Please @driflloon can you help me ? I found this picture on Instagram, @atocmagazine and they say its from Fendi’s Runway SS2002. But when after veirifcation, this beauty is not in this show. Maybe you know this shoes? Thank you so much xoxo
Xuebing Du
RMH
Keni
"I'm Dorothy Gale from Kansas"

blake kathryn
The Stonewall Inn
trying on a metaphor
Noah Kahan
cherry valley forever
he wasn't even looking at me and he found me
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YOU ARE THE REASON

if i look back, i am lost

pixel skylines
d e v o n
TVSTRANGERTHINGS
Mike Driver

Origami Around
I'd rather be in outer space 🛸
No title available
seen from Mexico
seen from Saudi Arabia
seen from Brazil

seen from Belarus

seen from United States
seen from South Africa

seen from South Africa
seen from Saudi Arabia
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@theaupoint
Please @driflloon can you help me ? I found this picture on Instagram, @atocmagazine and they say its from Fendi’s Runway SS2002. But when after veirifcation, this beauty is not in this show. Maybe you know this shoes? Thank you so much xoxo
Guy de Cointet, GSBHNFOUT, MoMA, New York, 1971
Thom Browne S/S 2015 Menswear Paris Fashion Week
MONSIEURCOUTURE - Follow me on instagram @michelsonmichel
The illustrations here are from the book “悪魔のいる天国” (“Satan is in Heaven”) by science fiction writer Shinichi Hoshi and it was first published as a novella by Tokyo Hayakawa Books in 1973. The artist is Hiroshi Manabe. Rigid, geometric figures in grid-structered spatial compositions build scenes that are instantly poignant and alluring. There’s an almost unsettling sentiment in these illustrations that lets them stand on their own, the story can be disregarded (even though it’s very good).
I strive to attain these kinds of aesthetics in my work. They are endlessly gorgeous and inspirational, I pick up this book at least once a month to marvel.
Adrian Frutiger, working on the development of the typeface Univers, 1950-1954. Client: Deberny et Peignot, Paris. Museum für Gestaltung Zurich. Via emuseum ZHdK
Zadig and Voltaire F/W 2017 Menswear New York Fashion Week
ph Willy Wanderperre
Adriana Varejão - Carpet-Style Tilework on Canvases, 1999
Deva Pardue (New York)
For All Womankind posters
Afficher davantage
Wolfgang Laib (1982)
Barbara Probst for Marni S/S 2017 Campaign
Chalayan F/W 2017 Menswear London Fashion Week