Aselis @theaselis - Tumblr Blog

andrafantino

kingmakings

Fear is not gonna save us right now. You are.

Jurnee Smollett as Leti Lewis | Lovecraft Country (2020-), Season 1, Episode 1

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andrafantino

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lousolversons

I want to smell like a Roman centurion, who’s coming across an old foe, who, in battle once, hurt him greatly.

arktham

Gone Girl 2014, dir. David Fincher

samaraweaving

Daniel Craig as James Bond in Casino Royal (2006) dir. Martin Campbell

ryangoslingsource

When filming the argument scenes in 2010’s Blue Valentine, writer/director Derek Cianfrance gave instructions to Michelle Williams and Ryan Gosling individually without the knowledge of the other in order to create more tension between Dean and Cindy. For Williams, Cianfrance would instruct her to try to leave the room, use any way to break out of the argument with Gosling etc. For Gosling, Cianfrance would tell him to use any means to persuade, get Williams’ attention, etc. Gosling has stated it was a new and interesting process as it became a tug game on set.

pian-ran

KNIVES OUT (2019) dir. Rian Johnson

iglovequotes

blond-shell

Zoë Kravitz as Bonnie Carlson in Big Little Lies S02E02 “Tell Tale Hearts”

michonnegrimes

I had to go my way, but when I found it, I realized I didn’t want it to be my way. I wanted it to be ours. Me and you.

edithhead

“Another part of why I think this green dress resonates so much is that it’s a real collaboration. The thing is, to make a dress that bold everyone has to be committed to it. Seamus [McGarvey], the DP, has to be committed to shooting that dress in an iconic way. It has to fit Keira in an iconic way. Joe has to want it to have a function like that. The real secret of the green dress is its function in the movie. If it hadn’t had that function, it could’ve been a dress that comes and goes, really. But because it has such a pivotal moment — or she’s wearing it at such a pivotal moment — and Seamus and Joe have shot it in a way, and Keira looks so good in it, I think it’s just this perfect storm of things all going right at the same time. There’s a shot of her standing, smoking outside — this side shot — and the dress is quite well laid out. It’s a great shot; it has a real ’30s glamour but it’s also a bit more modern. It just captures what we were trying to do in the movie. You can make a really brilliant dress but, and I’ve seen this in other films, the actor’s only shot from the waist up. Unless you frame it in a way that’s really going to sell it to its best advantage, it’s never going to have the impact it could have. Seamus shooting it in the full-length way and it being lit so beautifully is what sets it up.” — Jacqueline Durran, costume designer for Atonement (2007) dir. Joe Wright