his commentary on basically every aspect of the modern world and new voices were popping up everywhere- voices that sounded fresher and more inventive and might just have something to say that he couldnât or didnât want to say.
But that was before the internet took over the world, before Netflix, before Instagram and before, well, everything that pertains to our daily lives now. Seinfeld was about a bunch of middle-aged singles living in a crazy city, but Jerryâs a married man and father now doing the adulting thing (like me) and Iâm desperate to know everything that he has to say on all of the above now that he has so much more material. I want him back on my screen, five times a week, saying the stuff that no one else has the balls to say or the intellect to articulate. I want to see whole episodes about political correctness, Trump, North Korea and text messaging. I want to know what he think about  putting kids through school, keeping a marriage interesting after an extended period of time, Tinder and equal rights for gays.
Jerry Seinfeld offered up a lot of insight into how his mind works nowadays, but his mind works so beautifully and quickly (and still without cussing) that I donât think thereâs ever going to be enough that he can say or do that will make people okay with the fact that he doesnât feel like doing it as much anymore, and so as he disappeared behind that curtain, I began to weep just like I did when Time Of Your Life rolled on the Seinfeld Chronicles.
Strange how a show about nothing can be everything.
The Time Of My Life âJerry Seinfeldâ Live Review Jerry Seinfeld Boondall Entertainment Centre Brisbane August 9th 2017 â â â â â I'm still quite the ingenue when it comes to reviewing and when it comes to Jerry Seinfeld I'm a confirmed fan for life, so here's what I have to say bout his performance in the Brisbane Arena, Boondall on Wednesday July 9th:
The 21 year Countdown to seeing Jerry Seinfeld!
I was in grade nine when I discovered Jerry Seinfeld, and I'll never forget it. I was flicking aimlessly between the four channels we had back then, when I came across an incapacitated looking woman bellowing "Stella!" at the top of her lungs while hyped up on meds. To this day, that will remain the funniest thing I've ever seen, and even though I've watched that episode a million times by now, IâŠ
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