āwho hurt youā me bitch i make bad decisions because iām stupid
occasionally subtle
macklin celebrini has autism
sheepfilms

Product Placement

blake kathryn

Game Changer & Make Some Noise

Discoholic šŖ©

Jimmy Eat World
The Bowery Presents

Jar Jar Binks Fan Club

ellievsbear
EXPECTATIONS

@theartofmadeline
Phantogram Three

if i look back, i am lost
Interview Vampire Daily
šŖ¼
untitled
Lint Roller? I Barely Know Her
One Nice Bug Per Day

seen from United Kingdom
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@thebitchfestclub
āwho hurt youā me bitch i make bad decisions because iām stupid
āPeople like music when theyāre in love, but they donāt need it as much. You need music when youāre missing someone or youāre pining for someone or youāre forgetting someone or youāre trying to process what just happened.ā
āThereās an old poem by Neruda that Iāve always been captivated by, and one of the lines in it has stuck with me ever since the first time I read it. It says ālove is so short, forgetting is so long.ā Itās a line Iāve related to in my saddest moments, when I needed to know someone else had felt that exact same way. And when weāre trying to move on the moments we always go back to arenāt the mundane ones. They are the moments you saw sparks that werenāt really there, felt stars aligning without having any proof, saw your future before it happened, and then saw it slip away without any warning. These are moments of newfound hope, extreme joy, intense passion, wishful thinking, and in some cases, the unthinkable letdown.āĀ
āWhen you have a broken heart, the first thing a stranger will ask is āhow long were you two together?ā As if your pain can be determined by how long you were with someone. Or if you were with them at all. I donāt think thatās how it works. I think unrequited love is just as valid as any other kind. Itās just as crushing and just as thrilling.ā
āI tend to write a lot of songs about love and relationships. That tends to be the main topic covered. I think itās because we need music the most when weāre feeling things really intensely, and I think the most intense times in your life are when youāre either falling in love, or losing it. Donāt you think?ā
behind every girlboss is another, bigger girlboss
they call this a pyramid scheme i think
Dakota Johnson for Grazia Italia (2018)Ā
Photographed by Gia Coppola
film aesthetics -> the love witch (2016) dir anna billerĀ
āare you a witch?ā
āyes i am. is there a law against that?ā
Life imitating art.
Who wants to join my gang weāre gonna go to theme parks and boardwalks but never before sundown.
Requirements:
Must be gay
Must have no sense of fashion
Must be alarmingly interested in vampires
finally something Iām qualified for
queer girl starter pack
āThe unknownness of my needs frightens me. I do not know how huge they are, or how high they are, I only know that they are not being met.ā
ā Jeanette Winterson, Oranges Are Not the Only Fruit (via luthienne)
the energy i aspire to give off
domestic sweetness!!!! getting groceries together, buying home decor together??? making traditions??? cooking dinner while badly singing along to the radio??? making each other breakfast in bed??? leaving notes around the house for each other??? iām so soft,,,,
HIM REFUSING TO WORK WITH A DIALECT COACH IS SO FUCKING FUNNY I LOVE THIS MAN HEāS INSANE
EeeYYEEENT GONTAKETHEBLAYME
āPart of why Pattinsonās performances in The Devil All the Time and The King rise above his hapless costarsā is because it seems as if he frequently operates on a totally different page than the rest of the cast and crew. In the moody and atmospheric The Lighthouse, where he plays more of a true co-lead, for example, Pattinson claimed that he ādidnāt really think it was a horror film, because I thought it was so funny.ā Some believed he was trolling with his over-the-top French accent in The King. Mashableās Angie Han, in sharing her pan of The Devil All the Time, suggested that Pattinson was actually doing a sort of meta-performance with his campy, whining reverend, claiming he was the only one on set who seemed to recognize how comedic the movie actually was. Though I felt more generously toward The Devil All the Time than she did, Iām convinced by her argument; Pattinson stands out because his performances are often cleverer than the movies heās in. When thatās the case, his more earnest costars donāt stand a chance.ā - You donāt want to be in a movie with Robert PattinsonĀ
Thatās it. You broke RPatz down into his fundamental elements.
Due to personal reasons,
It is now Halloween
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The 1 // Taylor Swift